Ain't No Rest For The Wicked

I want to quickly apologize for the lack of recent updates to this blog D:
Life has been hectic lately, but I hope I can continue to offer all you loyal readers new and exciting updates.
So now, I'm going to tell you about a song I just discovered this week.

I first heard Ain't No Rest For The Wicked on the local alternative radio station, and while it didn't immediately catch my attention - apart from the unique beats and styling -, after a few listens I was definitely hooked. And how lucky was I to find that iTunes was offering the very track as the free download of the week! xD Needless to say, I downloaded the song immediately. Hurry on over to the iTunes store; maybe the offer is still going on :) If it is, I highly encourage you to click "Download" ... and if they're going to charge you .99 cents; well, I'd have to say, I think it's worth the money.

Cage the Elephant combined a unique sound - think acoustic funk meets southern blues, with a bit of a hip-hop influence for good measure - with powerful, thought-provoking lyrics to create a truly masterful final product. Ain't No Rest For The Wicked is a brilliant, fun song to listen to with the windows rolled down on a warm summer day - but at the same time, if you want to sit and really listen to what the band is trying to say, the message in intriguing.

However, without a doubt, this is one track you have to listen to to fully appreciate.
Please enjoy Ain't No Rest For The Wicked, by Cage the Elephant.

Cage the Elephant - Ain't No Rest For The Wicked Official Music Video

Ain't No Rest For The Wicked
Cage the Elephant

I was walking down the street when out the corner of my eye, I saw a pretty little thing approaching me.
She said, "I never seen a man, who looks so all alone; could you use a little company?
If you pay the right price, your evening will be nice, or you can go and send me on my way."
I said, "You're such a sweet young thing, why'd you do this to yourself?"
She looked at me, and this is what she said;

"There ain't no rest for the wicked; money don't grow on trees;
I got bills to pay, I got mouths to feed; there ain't nothing in this world for free.
I know I can't slow down, I can't hold back; though you know, I wish I could.
There ain't no rest for the wicked, until we close our eyes for good."

Not even fifteen minutes later, after walking down the street, when I saw the shadow of a man creep out of sight.
Then he swept up from behind, put a gun up to my head, he made it clear he wasn't looking for a fight.
He said, "Give me all you've got; I want your money, not your life; but if you try to make a move I won't think twice."
I told him, "You can have my cash, but first you know I've got to ask; what made you want to live this kind of life?"

He said, "There ain't no rest for the wicked; money don't grow on trees;
I got bills to pay, I got mouths to feed; ain't nothing in this world for free.
I know I can't slow down, I can't hold back; though you know, I wish I could.
There ain't no rest for the wicked, until we close our eyes for good."

Now a couple hours past, and I was sitting in my house, the day was winding down and coming to an end.
So I turned on the TV, and flipped it over to the news, and what I saw I almost couldn't comprehend.
I saw a preacher man in cuffs, taking money from the church; he stuffed his bank account with righteous dollar bills.
But even still I can't say much cause I know were all the same; oh yes, we all seek out to satisfy those thrills.

You know there ain't no rest for the wicked; money don't grow on trees;
We got bills to pay, we got mouths to feed; ain't nothing in this world for free.
We can't slow down, we can't hold back; though you know, we wish we could.
There ain't no rest for the wicked, until we close our eyes for good.

Desolation Row

I cannot say enough good things about this cover.

Anyone who follows this blog is probably well aware that my favorite band is My Chemical Romance. While this band may currently be on break and not recording any new material yet, you can imagine my excitement when I heard that My Chemical Romance was selected to record a cover for an upcoming film.
And not just any film; My Chemical Romance has recorded a cover of Bob Dylan's Desolation Row for the Watchmen movie, scheduled to hit theatres Friday, March 6th.

While My Chemical Romance's version of Desolation Row is clocking in at nearly a quarter the length of the original track (Bob Dylan's recording having been around eleven minutes long, compared to the three minute length of the cover), I was extremely pleased by the way My Chemical Romance presented this song. Vocalist Gerard Way chose between the multiple verses of the original track and picked which he felt best represented the movie - a process he said was extremely difficult. However, in the end, the verses the band ended up incorporating into their cover exemplify not only the graphic-novel-gone-film, but the essence of Bob Dylan's original song almost, too perfectly.
There is plenty to appreciate beyond the lyrics, too. My Chemical Romance took an entirely different approach to this cover - it sounds nothing like the original, and yet, the hardcore punk styling of the track not only showcase the novel and, eventually, the movie, but also a new phase in the life of this band. My Chemical Romance are considering moving away from the theatric, rock-opera style which was apparent on their album The Black Parade (2006) and fall back on the punk rock foundations which supported their first two albums (I Brought You My Bullets, You Brought Me Your Love; 2002; and Three Cheers for Sweet Revenge, 2004).
Everything about this cover screams punk-rock, from the raw, unpolished vocals to the rough, dirty guitars and crashing symbols of the drum set. The entire essence of the track is just teeming with pent-up emotion, and the whole thing is hard and heavy enough that, at the end of three minutes, you can't help but keep asking for more. The combination of Bob Dylan's outstanding lyrics and My Chemical Romance's talents in musicianship and presentation is truly a winning mix.

All in all, this cover serves not only to represent Watchmen in the most brilliant of ways, but also My Chemical Romance, and the new direction the band plans to take with their careers.
The video is one hundred percent hardcore and a great watch for anyone - however, it's an especially good treat for those My Chem fans eagerly awaiting the band's return from their break (: And anyone who's actually read Watchmen , as I have, will appreciate every reference made in the video - from the Rorschach banner behind the drum set, to the Pale Horse flyers, to the graffiti on bassist Mikey Way's guitar ("Who Watches The Watchmen") ... it's all there.

Make sure to head out and see Watchmen when it hits theatres this Friday!
Until then, keep on rockin' to My Chemical Romance's cover of Desolation Row!

My Chemical Romance - Desolation Row [Bob Dylan Cover] Official Music Video

Desolation Row
Originally Recorded by Bob Dylan
Covered by My Chemical Romance

They're selling postcards of the hanging, they're painting the passports brown.
The beauty parlor is filled with sailors; the circus is in town.
Here comes the blind commissioner, they've got him in a trance.
One hand is tied to the tight-rope walker, the other's in his pants.
And the riot squad, they're restless; they need somewhere to go
As Lady and I look out tonight from Desolation Row.

Cinderella, she seems so easy; "It takes one to know one," she smiles.
And puts her hands in her back pockets, Bette Davis style.
And in comes Romeo, he's moaning, "You belong to me, I believe."
And someone says," You're in the wrong place, my friend; you better leave."
And the only sound that's left after the ambulances go
Is Cinderella sweeping up on Desolation Row.

...
At midnight all the agents and the superhuman crew
Go out and round up everyone that knows more than they do.
They bring them to the factory, where the heart-attack machine
Is strapped across their shoulders, and then the kerosene
Is brought down from the castles by insurance men who go
Check to see that no one is escaping to Desolation Row.

...
Right now I can't read too good
Don't send me no letters, no.
Not unless you mail them from Desolation Row.

Avenged Sevenfold - "Avenged Sevenfold"

I can't get enough of this album.
Avenged Sevenfold is a band I was familiar with in the vaguest of ways. I had heard Afterlife and seen the music video, just like anyone else who had their televisions set to Fuse. However, that was the only song I'd heard by them, and didn't go out of my way to listen to anything more.
Once again, my mistake.

However, a friend of mine convinced me to go see Avenged Sevenfold with her when they came to our neck of the woods earlier this month. The show was epic. But, it wouldn't have been half as good if my friend hadn't let me borrow all of Avenged Sevenfold's albums beforehand, to let me "catch up" and maybe not feel like such a poser when they finally came on stage x]
From Sounding the Seventh Trumpet (2001) to City of Evil (2005), I got acquainted with all of the band's work. I was pleasantly surprised to discover that Avenged Sevenfold's previous works were much more metal, much more hardcore, than their more recent releases; after hearing the melodic, soulful Afterlife, the full-on screaming in the band's previous albums was a surprise. But, what I noticed is that - no matter which style the band sought for -, with each album, I found something different to appreciate about this band.

In the end, though, it was the band's latest, self-titled album, released in 2007, which caught my attention. There were just so many chances taken on this album - the band really took a different spin on their sound with this one. While some old fans may not appreciate Avenged Sevenfold's drift away from their previous metal sound, I find it impossible to imagine how you couldn't appreciate the lengths this band went to in order to create a truly unique album.

