The first (and only ... to this very day, I believe) post I made on this site about Green Day was a review for their single, Holiday, off their 2004 rock epic, American Idiot. At the time, that was basically all I knew of Green Day; their singles. I remember the year American Idiot came out - around my sixth grade year in school -, everyone in the school hallways had heart grenades ... everywhere. Their backpacks, clothing, notebooks ... I didn't get it. I didn't try to. That wasn't my music scene. The time I posted my review for Holiday was about the same time I really started listening to Green Day.
... & Now.
And I'm so glad I did. I have discovered in Green Day a band I'm most respectful of; a group of men who aren't afraid to speak up about what matters to them, regardless of what popular culture may have to say about it. And, while many people are either fans of the "old" Green Day or the "new" Green Day - pre- and post-American Idiot era, receptively -, I have found something to appreciate about all the work this band has done. I truly and honestly respect Green Day as musicians, and am proud to call myself a fan; not of an album, not of an era; but of a group of men who have worked all their lives for what they love.
Green Day just released their much-anticipated follow-up to American Idiot, after a long and very discrete hiatus. It could be debated about whether anything could top 2004's rock opera phenomenon, and whether 21st Century Breakdown (their newly released album) comes even close. However, if you ask me, Green Day's latest is a success in every way. Did Green Day manage to raise their own bar - again! - after the high standard set by American Idiot? Well, I'm not sure it's even fair to even try and compare these two albums. Without a doubt, both are spectacular and speak true to the mission Green Day has as a band.
This following music video is for the single 21 Guns, from 21st Century Breakdown. This song really means a lot to me. The first time I ever heard it, I was listening to the album in the car, driving around town. As soon as the acoustic guitar opened out the track, I was hooked ... and my attention never wavered. Billie Joe asked me the question, "Do you know what's worth fighting for, when it's not worth dying for?" And, long story short ... I became really emotional about this entire track. I have loved this song from the moment I heard it for the first time, and the appeal just never dies off. The music video is equally stunning, and I think really showcases Green Day at ... possibly one of their finest, strongest, most vulnerable and yet, most defiant moments. Please, take a good, honest listen to this remarkable song. Every time I listen to it ... 21 Guns reminds me why I love Green Day so much; then & now.
As frequent followers of this blog probably know, I tend to discover a lot of new music via music television, especially Fuse. These days, it seems the channel doesn't play ... as much music at they used to. But this song is the official first song I fell in love with in Summer '09, courtesy my favorite television station.
100 in a 55, to some people, may not seem like a song that has a lot going for it. Pop Evil may sound like just another rock band, and this single may seem to be lacking a lot of creativity. And, while I agree Pop Evil may not have taken many chances with this track ... as I often say, it's the simplicity of of this song that makes it so special. There's a lot of true, honest emotion in the lyrics of the song and the way those lyrics are presented. The "sweet and simple" styling of the instrumentals bring to mind the days of good, classic rock and roll ... but there's almost a sense of southern influence to this song as well. As a whole, the first thing I thought when I heard this song was, "...now this is rock n' roll." And a lot of people will probably disagree with me on that, because this song isn't in-your-face, pedal-to-the-metal, all-or-nothing out there like a lot of rock music is today. But, when you think about rock n' roll ... it's more than a genre to so many people. Rock n' roll is a lifestyle for the people who appreciate it, and I think this song portrays that imagery, that persona, perfectly.
Feel free to draw your own conclusions about this track. An overdone concept or a classic style? You decide. But I, personally, feel it's the tried-and-true methods exemplified in this track that were the foundation for what rock has become.
This is 100 in a 55, by Pop Evil.
Pop Evil - 100 in a 55 Official Music Video
100 in a 55 Pop Evil
Turn back on the broken heartache Some things are just meant to be I still believe that we got a chance Still believe that we got a chance to be Too much is never enough Andd too little is never enough Full speed got me looking out my rear view; I can’t go back
Goin’ 100 in a 55 and I don’t know why I’m still alive But I do what I can but I know I can’t take anymore I still believe in this rock and roll, and I pray the music gonna save my soul But 'till then I still believe, some things are just meant to be
It's messed up but I got this mission Drunk again, won't remember anyway She said it’s just a game, boy Don’t be gone, don’t be gone for long Ten years I’ve been doing this forever It's all I know, baby please don’t turn away I know you don’t believe in me But I do believe in you
I’m still falling away from here I’m still falling; the wings are falling off I can’t go back, I’m in too deep
Ok, first off let me say that I know I haven't been posting very in depth posts, but that's going to change! *woot* Also, it's been quite awhile since I've posted about any of my more hardcore music faves, that will also change! I'm glad to be back and posting!
...
That said, I am amazed that I haven't posted about Chiodos until now! How could I have forgotten this band?!?
Chiodos, I think I first discovered them while listening to my local Alt Rock radio station. The song playing was "Lexington (Joey Pea-pot With A Monkey Face)", and I loved it! I'm a sucker for classically based rock of all forms. In this case, a screamo/emo/post hardcore/symphonic metal mix. Yeah, it's awesome.