This is an album review for Avenged Sevenfold.

Avenged Sevenfold- Avenged Sevenfold (2007)

1. Critical Acclaim - The band makes an impressive enterance with the first track of this album, declaring their new style and their new sound in almost a defiant manner, pairing organ chords with dramatic guitar melodies that send shivers down the spine. The song picks up shortly, with the drum line stealing the show. As a whole, every aspect of this song is overwhelming, and all you can do is sit back ... and enjoy. The band makes many powerful statements with the lyrics in this song; however, you're almost too drawn up in the sheer brilliance of the track to notice the message the band is making.
2. Almost Easy - The group doesn't even pause for a breath before running headlong into track two. With less elements incorporated than the opening song, it's easier to absorb the message behind this track; the lyrical impact. The hook is definitly one which strikes a nerve, as vocalist M. Shadows declares time and again that, "I'm not insane!". The bridge of this song is a standout, incorporating melodic, flowing backing vocals to really wrap up this track.
3. Scream - From the very beginning of this track all the way through, you just feel ... well, a little naughty listening to track three. The band backs down in intensity slightly, but makes up for it in plain and simple sexual tension. Not exactly a standout track, but not one to be ignored, either.
4. Afterlife - The stand-alone single from the album. As many times as I've heard this song, the strings which start the song off never lose effect; their shrieking high notes, followed immediantly by the guitars, still gives me shivers. Simple, melodic vocals are paired with the heavier guitars, bass and drums to give this track a unique style. Plenty of elements were incorporated into this track to make it the success it ultimately was.
5. Gunslinger - Any hardcore A7X fans were probably mortified to hear the acoustic, almost country-western guitar strumming which began this track. However, when the intensity picks back up after the first chorus, fans were allowed a sigh of relief. The styling of this track is a perfect example of the chances the band took on this album; and, to me, it paid off, in a huge way. The emotion in this track is intoxicating; I can't stop listening. The female backing vocals make their first significant appearance during the guitar solo of this song, and the effect is haunting.
6. Unbound (The Wild Ride) - One of two on the album which really just don't do much for me. I do adore the intricate piano melodies and backing vocals during the verses; however, as a whole, this track just doesn't stand out to me. The lyrics are okay, and, while the guitar parts are impressive ... but all in all? Just "alright". I really do love the bridge of this song ... but, honestly, my attention usually doesn't hold long enough to make it to that point in the track.
7. Brompton Cocktail - The second not-so-interesting track. There are parts of this song that I really enjoy; specifically, the string melodies during the verses. However, the vocal performance is only mediocre, and while the instrumentals are impressive at times, as a whole, the song just doesn't keep my attention.
8. Lost - The band takes another huge chance in track eight ... and, thankfully, it pays off. The guitars completely attack this song, starting off with a beautiful solo before taking off when the vocals begin. However, it's not until the chorus that this song really makes you stop and pay attention. The way they have altered the vocals in the studio, giving them an almost techno style, is a far cry from the band's old sound - and yet, it totally works. All the elements of this track, combined, just make it a unique song that I can't stop listening to!
9. A Little Piece of Heaven - My favorite track on the album, by far. A twisted tale of romance gone wrong, the story the lyrics tell are really only half the reason this song is so great. This song wouldn't be near the same without every element the band incorporated; strings, piano, brass; backing vocals, almost sounding like a choir ... it's almost a rock opera, but not quite. Besides these little "extras", the performance by the band is top-notch. Just a perfectly demented, beautifully skitzophrenic track.
10. Dear God - I was surprised when the band chose to end such a dramatic, complex album with an acoustic track. However, in a way, this was the perfect song to wrap things up. With simple, heartfelt lyrics and passionate performance by the whole band, this song is just beautiful. The acoustic, again, is almost country-western in influence, but not enough so to drastically change the sound - and a two-minute guitar solo at the end of the track reminds us that A7X is just as hardcore as ever.

Although the sound on this album may be quite different than anything the band has ever produced before, I think the changes Avenged Sevenfold took on this album are ultimately what made me respect them as a band. As a new fan, I can't justify an argument about how the band has changed thier sound, how they arn't what they once were ...
But, isn't that what being a band is about? Changing, growing, making something new?
I think Avenged Sevenfold has done just that. Please, check out these links and learn more about this unique band.

The band's website can provide you with all you need to know about Avenged Sevenfold, including tour dates; if you're lucky, maybe you can see this band perform live, as I have.

Lyrics to all the songs on this album and A7X's other releases can be found on this website.

I'm going to share with you the music video for A Little Piece of Heaven. I realize the video is as sick as the song ... but at the same time, it's as unique, as creative, as the album in which I've just reviewed. While maybe some of you cannot see what I see in this video, I hope some of you can appreciate the creative measures the band took in both the video and the song.
So, enjoy A Little Piece of Heaven, by Avenged Sevenfold; but, please, don't ignore the disclaimer ;)

Avenged Sevenfold - A Little Piece of Heaven Official Music Video

Dog Problems

Ah, The Format. One of my closest friends introduced me to these guys over the summer, and I'm very happy she did.

I hear The Format as a blend of Indie Rock and Broadway Musical, and I consider Dog Problems (off their album of the same name) their most epic sounding song.

The lyrics are fun and witty, and matched with fast paced vocal melodies. You can't help but want to memorize the words and sing along every time you hear the song.

This is definitely a must for everyone's i-pod. The perfect song to add to a "Summertime" or "Happy Songs" playlist. It has most certainly become a part of the soundtrack to my life.

Enjoy!

Dog Problems-The Format (Official Video)


-Lyrics-

Don't.
You.
Dare.

Speak for someone you don't know
They'll feel it in the back of their throat
We know I can't construct a poem
'Cause words like girls get bored and run
C'est la vie
I say "I've got so many better things"
I've got nothing
You should see me
I smoke myself to sleep

And blame postmodern things I can't relate
Like summer camp and coastal states
Like alcohol and coffee beans
Dance floors and magazines
I think its safe to say I've only got myself to blame
But boys in swooping haircuts
Are bringing me down
Taking pictures of themselves
Oh, no

“Boys in swooping haircuts you know who you are”

And so I walk the web in search of love
But always seem to end up stuck
I'm finding flaws in everyone.
I've reached the point where all I want
Is to sleep around in hopes that I will catch back up
We are parallel lines
We’re running in circles
We're never meant to cross

I'm at a loss
You were my tangerine
My pussycat, my trampoline
Now all's I get are wincing cheeks
And dog problems
I signed a lease
Thinking my heart belonged at 93rd and park
Instead I broke a girls heart
And flew back to Phoenix
To finish the year as it started

Can you hear me?
Are you listening?
This is the sound of my heart breaking
And I hope it's entertaining
Cause for me
It's a bitch

Was it worth it?
When you slept with him?
Did you get it all out of your system?

I am a man
Holding it all
I couldn’t breath
Coming across
I didn’t know
I couldn’t get up

B is for believing you'd always be here for me
E is for everything, even when we'd see it though
C, C is for seeing through you,
You are a fake, which brings me to...
A because, because, you always run away

I never finish phrases I misspell
An open arm's a prison cell
When I said, "I hate what I've become"
I lied, I hated who I was
So when you start to wonder
About the pain in my throat,
Well don't you ever, no never ever
Speak for someone
You.
Don't.
Know.

(lyrics found on http://lyricsondemand.com, and video found on youtube)

Sometime Around Midnight

There's an interesting story behind my introduction to this song.

I heard it on the local alternative radio station in the car ... probably a month or so ago. And I remember being instantly drawn to the song; the simplistic, yet effective, styling of the band and their delivery of the music. I remembered how much I enjoyed listening to the song ... but not what the song itself was titled.
I must have spent weeks desperately trying to remember any significant lyric of the song that I could possibly Google in order to discover the identity of the track; which had come to me on a shady weekday morning and then seemed to have disappeared from my radio station's play list. The only word I could remember was "midnight" ... and that was too vague to look up song lyrics.
Finally, one day, the string solo to my elusive track soared over the radio and, frantically excited, I turned around in the passenger seat and said excitedly to my sister, "This is my 'minutes to midnight' song!"
Why I adopted the title of Linkin Park's 2007 studio album as the unofficial title of this song, I'm not entirely sure. However, I soon learned that the lyric in which I got my "midnight" reference simply stated, "It starts sometime around midnight ..." - and the official title of the song was; well, you know.

Having finally tracked down and added the song to my vast collection of digital music, Sometime Around Midnight has been playing on my iPod nonstop. Each time I listen to the song, I find something new to appreciate about it; the unique vocals, the passionate lyrics, the simple - yet painful - story the song tells. There are no secret meanings behind this track - at least, none that I've come to find. To me, this song is simply about a man seeing an old "friend" at a bar - and all the bittersweet memories that brings back, all the unsatisfied desires of this lonely man.
And yet, that simplicity, that honesty ... is what makes this track so beautiful. In making this song "simple and sweet", the band has managed to create a track that is not only pleasant to listen to, but also easy to relate to - and that's a winning combination.

No matter how many times I listen to this song, though, I have to say my favorite part is the viola solo at the very beginning and very end; it seems to be what brings the entire track together. There's an emotion emitted from the strings that cannot be matched by any other instrument, and this track just wouldn't be complete without the element the viola brings.
Second on my list of favorite things about this song is probably the vocals. This band's lead singer has a unique, memorable, passionate voice that is impossible not to appreciate.

This is The Airborne Toxic Event with Sometime Around Midnight.

The Airborne Toxic Event - Sometime Around Midnight Official Music Video

Sometime Around Midnight
The Airborn Toxic Event

And it starts sometime around midnight;
Or at least that’s when you lose yourself for a minute or two.
As you stand under the bar lights;
And the band plays some song about forgetting yourself for a while.
And the piano’s this melancholy soundtrack to her smile.
And that white dress she’s wearing, you haven’t seen her for a while.

But you know that she’s watching,
She’s laughing, she’s turning, she’s holding her tonic like a cross.
The room’s suddenly spinning, she walks up and asks how you are.
So you can smell her perfume, you can see her lying naked in your arms.

And so there’s a change, in your emotions.
And all these memories come rushing like feral waves to your mind.
Of the curl of your bodies, like two perfect circles entwined.
And you feel hopeless and homeless and lost in the haze of the wine.

Then she leaves, with someone you don’t know.
But she makes sure you saw her; she looks right at you and bolts.
As she walks out the door; your blood boiling, your stomach in ropes.
Oh and when your friends say, “What is it? You look like you’ve seen a ghost.”

Then you walk, under the streetlights.
And you’re too drunk to notice that everyone is staring at you.
You just don’t care what you look like, the world is falling around you.

You just have to see her ...
You know that she’ll break you in two.

Made Of Bricks

I first found out about Kate Nash when watching MTV at like seven am (about the only time they ever actually play music anymore...). There was a video for "Foundations" playing, and I really liked it. I love her poppy sound and British accent, her playful and catchy lyrics and, lol, her hair xD. She came across to me as a more melodic, less rap-ish, Lilly Allen. Another artist whom I like, and someday will get around to reviewing. She also has the same poppy piano vibe as early Regina Spektor.

Made Of Bricks is a great album, perfect for smiling along to, or listening to while having a picnic...it's just that kind of music.
Also, like Lilly Allen Nash brings a sense of irony to her music. Pairing the happiest melodies and catchiest tunes to some not-so-happy lyrics.

-Track List-

1.Play
2.Foundations
3.Mouthwash
4.D***head
5.Birds
6.We Get On
7.Mariella
8.S*** Song
9.Pumpkin Soup
10.Skeleton Song
11.Nicest Thing
12.Merry Happy


Merry Happy-Kate Nash-Fan Made Video



Lyrics:

Watching me like you never watched no one
Don't tell me that you didn't try to check out my bum
'cause I know that you did 'cause your friend told me that you like it

Gave me those pearls and I thought they were ugly
though you try and tell me that you never loved me
I know that you did 'cause you said it and you wrote it down

Dancing and discos, eating cheese on toast
yeah you make me merry make me very, very happy but you obviously,
you didn't want to stick around
Dancing at discos, eating cheese on toast
yeah you make me merry make me very,
very happy but you obviously, you didn't want to stick around

So I learnt from you, do do do da do do do do do do da do do do
So I learnt from you, do do do da do do do do do do da do do do

I can can be alone, yeah, I can watch a sunset, on my own

Sitting in restaurants, thought we were so grown up
But I know that we were not the people that we turned out to be
Chatting on the phone can't take back these
hourse but I won't regret 'cause I can grow
From where dirt used to be

Dancing at discos, eating cheese on toast
yeah you make me merry make me very,
very happy but you obviously, you didn't want to stick around
Dancing at discos, eating cheese on toast
yeah you make me merry make me very,
very happy but you obviously, you didn't want to stick around

HIM - "And Love Said No: Greatest Hits 1997 - 2004"

My introduction to HIM (previously and sometimes still referred to as His Infernal Majesty, or shortened to H.I.M) was an introduction similar to many others I've experiences with other bands I've somehow gotten into. HIM was a name I had heard before ... I knew the genre was a melancholy mix of goth rock and metal, and I even knew they hailed not from the US, but Finland. I'd flirted with some of the band's tracks, listening to thirty-second previews on iTunes. I often caught myself staring in awe at some of the band's cover art, for albums such as Razorblade Romance (2000) or Greatest Lovesongs, Volume 666 (1997). However, for whatever reason, nothing could convince me to finally sit down and listen to any extent of the band's music.
But, as fate would have it, I finally had an HIM song thrust upon me; by watching a countdown on Fuse, as often occurs. The new music video for Killing Loneliness was airing, and I couldn't help but pay attention. From the very opening notes of the song - a piano melody, soon accompanied by heavy guitars and a whining keyboard - I was hooked, and as the song progressed, I fell more and more in love with everything about this band.
So, I finally forked over the cash and came home with HIM's greatest hits album, And Love Said No. Released in 2007, the album contains most every major track HIM has released since their first album was put out ten years prior.
And I must say, this album is anything but disappointing. Giving you a taste for every unique aspect of this band, And Love Said No draws you into a fantasy land of love ... and death.
This is an album review for HIM's And Love Said No: Greatest Hits 1997 - 2004.

HIM - And Love Said No: Greatest Hits 1997 - 2004 (2007)

1. And Love Said No - A soft track, the verses are formed mostly around one guitar theme. The choruses, however, pick up with crashing cymbals and powerful vocals. The lyrics in this song take my breath away and make it one of my favorites on the album.
2. Join Me In Death - Track Two embodies everything about H.I.M's obsession with love and death, and the combination of the two. The piano makes its first impact on the album, with the guitars taking a back seat to the drums which carry through the verses. And, as always, Ville Valo's exceptional vocal range creates a haunting mood around the entire track.
3. Buried Alive By Love - Picking up the pace, Track Three starts out strong and doesn't let up. While the volume or the tempo may waver, the intensity of this song never seems to wane. Some of my favorite vocals are on this track; specifically, in the pre-chorus. With powerful, desperate vocals and the strong guitar theme, this song is teeming with adrenaline.
4. Heartache Every Moment - The piano and keyboard open this track up and continue their presence in the choruses, giving this song its haunting presence. Rhythmic guitar and drum lines draw you in, and poetic lyrics tell another tale of love gone wrong. Not a standout, in my opinion, but not to be overlooked.
5. Solitary Man - Strumming guitars back up emotionally charged vocals to deliver another upbeat track. The chorus is definitely the highlight of Track Five, with it's catchy hook and melodies. Valo takes plenty of opportunities to exercises his vocal talents, especially noted before the brief guitar solo after the second chorus.
6. Right Here In My Arms - A lower vocal range during the verses gives this song a different sound from the others. Again, cymbal crashes carry us through the verses, with the guitars picking up right before the choruses and dying down afterwards. With lyrics and vocals both painful in essence, this track is certainly one which draws you in.
7. Funeral of Hearts - The band slows down the tempo without in Track Seven without losing any of the passion or desperation. An acoustic guitar strums in the background as the vocals rise and fall, with the piano and guitars each having their turn in the spotlight. The lyrics fill this track with so much raw emotion ... simply lovely.
8. In Joy And Sorrow - Track Eight keeps things soft and (bitter)sweet. Acoustic guitars and piano melodies take the stage behind another lower, captivating vocal range which tells this tragic love story. Simply a gorgeous track, it's impossible not to be drawn in.
9. Your Sweet 666 - One of the songs which has given HIM the label as a "satanic band". Whatever your opinion of the title or lyrics, this is the kind of song that you get stuck in your head. Personally, I adore this track, and find the lyrics heartbreaking and beautiful. Plenty of chances are taken throughout the band during this track, and it really pays off.
10. Gone With The Sin - Track Ten starts off almost inaudibly low and soft, with the same captivating vocals. When the lyrics are finally paired with acoustic guitars, keyboard, and drums, the passion behind it all is nearly overwhelming. A gorgeous love song and a perfect lullaby, this is definitely one of my album favorites.
11. Wicked Game - The guitars in this track give you an idea why HIM might be classified as any form of metal. As a whole, this track seems to have a lot more elements than the others on the album; the vocal range, from extremely low in the vocals to the high note which opens the chorus, keeps this song interesting throughout, and the background vocals during the chorus are a unique touch. Every chance taken on this track was 110% worth it.
12. The Sacrament - The piano theme of this track gives the entire song an almost fairytale quality. When paired with the strumming guitars, rhythmic drums, empowered vocals, and lovestruck lyrics, this song overflows with an other world-ly feel. A captivating track as a whole, with the piano definitely standing apart.
13. Close To The Flame - Soft, yet strong, this track moves quiet and slow as it tells its story. The keyboard and piano pair up once again to create a passionate, haunting theme. The bass also makes its first obvious appearance and, backing up Valo's voice, creates another beautiful lullaby.
14. Poison Girl - The guitars shine once again in Track Fourteen, with enough venom to make you forget this is a love song. The only truly angry, remorseful track on the album ... and yet, the entire band executes it flawlessly. A track which stands apart from the rest ... and yet, in some strange way, fits in perfectly.
15. Pretending - A few unique twists are added to this track to make it a little more than ordinary. The keyboard makes a conspicuous entrance in the intro and chorus of the song, accompanied by a nearly techno sound effect to give the track just enough "something extra" to make it a little different. Otherwise, not an outstanding track, besides the typically well-written lyrics.
16. When Love And Death Embrace - The keyboard gets one more chance to steal the stage on the final track of the album. The cymbal crashes and bass back up Valo's passionate, broken hearted vocals and lyrics, while the keyboard theme swells and dies during the chorus. A soft, desperate track, this is the perfect way to end such a phenomenal album.