+Band Overview+
Craig Owens (vocals) Bradley Bell (keyboards) Pat McManaman (guitar) Matt Goddard (bass) Jason Hale (guitar) Derrick Frost (drums)
Couple that classic "emo guy" voice, and music that's actually good, and you've got Chiodos. Craig Owens has got some pipes on him. This guy can go from that semi-sweet emo voice, to hardcore screamo in a split second. I don't want to compare them (for Chester Bennington's voice can't be beat), but you do think Chester Bennington when you hear Craig's voice just because of the versatility, and the power, the duality between sweet, and hardcore.
There songs are just about as versatile as Craig's voice, you can go from a beautiful classical piano solo to machine gun bass guitar, and then to a full bodied orchestra. It's all melodic too! Which is a must on my list. It fits together so well, seamless, like it was meant to be. In my opinion symphonicly based rock groups (actually any genre with a symphonic base), are the true evolution of classical music, this is what it was meant to form into at some point, bands like this expand upon the classic, and make it extraordinary. Of course I don't want to turn anyone off by using the words "classical" and "symphonic", this is definitely Rock music, metal almost, and it doesn't sound like classical music.
The lyrics are as good as the music, and yeah it's good.
Prelude (Instrumental)* All Nereids Beware* One Day Women Will All Become Monsters Expired In Goreville Baby, You Wouldn't Last A Minute On The Creek* The Words "Best Friend" Become Redefined Interlude pt. 1 (Instrumental) There's No Penguins In Alaska Interlude pt. 2 (Instrumental) We're Gonna Have Us A Champagne Jam No Hardcore Dancing In The Living Room* Who's Sandie Jenkins To Trixie And Reptile, Thanks For Everything
Is It Progression If A Cannibal Uses A Fork?* Lexington (Joey Pea-Pot With A Monkey Face)* Bulls Make Money, Bears Make Money, Pigs Get Slaughtered A Letter From Janelle I Didn't Say I Was Powerful, I Said I Was A Wizard* Teeth The Size Of Piano Keys* Life Is A Perception Of Your Own Reality If I Cut My Hair, Hawaii Will Sink* Intensity In Ten Cities The Undertaker's Thirst For Revenge Is Unquenchable (The Final Battle)
Bone Palace Ballet Grand Coda [2008]
(Only The Bonus Tracks From This Disc And Their Track Number Are Listed. This Album Also Has All The Songs That Were Released On "Bone Palace Ballet")
1. Two Birds Stoned At Once* 7. ....And Then The Liver Screamed 'HELP!* 8. We Swam From Albatross, The Day We Lost Kailey Cost 11. Smitten For the Mitten 14. I Didn't Say I Was Powerful, I Said I Was A Wizard (Acoustic) 15. A Letter from Janelle (Acoustic)
+No Hardcore Dancing In The Living Room+
When going through all of the songs Chiodos has to offer it's hard for me to pick just one to leave you guys with, but I decided on leaving you with my favorite, No Hardcore Dancing In The Living Room.
Out of all the songs of theirs that I've heard this is by far my favorite, everything about it makes me like it, the music, the lyrics, all of it. It starts out with the best instrumental beginning I've heard in a song in a long time, like best instrumental beginning since Queen's Death On Two Legs (be sure to google that when you're through visiting this blog :D). It has just enough screamo, and just enough melody, and I can listen to it over and over, and the lyrics "Don't let this die, we may never fall in love again It's hard but worth the wait when it's over ...this die, we may never fall in love again It's hard but worth the wait when it's over" just ring over and over in my head.
A song well worth the listen :D
Enjoy!
[Chiodos: No Hardcore Dancing In The Living Room] [All's Well That Ends Well][2005]
+Lyrics+
I've resolved upon this course, which has no need of you Denying this day, didn't stop it from coming Promise me, that you won't be consumed when you realize We're screaming at the same moon
Shredded by state lines Press my face up against the glass With both eyelids shut and baby, this won't get any easier baby, this won't get any easier baby, this won't get any easier
Don't let this die, we may never fall in love again It's hard but worth the wait when it's over ...this die, we may never fall in love again It's hard but worth the wait when it's over
Now open up wide, fist first down your throat Where no beauty lies, and rip out what should've been mine
Comfort always made the rescue, we always hoped 'for the best' I'll burn this with torches, and drown in my consideration
I'll burn this with torches, and drown in my consideration
p.s. be sure to keep checking back for cowgirl4christ's "Then & Now" posts! They rock!
- Keep checking back for updates in the new "Then & Now" series; a look back in the archives of this blog, talking about cowgirl4christ's opinions on several artists then ... and now.
- Mott The Hoople's song, All The Young Dudes
About The Blog
Music expresses that which cannot be said and on which it is impossible to be silent. ~ Victor Hugo
This blog is a collection of cowgirl4christ, Reno, and Amy's favorite music. The posts on this blog will vary greatly in content, from song lyrics to album reviews. All of us have different tastes when it comes to our music, and the songs and artists mentioned here will be a little bit country, and a little bit rock & roll. However, there is one thing we all agree on; life wouldn't be the same without our music. For, as our blog title explains, music.is.life
To see all posts featuring the above mentioned artist, enter the artist's name in the field at the top left hand corner of your screen and then click "Search Blog". Keep in mind that the search engine is ridiculously vague. Putting your search in quotes may help narrow down the results.