This is just another example of why I should simply take the time to look up these bands I'm interested in, instead of waiting for them to find me. Because, had I done so, I would have been entranced by HIM's music a long, long time ago.
If you're interested in HIM, I encourage you to check out the following links.

HIM's website can keep you updated on the band's news, tour dates, and other information.

Lyrics to all the songs on this album as well as HIM's many other efforts can be found on this website.

I've decided to share with you the music video for The Sacrament. The video in itself is stunning, and the song, breathtaking ... but, together, it seems you can really appreciate the entire story the band is trying to tell.
So, please enjoy The Sacrament, by HIM. And, please, do yourself a favor; check out other music by this extraordinary band.

HIM - The Sacrament Official Music Video


H.I.M. - Sacrament - Omnes

Bodysnatchers 4 Ever (What's A Pulse Got To Do With It?)

Frank Iero is building up quite the resume.

Coming from humble beginnings in the punk act Pencey Prep and moving into a current and outstanding career in alternative rock band My Chemical Romance, Frank Iero has certainly gotten around in his days as a musician. However, this month marks a milestone for his latest project; the release of LeATHERMOUTH's very first album.

LeATHERMOUTH, another punk act hailing from Jersey and fronted by Iero, has come a long way in a very short amount of time. This is a band which wants to "vent about all the bull***t that I see going on in the world that makes me ill," as Iero put it. He goes on to say; "I try to belabor the topics people want to forget exist. LeATHERMOUTH is where I can vomit out all the aggression that has built up inside."

With their first single off their first album (XO; scheduled release January 27th, 2009), Bodysnatchers 4 Ever does just that. With pure, hardcore adrenaline pumping through the entire song, you can't help but feel any anger or upset inside you fall away while listening. The lyrics - if you can see past the screaming and take them at full value - are powerful, angry; easy to relate to. As a whole, this is music that speaks to people everywhere - of all ages, and of all walks of life. This music brings out in people whatever they're most afraid of, whatever it is they don't want to deal with; LeATHERMOUTH takes that fear and shoves it right in your face. And, after listening, you honestly feel better for it.

Bodysnatchers 4 Ever is a hard-hitting first single from what's sure to be a knockout new band. I encourage you to look up LeATHERMOUTH's other single, Sunsets Are For Muggings, and don't miss your chance to pick up XO on January 27th. I sure know I'll be getting my hands on a copy (:

So, if there's something you've got on your mind, something you need to get off your chest ... prepare for a release.
This is Bodysnatchers 4 Ever, by LeATHERMOUTH.

**EDIT 3.1.09 - LeATHERMOUTH released a music video for this track a while back. I'm sorry I didn't update this post sooner :( However, you can now enjoy the official video for Bodysnatchers 4 Ever. It's pretty much epic. May give certain individuals motion sickness and/or nightmares.
I'm also pleased to report that I purchased XO, and it is simply amazing (: Highly recommended.
After buying the album, I learned that this song actually has a subtitle. This post as been updated accordingly. Sweet deal.

LeATHERMOUTH - Bodysnatchers 4 Ever (What's A Pulse Got To Do With It?) Official Music Video

Bodysnatchers 4 Ever (What's A Pulse Got To Do With It?)
LeATHERMOUTH

a second chance, take a life, another mission.
to steal a kiss from borrowed lips, i taste your prison
it feels like a lifetime, of leaving bodies on the sidelines.

i swear to God, girl, you're never gonna regret this.
close your eyes, this will only take a second.
though these veins are borrowed,
this heart only beats for you.

1,2,3,4!

their shells disposable, oh so expendable.
shut it, shut it, shut it, shut it out
of your pretty mind,
they never cared for you.

here's our shot to insight a revolution.
they don't deserve to live, we are their evolution.
these veins are borrowed, these shells are borrowed.

a new life after death, it's fucking perfect.
don't you fear, they'll never hurt you darling.
these veins are borrowed, these veins are borrowed.

1, 2, 3, 4!

their shells disposable, oh so expendable.
shut it, shut it, shut it, shut it out.
they never cared for you;
how can you shed a tear?

don't worry old girl.
dry the tears from your eyes.
something better is bound to come around sometime ... let's go.

this face means nothing, these hands feel nothing.
these lungs are empty, and these eyes are blind.
this face means nothing, these hands hold nothing.
i'm here, this heart is yours.

our love never dies.

Use Somebody

Kings of Leon may be a new favorite of mine.

So far, I've only heard two songs by the band; the recently popular, upbeat Sex On Fire, which I have discovered to be the perfect song to turn up in the car when you're driving back roads on a sunny day ...
... and the track I'm going to tell you about in this post.

Use Somebody is a soft, simple track, with so much emotion it's impossible not to be drawn. Everything about this song captivates me; the quiet, straight-forward lyrics, the conspicuous bass line, the strumming of the rhythm guitar, the short guitar solo, not overdone ... and the drums, the crashing symbols, which seems to tie it all together.
However, what truly caught my attention in this song - and Sex On Fire, and probably any other Kings of Leon song I will listen to in the future - is the vocals. Caleb Followill's vocal styling is very unique, and his delivery is flawless. His great lead vocals are made that much more spectacular when they are paired with his backing vocals, which usually consist of alternating higher and lower notes in a range that gives you shivers. It's impossibly not to appreciate the emotion in these Kings of Leon tracks - and others, I'm sure - with Caleb's powerful voice delivering the lyrics.
As a whole, I just adore this track. I can't stop listening to it. Use Somebody is really an example of how you can say so much in so little words.

A final note, which is irrelevant to my opinions on the track, but which I found to be very interesting and just, sweet ...
Kings of Leon is made up of Caleb, Jared, Matthew and Nathan Followill. I would assume the relationships are brothers.
A band of four brothers. How cool is that? I've never seen a band whose members all shared the same last name (:

Anyway.
Use Somebody is simply a lovely track, and I think you'll appreciate it most if you take a listen to it yourself. Watching the video may also help you get a feel for the power behind this simple, quiet song.

This is Use Somebody, by Kings of Leon.

Kings of Leon - Use Somebody Official Music Video

Kings of Leon - Use Somebody

Use Somebody
Kings of Leon

I've been roaming around, always looking down at all I see.
Painted faces, fill the places I can't reach.

You know that I could use somebody ...

Someone like you, and all you know, and how you speak.
Countless lovers, under cover of the street.

You know that I could use somebody ...
Someone like you.

Off in the night, while you live it up, I'm off to sleep.
Waging wars to shape the poet and the beat.
I hope it's gonna make you notice ...

Someone like me;
Someone like me, somebody ...
Someone like you;
Someone like you, somebody ...

I've been roaming around, always looking down at all I see ...

Finally, I'd like to dedicate this review to Steven's Untitled Rock Show which, regretfully, has been cancelled.
I first discovered Use Somebody through Steven's show, and the video was played on the show in the final episodes.
Fuse won't be the same without SURS :(

Yngwie Malmsteen

The name's a bit of a tongue twister no? Just to get you started here's how you pronounce this guy's name, Ying-Wee Malm-Steen.

Now, who exactly is he?
A metal guitarist with the heart of a classical composer. Think of every variation of metal guitar you've heard to date, and then think even farther, you've got Yngwie and his amazing style.

He was trained classically as a child and went on to perform heavy metal guitar music, but what I'm interested in is his Symphonic Metal. He has composed classical concertos and symphonies for electric guitar and entire orchestras.
This is what classical music has evolved to for him...and it's amazing.

I discovered him when a friend gave me a CD with some of his classical tracks, I fell in love...this stuff is awesome.

I really don't want to say too much though, other than of course that you must listen!
Form your own opinion, I'd love to hear it. This is less a review and more me introducing you to his music and wanting to know what you think of it.

I think it's something else!

Enjoy.


Cavallino Rampante (LIVE)-Yngwie Malmsteen and the Japanese Philharmonic Orchestra

The '59 Sound

I adore this song.
The first time I ever heard it was on Steven's Untitled Rock Show on Fuse; which, I'm pleased to announce, seems to be airing new and ever-amusing episodes after a scary time in which I thought my favorite show on television may be cancelled.
The video was first aired on the show months ago. Steven, the host of the show (gee, really?) declared this one of his favorite songs from an up-and-coming artist, and seemed to anticipate the song's popularity far before it ever hit the radio stations near me.
These days, it's rare not to hear The '59 Sound over your stereo if you have the radio set on my local alternative station. Being that the alternative station is indeed my favorite, I have heard a lot of this track lately.
And yet, it just never gets old. The Gaslight Anthem have recorded a huge first single. There's so much raw emotion in this track; the vocals and instrumentals are simple and honest. The lyrics, if you take a minute to really listen, will break your heart - they speak a story of memories, good and bad, regrets and thanksgiving that come with our final days in this world. However, despite an upsetting concept, this song has a hopeful, reminiscent overtone. It really is a bittersweet listen, but one that makes you feel better once the final notes fade away.
As a whole, this is one that I just can't seem to get enough of. I look forward to hearing more by this band.
This is The '59 Sound by The Gaslight Anthem. Enjoy :)

The Gaslight Anthem - The '59 Sound Official Music Video

The '59 Sound
The Gaslight Anthem

Well, I wonder which song they're gonna play when we go;
I hope it's something quiet and minor and peaceful and slow.
When we float out into the ether, into the Everlasting Arms
I hope we don't hear Marley's chains we forged in life

'Cause the chains I been hearing now for most of my life ...

Did you hear the '59 sound coming through on Grandmama's radio?
Did you hear the rattling chains in the hospital walls?
Did you hear the old gospel choir when they came to carry you over?
Did you hear your favorite song one last time?

And I wonder, were you scared when the metal hit the glass?
See, I was playing a show down the road when your spirit left your body.
And they told me on the front lawn, "I'm sorry I couldn't go",
But I still know the song and the words and her name and the reasons

And I know 'cause we were kids and we used to hang ...

Did you hear the '59 sound coming through on Grandmama's radio?
Did you hear the rattling chains in the hospital walls?
Did you hear the old gospel choir when they came to carry you over?
Did you hear your favorite song one last time?

Young boys, young girls ...
Ain't supposed to die on a Saturday night ...

Did you hear the '59 sound coming through on Grandmama's radio?
Did you hear the rattling chains in the hospital walls?
Did you hear the old gospel choir when they came to carry you over?
Did you hear your favorite song one last time?

Sing For Absolution

I love Muse. That without a doubt is very true. They are coming closer and closer to becoming my favorite band...music wise of course (My Chemical Romance and Blue October will always hold incredibly special places in my heart).

So, I was interested in finding some Muse tracks that I hadn't heard, and a few days ago I went on a Muse spree on youtube.
In the process I found one of the most amazing songs I've ever heard. "Sing For Absolution"

I don't know exactly how to describe this song, or how much I love it, and how much it touches me...or even why. There's something hauntingly beautiful about it, about the lyrics and the tune. Matt's voice is amazing. He's got one of those voices that just captivates, that ensnares, and empowers...I get shivers and just an overall "wow" feeling whenever I hear him sing. I totally understand how Stephanie Meyer found this band such an inspiration when writing the Twilight saga, you can't help but think of true love, and loss, fear, and longing when listening to this band. Sing For Absolution completely embodies all of that.

The music video is also something to behold. It's a very sci-fi setting. With great computer animation graphics...kinda remind me of the more epic scenes from the movie Titan A.E.

Anyway, I've found this song just brilliant. Of course...you have to form your own opinion.

Enjoy!

Sing For Absolution-Muse


-Lyrics-

lips are turning blue
a kiss that can't renew
I only dream of you
my beautiful

tiptoe to your room
a starlight in the gloom
I only dream of you
and you never knew

sing for absolution
I will be singing
falling from your grace

there's nowhere left to hide
in no one to confide
the truth runs deep inside
and will never die

lips are turning blue
a kiss that can't renew
I only dream of you
my beautiful

sing for absolution
I will be singing
falling from your grace

sing for absolution
I will be singing
falling from your grace

our wrongs remain unrectified
and our souls won't be exhumed

Nightmare Revisited

Every few years Tim Burton, Danny Elfman, and team see it fit to re-issue "The Nightmare Before Christmas" soundtrack, and add a bonus CD with covers of all the song by current artists. This year was one of those years!

"The Nightmare Before Christmas" really is a classic. It was a movie that was ahead of it's time in stop motion animation technology. Not to mention it had an amazing score/soundtrack written and composed by master of movie music Danny Elfman.

The music is really what made the movie so magnificent. More than a decade later people still line up yearly to see the movie in theatres (in 3D), and kids (and adults too) sing along with the great songs.

Nightmare Revisited takes today's artists and gives us the songs we loved from the movie, with a twist.



The Track list
Coupled By My Opinion Of Each Song


1.Overture-DeVotchKa
[This track really got me. It's quite the opening. The style is almost Cirque Du Soleil. Very circus. An absolutely wonderful start to the CD!]

2.Opening-Danny Elfman
[This isn't that different than the original which was narrated by actor Patrick Stewart. I do think that Danny's voice has a very neat sound to it though, especially since he did Jack's vocals in the original]

3.This Is Halloween-Marilyn Manson
[Definitely a Manson track. Creepy as ever. Has some techno undertones, but sticks with the goth sound that Marilyn does so well.]

4.Jack's Lament-The All-American Rejects
[This isn't my favorite track, by any means. Tyson's voice seems a bit whiny for the song...not as good as it could have been.]

5.Doctor Finklestien/In The forest-Amiina
[This was really nice. There's a slightly Asian backbone to the song, and I love the deep strings (Bass I think?) that keep the beat. It also has a music box feel.]

6.What's This?-Flyleaf
[One of my favorite tracks on the CD. Flyleaf did an amazing job. The song is quite a bit slower and more melancholy than the original (and definitely more so than Fall Out Boy's cover from the last special edition!). Lacey's voice really shines in this song.]

7.Town Meeting Song-The Polyphonic Spree
[The beginning of this song was really cool, futuristic! Lol. Almost David Bowie's Space Oddity sounding. Actually, the whole song had a Bowie-esque sound to it. I liked how they changed the vocal melody...it's like a completely new song. Towards the middle it gets a bit Broadway sounding. It's really something new.]

8.Jack and Sally Montage-The Vitamin String Quartet
[Exactly the excellence you'd expect of Vitamin. Beautiful strings. I could listen to this over and over.]

9.Jack's Obsession-Sparklehorse
[Falsetto. That really sums it up lol. I will say though that the acoustic guitar is quite beautiful, as well as the vocal melody, which like in The Town Meeting Song was changed. There's the faint hint of something that could be a lullaby, maybe.]

10.Kidnap The Sandy Claws-Korn
[Classic Korn. Creepy, strange vocalizations, the whole nine yards.]

11.Making Christmas-Rise Against
[Love the electric guitar opening! And being a Rise Against fan, I'm kinda biased, but I'll say that I really liked this. Very hard-core. Love it.]

12.Nabbed-Yoshida Brothers
[Done in a very beautiful classical Japanese style, with a techno/dance twist. Really great.]

13.Oogie Boogie's Song-Bordrigo y Gabriella
[Spanish! It has that wonderful acoustic guitar flair you get from Spanish flamenco music.
This is the first track on the CD that takes a song that originally had vocals and made it instrumental.]

14.Sally's Song-Amy Lee
[What can I say other than gorgeous when describing Amy's voice? She just owned this song. It's haunting. I love the extra Goth she added to the song. Absolutely amazing, brilliant, beautiful!]

15.Christmas Eve Montage-Rjd2
[Electro. Fun. Christmas with it's own neat little spin. All I can say is it's way fun to listen to, and you can definitely dance to it!]

16.Poor Jack-Plain White T's
[I liked this one. Tom's voice really complimented the song, it's not very unlike the original Elfman version. This song really shows a side of Tom's voice I've never heard, he has quite a range. This exceeded my expectations. Really a good song.]

17.To The Rescue-Datarock
[More electro, techno, synth-pop, whatever-you-wanna-call-it. I'm also a Datarock fan, and I can say they did quite the job on this instrumental piece. Fun stuff.]

18.Finale/Reprise-Shiny Toy Guns
[I love how it starts with a almost "broken carousel" version of "Here Comes Santa Clause" with the guys in the band creepily whispering "la-la-la-la". Then it goes hard-core on us. They even through in a few "Phantom" style organ chords. Another curve, it turns into a very pretty ballad, with church style organs. Again, vocal melodies have been changed, but it's all for the better. The song is really great.]

19.Closing-Danny Elfman
[Same as opening really. Just the original piece narrated by Elfman instead of Stewart]

20.End Title-The Album Leaf
[A very clam, pretty, instrumental end to the CD. Kinda makes me that warm kind of sleepy when I hear it.]



Anyway, it's a great album with surprises around every corner. Be sure to get a listen! Truly a great album, and definitely the best so-far of the Nightmare remakes.

I'm going to share one of (because there's no possible way to fit all of them!) my favorite tracks, Flyleaf's version of "What's This?.

Enjoy!





What's This?-Flyleaf


Lyrics

What's this? What's this?
There's color everywhere
What's this?
There's white things in the air
What's this?
I can't believe my eyes
I must be dreaming
Wake up, Jack, this isn't fair
What's this?

What's this? What's this?
There's something very wrong
What's this?
There's people singing songs

What's this?
The streets are lined with
Little creatures laughing
Everybody seems so happy
Have I possibly gone daffy?
What is this?
What's this?

There's children throwing snowballs
instead of throwing heads
They're busy building toys
And absolutely no one's dead

There's frost on every window
Oh, I can't believe my eyes
And in my bones I feel the warmth
That's coming from inside

Oh, look
What's this?
They're hanging mistletoe, they kiss
Why that looks so unique, inspired
They're gathering around to hear a story
Roasting chestnuts on a fire
What's this?

What's this?
In here they've got a little tree, how queer
And who would ever think
And why?

They're covering it with tiny little things
They've got electric lights on strings
And there's a smile on everyone
So, now, correct me if I'm wrong
This looks like fun
This looks like fun
Oh, could it be I got my wish?
What's this?

Oh my, what now?
The children are asleep
But look, there's nothing underneath
No ghouls, no witches here to scream and scare them
Or ensnare them, only little cozy things
Secure them in their dreamland...

What's this?

The monsters are all missing
And the nightmares can't be found
And in their place there seems to be
Good feeling all around

Instead of screams, I swear
I can hear music in the air
The smell of cakes and pies
are absolutely everywhere

The sights, the sounds
They're everywhere and all around
I've never felt this good before
This empty place inside of me has been filling up
I simply cannot get enough

I want it, oh, I want it
Oh, I want it for my own
I've got to know
I've got to know
What is this place that I have found?
What is this?

Cath...

I'm going to get this out there right now; I'm not a huge Death Cab for Cutie fan. I like some of their popular stuff (I Will Follow You Into The Dark, Soul Meets Body ...), but, as a whole? Not my favorite band.
But this song has simply captivated me.

Cath... is lovely in every way. The lyrics describe such an upsetting, bittersweet scenario; it's impossible not to sympathize with the character the song describes and her less-than-desirable situation. And the way this story is told, from a third person perspective, makes you feel as if you're stepping into the story, watching this scene play out - as if you're one of the people in the pews, whispering, "it won't last"; as if you're one of her friends, asking "what became of her".

Besides the powerful and heartbreaking lyrics, the instrumental melodies are quite impressive. The simple, yet effective, guitar which opens the song is probably my favorite part of the entire track, as far as instrumentals. Paired with the ticking symbol, the melody is catchy and keeps you tuned in for just a few bars, before the drums really kick in and you know the song has begun.

The only thing I don't like about this song is how quickly it seems to end. Clocking in at nearly four minutes, the track is not at all short; however, while you're listening, you get so drawn in to the storyline and the way the band presents it that you seem to loose track of time - until the same familiar guitar melody fades into the background of the final seconds of the song.

For a song with such a literal, straight-forward lyrical standpoint, I am surprised to find myself twisting the story in my own mind, discovering new ways to interpret the lyrics in a more figurative way. As a whole, I simple adore this song, and whether you see it from a literal or figurative standpoint, it's really just a one-of-a-kind track.

This is Cath... by Death Cab for Cutie.

Death Cab For Cutie - Cath... Official Music Video

Cath...
Death Cab for Cutie

Cath, she stands with a well-intentioned man
But she can't relax with his hand on the small of her back
And as the flashbulbs burst, she holds a smile
Like someone would hold a crying child

And soon everybody will ask what became of you
'Cause your heart was dying fast, and you didn't know what to do

Cath, it seems that you live in someone else's dream
In a hand-me-down wedding dress
Where the things that could have been all repressed
But you said your vows, and you closed the door
On so many men who would have loved you more

And soon everybody will ask what became of you
'Cause your heart was dying fast, and you didn't know what to do

The whispers that it won't last roll up and down the pews
But if their hearts were dying that fast,
They'd have done the same as you
And I'd have done the same as you.

Lacrymosa

As I've mentioned a few times in the past my musical taste has stemmed most predominately from my upbringing in a family that loves classical music, and through listening to the classics during my ballet training. So it goes without saying that I lean toward bands and artists with classical backgrounds. I especially lean toward those with symphonic and orchestral sounds. So many of my favorite bands and artists are those like Yngwie Malmsteen, Nightwish, Trans-Siberian Orchestra, and of course, Evanescence.

My favorite track of their album "The Open Door" is most definitely "Lacrymosa". The symphonic sound, the chorus in the background, and of course Amy's voice. What many people don't know (though I'm sure die-hard Ev fans, and Mozart fans alike do know)is that the entire backing for this song, not including the electric guitar parts, is Mozart's "Lacrimosa".

"I saw Amadeus when I was nine years old and fell in love with Mozart. The part of Mozart's Requiem called "Lacrimosa" is my favorite piece of music ever. I always wished we could cover it, but with programming and guitars and make it cool. It's our moment to try all the things I wanted to and couldn't, so I started messing with it in Protools. Terry wrote some riffs and turned it into this awesome metal epic." -Amy Lee

And boy is it amazing! I love how well it blended, her vocals and lyrics with Mozart's masterpiece playing in the background. The original Mozart piece has such power in it, yet it's expressed with elegant and mournful notes. It really is quite amazing.

I'd never thought of what would happen if you were to write your own song, but use a classical piece as the basic structure of it. It seemed a bit undo able, that you would butcher the original piece or that it just wouldn't work...covering a classical piece and turning it into something with a metal sound, I knew that would work. It's been done, and done wonderfully, but this was something different all-together, yet it came out utterly perfect.

I really believe this to be Evanescence's best song on an epic scale, and on a scale of sound.

So, To show everyone the bigger picture I'm posting three videos. One, Mozart's original piece "Lacrimosa", two Evanescence's finished song "Lacrymosa", and three and re-mix of Ev's song that is rumoured to be the original version.

Enjoy!

Mozart's "Lacrimosa" (From Requiem)
(The Video Shows The Music For The Vocal Melodies)


Mozart Lyrics

Lacrimosa
Lacrimosa dies illa
Qua resurget ex favilla
Judicandus homo reus.

Huic ergo parce, Deus
Pie Jesu Domine
Dona eis requiem, Amen.


Evanescence's "Lacrymosa"
(Video Is Just Pictures Of Amy Lee and Band)



Evanescence's "Lacrymosa" (Remix)
(This version is rumored to have been written for the opening scene of "The Chronicles Of Narnia" movie, but was not approved because it was not considered "original" because of the use of Mozart's "Lacrimosa")


Evanescence Lyrics

Out on your own,
Cold and alone again.
Can this be what you really wanted, baby?

Blame it on me,
Set your guilt free.
Nothing can hold you back now.

Now that you're gone,
I feel like myself again.
Grieving the things I can't repair and willing...

To let you blame it on me,
And set your guilt free.
I don't want to hold you back now love.

I can't change who I am.
Not this time, I won't lie to keep you near me.
And in this short life, there's no time to waste on giving up.
My love wasn't enough.

And you can blame it on me,
Just set your guilt free, honey.
I don't want to hold you back now love.

Whispers In The Dark

Cowgirl4christ made a post on Skillet's album Comatose awhile back, but didn't really go into the individual songs and focused a bit more on Skillet as a band and on the album. Be sure to read that post!

I'm posting about one of the songs on that album, "whispers in the dark". I first listened to the song a few weeks ago after I downloaded a playlist on Rhapsody.
I immediately fell captive to the back beat and guitar. The song really has an epic feel.

The lead singers voice has this urgency, but a soft reassuring urgency, one of hope. The lyrics are also those of hope. He's telling someone he's there for them, he'll do anything to see them happy and safe.

You get a sense of comfort when hearing this song, not in the sense that it's a mild and quiet song, no it's far from it with the pounding bass and hard core rock sound, but just from the overall feel you can't help but relax.

This song has become one of my all-time favorites, so check it out!

Enjoy!


Skillet-Whispers In The Dark


Despite the lies that you're making
Your love is mine for the taking
My love is just waiting
To turn your tears to roses

Despite the lies that you're making
Your love is mine for the taking
My love is just waiting
To turn your tears to roses

I will be the one that's gonna hold you
I will be the one that you run to
My love is a burning, consuming fire

No, you'll never be alone
When darkness comes
I'll light the night with stars
Hear my whispers in the dark

No, you'll never be alone
When darkness comes
You know I'm never far
Hear my whispers in the dark

Whispers in the dark

You feel so lonely and ragged
You lay here broken and naked
My love is just waiting
To clothe you in crimson roses

I will be the one that's gonna find you
I will be the one that's gonna guide you
My love is a burning, consuming fire

No, you'll never be alone
When darkness comes
I'll light the night with stars
Hear my whispers in the dark

No, you'll never be alone
When darkness comes
You know I'm never far
Hear the whispers in the dark

No, you'll never be alone
When darkness comes
I'll light the night with stars
Hear my whispers in the dark

No, you'll never be alone
When darkness comes
You know I'm never far
Hear the whispers in the dark

Whispers in the dark
Whispers in the dark
Whispers in the dark

Coldplay - "Viva la Vida or Death And All His Friends"

I never used to be a big fan of Coldplay. I guess, in honesty, I never really gave them a chance. The first song I ever heard by this band was Clocks back when that song was very popular mainstream ... and after that I just never went out of my way to listen to them.
I received the album Viva la Vida or Death And All His Friends (2008; commonly referred to simply as Viva la Vida) for my birthday this year, and over the past few months I have really fallen in love with most of the tracks on the album. The group's unique soft-rock style, which combine lovely vocal harmonies and captivating instrumental melodies, has really captured my attention and gotten me hooked not only on Coldplay's recent work, but on their past efforts as well.
Please enjoy an album review for Coldplay's Viva la Vida or Death And All His Friends.

Coldplay - Viva la Vida or Death And All His Friends (2008)

1. Life in Technicolor - A pleasant, simple melody to start the album off. Two and a half minutes long, the piece starts off slow and beings to incorporate more and more parts, becoming more intricate with every repetition of the original theme. The crescendo lasts until the final seconds of the song, before transitioning seamlessly into Track 2.
2. Cemeteries of London - One of my favorites on the album. A steady strumming of acoustic guitars and rhythmic bass underlie the main melodies of this track, while the vocals flow smoothly along, alternating between short verses and long, legato choruses. The lyrics are beautiful and overall, this track is just lovely to listen to.
3. Lost! - This track starts out with hands clapping a steady pulse. This clapping rhythm continues throughout the track, while the simple-but-sweet lyrics continue in a smooth style. The track remains in simple form until just over half the song is over, when a guitar kicks in to add to the appeal. As backing vocals fade out toward and a keyboard wraps things up, you really get a feel for a certain peaceful, yet powerful essence that this song possesses.
4. 42 - This track picks up almost immediately where the previous one ended. Passionate, soulful vocals start off slowly, accompanied by a gorgeous piano melody in the background. About midway, the tempo picks up with a pleasant medley of guitar, string and bass which are later joined by quicker, more upbeat vocals that are again joined by the piano. I enjoy the "second half" of this song more, when the tempo picks up in a more lively style for the last few verses. Just a very pleasant song overall.
5. Lovers In Japan / Reign of Love - Definitely one of my favorites on the album. The track almost seems to be split into two different songs; hence the two separate titles. The first half of the song is an upbeat track with a shot of intuition. The second half is a slower, more subtle track with lyrics delivered in a bittersweet, reminiscent style. The piano melodies are the key factor in both halves of the song and, as a whole, I just love everything about this track.
6. Yes - A deeper vocal range immediately sets this song apart from the rest on the album. Strings start the track off, giving you the impression that maybe this one will be slower as well; however, when the guitar takes over a few seconds in, an entirely different feel takes over the track. The strings do make a re-appearance later in the track, but the repeating guitar theme is the star of this track. The entire song has a sultry, sexy vibe about it, and as a whole it's just a fun one to listen to. A different sound for the band, and I commend that.
7. Viva la Vida - Probably the most recognizable single off of the album,; the minute the strings start off with their staccato melody, you know exactly what song you're listening to. Track Seven has been playing constantly on the radio, has taken over music television, and has been hitting the top of the charts all over the world. The mass support of this song seems to have died down in the public eye, but the song is no less enjoyable to listen to. Just a beautiful song overall.
8. Violet Hill - Another of my favorites on the album. The lyrics themselves are heartbreakingly beautiful, but they are delivered in a way that isn't upsetting; bittersweet, but at the same time, sort of at peace. I love the guitar melodies in the instrumental bridge and the keyboard melodies in the first and last verses. Overall, there just isn't anything about this track that doesn't appeal to me. Beautiful, beautiful track.
9. Strawberry Swing - A very lovely song. The standout of this track is the guitar melody that begins right off the bat and sustains throughout the entire song. The lyrics are soft and simple, giving you a feeling of peace and security. A steady bass line keeps the tempo going, and when an acoustic guitar begins to strum near the end of the track, you get a full feeling for the track's mood. Just a sweet, sweet song.
10. Death And All His Friends - The final track on the album starts out with a simple keyboard melody, quiet vocals, and the eventual addition of a guitar, plucking a few notes here and there. As the song progresses, the guitar begins to adopt a more intricate melody before the tempo picks up and the bass drum stamps out a steady beat. A portion of the song is simply this hard-and-fast melody, but when the mood settles down again, the vocals return with an absolutely gorgeous chorus-style effect. The last two minutes of the song settle down into another combination of vocal and keyboard melodies which really give you a sense of closure as the album finally ends.

I'm really glad I've had the chance to get to know Coldplay a little bit more. I've discovered that they have created the perfect music to play in the car when you're driving down a sunny highway - or to put on and concentrate with when you just need a minute to think.
If you're interested in the music Coldplay has created, check out these links:

Coldplay's website has everything you need to know about the band, from tour dates and discography to contests and news.

Lyrics to all the songs on this album and Coldplay's other works can be found on this website.

And take a minute to look at the post Amy made for another beautiful Coldplay song, titled Yellow.

I'm going to try and branch out past the always popular Viva la Vida and post a video for another of Coldplay's amazing songs. This video is a fairly new release, and I find very captivating, even if it does make me dizzy ;) The song is also one of my album fav's. This video includes the "first half" of the song.
Here's Lovers In Japan by Coldplay.

Coldplay - Lovers In Japan Official Music Video

"We Can Be Heroes, Just For One Day"

It's been a while since I've made a post on this site, so I decided to post about one of my all-time favorite songs, hands down.

I've been a David Bowie fan for years and years. I was the only eleven-year-old I knew who could sing "Space Oddity" by heart, but out of all his songs the one that will always be my favorite is "Heroes".

A song far ahead of it's time in terms of sound. My dad told me that when it first came out it was nearly unlistenable because of the style, no one had made music like this yet.

Bowie's voice always seems to pour his heart into the songs. He has a yearning sound, one that I've yet to find in any other artist. "Heroes" emphisised that longing and used it to it's betterment. Between the amazing, timeless, melody and the wonderful lyrics, I consider this a masterpiece for rock music.

In addition to sharing Bowie's version of "Heroes" with you I'm going to share something I came across just a month ago. A German cover of the song, "Helden" beautifully performed by Apocalyptica.
They tweak the style ever so slightly to incorperate the metal sound and those amazing cellos. And add deep rough German vocals.

Both versions are amazing, and are must listens. Not just for Bowie fans, but for music lovers the world round.

Enjoy!

Heroes (Live)-David Bowie


Heroes Lyrics (English)

I, I will be king
And you, you will be queen
Though nothing will drive them away
We can beat them just for one day
We can be heroes just for one day

And you, you can be mean
And I, I'll drink all the time
'Cause we're lovers and that is a fact
Yes we're lovers and that is that

Though nothing will keep us together
We could steal time just for one day
We can be heroes for ever and ever
What d'you say?

I, I wish I could swim
Like the dolphins, like dolphins can swim
Though nothing, though nothing will keep us together
We can beat them for ever and ever
Oh, we can be heroes just for one day

I, I will be king
And you, you will be queen
Though nothing will drive them away
We can be heroes just for one day
Oh, we can be heroes just for one day

I, I remember
Standing by the wall
The guns shot above our heads
And we kissed as though nothing could fall
And the shame was on the other side
Oh, we can beat them for ever and ever
Then we can be heroes just for one day
We can be heroes
We can be heroes

We can be heroes
Just for one day
We can be heroes

We're nothing and nothing will help us
Maybe we're lying then you better not stay
But we could be safer just for one day


Helden (Cover)-Apocalyptica


German Lyrics-Helden

Du
Könntest Du schwimmen
Wie Delphine
Delphine es tun
Niemand gibt uns eine Chance
Doch können wir siegen
Für immer und immer
Und wir sind dann Helden
Für einen Tag

Ich
Ich bin dann König
Und Du
Du Königin
Obwohl sie
Unschlagbar scheinen
Werden wir Helden
Für einen Tag
Wir sind dann wir
An diesem Tag

Ich
Ich glaub' das zu träumen
die Mauer
Im Rücken war kalt
Die Schüsse reissen die Luft
Doch wir küssen
Als ob nichts geschieht
Und die Scham fiel auf ihre Seite
Oh, wir können sie schlagen
Für alle Zeiten
Dann sind wir Helden
Nur diesen Tag
Dann sind wir Helden
Dann sind wir Helden
Dann sind wir Helden
Nur diesen Tag

Dann sind wir Helden

You're Gonna Go Far, Kid

This is a song that I have been absolutely obsessed with lately.
The first song I ever heard by The Offspring was The Kids Aren't Alright. A catchy track, I made a mental note to keep listening for more by the band. The second song of theirs to catch my attention was Hammerhead, and, finally, the track I'm going to review for you today; You're Gonna Go Far, Kid.
There are just so many elements to this song that appeal to me. As a whole, the punk-rock genre of the band caught my attention. This was a group that wasn't afraid to get a little crazy, to be a little "out-there"; to take risks that other bands wouldn't attempt. I love that in my music and The Offspring went all the way with that in this track.
It's impossible not to become drawn into the driving beat that opens the song right off the bat. From there, it's a whirlwind of off-beat cymbals, staccato bass, and killer guitar parts which, combined, create an emotionally driven background for an already powerful track. Add on the lyrics - overflowing with a sense of strength, courage, anger and defiance, all at once - and this is one song that draws you in and keeps you hanging on.
And once it's over, you can't help but hit "repeat" and enjoy it all over again.

This is The Offspring's You're Gonna Go Far, Kid.

The Offspring - You're Gonna Go Far, Kid Official Music Video

You're Gonna Go Far, Kid
The Offspring

Show me how to lie, you’re getting better all the time
And turning all against the one, it's an art that’s hard to teach
Another clever word sets off an unsuspecting herd
And as you step back into line, a mob jumps to their feet

Now dance, fucker, dance
Man, he never had a chance
And no one even knew, it was really only you
And now you steal away
Take him out today
Nice work you did
You’re gonna go far, kid

With a thousand lies and a good disguise
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives

Slowly out of line, and drifting closer in your sights
So play it out I’m wide awake, it’s a scene about me
There’s something in your way and now someone is gonna pay
And if you can’t get what you want, well it’s all because of me

Now dance, fucker, dance
Man, I never had a chance
And no one even knew, it was really only you
And now you’ll lead the way
Show the light of day
Nice work you did
You’re gonna go far, kid
Trust, deceived!

With a thousand lies and a good disguise
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives

Now dance, fucker, dance, he never had a chance
And no one even knew, it was really only you
So dance, fucker, dance, I never had a chance
It was really only you ...

With a thousand lies and a good disguise
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives

Clever alibis, Lord of the flies
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives!

What A Catch, Donnie

Some of the people reading this may be aware of the fact that Fall Out Boy has a new album on the way. The album is titled Folie a Deux and is scheduled to be released worldwide December 15th and 16th of this year. Several singles have already been released from the album, and I have to say my favorite so far is titled What A Catch, Donnie.
This is a lovely ballad that transitions flawlessly between soft, insightful verses to a strong, powerful chorus. The gorgeous lyrics are presented beautifully by lead vocalist Patrick Stump in such a way that makes you feel so much. The entire track has such a lovely, sweet essence to it; but, at the same time, there's a sting of some underlying message behind the words. It's up to you, as the listener, to determine what isn't being said - but rather, delivered by the simplistic instrumentals and phenomenal vocals.
A creative touch was added to the song with the incorporation of a handful of cameo appearances which take the stage at the end of the track. Each guest vocalist sings a snippet of one of Fall Out Boy's other songs. These segments span the entire career of the band; from lyrics off of their debut album Evening Out With Your Girlfriend (2003) to one of their singles from the soon-to-be released Folie a Deux (2008), these "extra" vocals add a certain touch to the song, and are a special treat to those who have been fans of the band from the beginning.
All in all, this track is simply lovely. It looks like Fall Out Boy is back, and in a big way! Make sure to check out the band's other new singles, I Don't Care and Headfirst Slide Into Cooperstown On A Bad Bet, and don't forget to grab your copy of Folie a Deux on December 15th and 16th.
But for now, please enjoy listening to What A Catch, Donnie.

Fall Out Boy - What A Catch, Donnie Video

What A Catch, Donnie
Fall Out Boy

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch

You'll never catch us, so just let me be
Said I'll be fine 'till the hospital, or American Embassy
Miss Flack said I still want you back
Yeah, Miss Flack said I still want you back

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch
And all I can think of is the way I'm the one who charmed the one
Who gave up on you, who gave up on you

They say the captain goes down with the ship
So, when the world ends, will God go down with it?
Miss Flack said I still want you back
Yeah, Miss Flack said I still want you back

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch
And all I can think of is the way I'm the one who charmed the one
Who gave up on you, who gave up on you

[Elvis Costello; "Headfirst Slide Into Cooperstown On A Bad Bet"]
I will never end up like him
Behind my back, I already am
Keep a calendar, this way you will always know ...

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch
And all I can think of is the way I'm the one who charmed the one
Who gave up on you, who gave up on you

[Gabe Saporta; "Grand Theft Autumn/Where Is Your Boy?"]
Where is your boy tonight? I hope he is a gentleman
Maybe he won't find out what I know ...
[Travis McCoy; "Sugar, We're Goin' Down"]
We're going down, down in an earlier round
And sugar, we're goin' down swinging ...
[Brendon Urie; "Dance, Dance"]
Dance, dance, we're falling apart to halftime
Dance, dance, and these are the lives you'd love to lead ...
[Doug Neumann; "This Ain't A Scene, It's An Arms Race"]
This ain't a scene, it's a goddamn arms race
This ain't a scene, it's a goddamn arms race
[Alex DeLeon; "Thnks fr th Mmrs"]
One night, yeah and one more time
Thanks for the memories, even though they weren't so great ...
[William Beckett; "Growing Up"]
Growing up, growing up ...

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch ...

*brackets indicate guest vocalists and the songs in which the lyrics they sing were originally recorded