Within Temptation

Within Temptation is a female fronted goth/symphonic metal band from the Netherlands. Though the band is often compared to Evanescence having formed only a year after Evanescence formed. However, Within Temptation released their first studio album Enter on a major label the year before Evanescence finished their first self-released EP Evanescence.
But if you really dive into the music all the bands have in common are a female lead with strong vocals and a genre. Within Temptation has a darker, more mature, and less industrial sound. With pounding bass guitar, forceful vocals, and the often accompaniment of operatic chanting in the background which only Evanescence's Whisper sported. However, the most common comparison between the bands would have to be that of Within Temptation's What Have You Done to Evanescence's Bring Me To Life. But again there are really only a few similarities to the songs. The main similarity being the use of a contributing male artist to do "rap-like" backing vocals. But again, Evanescence has it's completely separate and more industrial sound, while Within Temptation sticks with their richer darker vibe.

To date Within Temptation has had five studio albums released, and has another one on it's way later this year.

Discography

Enter
(1997 DSFA Records)

1. Restless
2. Enter
3. Pearls Of Light
4. Deep Within
5. Gatekeeper
6. Grace
7. Blooded
8. Candles


Mother Earth
(2000 DSFA Records)

1. Mother Earth
2. Ice Queen
3. Our Farewell
4. Caged
5. The Promise
6. Never-Ending Story
7. Deceiver Of Fools
8. Intro
9. Dark Wings
10. In Perfect Harmony


The Silent Force
(2004 GUN Records)

1. Intro
2. See Who I Am
3. Jillian (I'd Give My Heart)
4. Stand My Ground
5. Pale
6. Forsaken
7. Angels
8. Memories
9. Aquarius
10. It's The Fear
11. Somewhere

The Heart Of Everything
(2007 Roadrunner Records)

1. The Howling
2. What Have You Done (featuring Keith Caputo)
3. Frozen
4. Our Solemn Hour
5. The Heart Of Everything
6. Hand Of Sorrow
7. The Cross
8. Final Destination
9. All I Need
10. The Truth Beneath The Rose
11. Forgiven


They've also release several live albums. And Have an endless list of b-sides and bonus tracks from various international releases. Check out their Wikipedia page for that info.


There's something about this band that is equally musically pleasing as it is haunting. Sharon den Adel's voice is quite versatile with clear operatic croons, to strong and forceful belting. The use of strings in addition to the usual heavy metal bass guitar adds this gorgeous and Phantom Of The Opera-esque sound to the music. And the occasional latin chanting in songs like Our Solemn Hour "Sanctus Espiritus" or "Holy Ghost" (more literally "holy breath") add this beautiful and haunting feel to their music.


Within Temptation
Our Solemn Hour
(The Heart Of Everything)


Lyrics:

Sanctus Espiritus! redeem us from our solemn hour
Sanctus Espiritus! insanity is all around us
("I speak to you for the first time as Prime Minister in a solemn hour for the life of our country")

Sanctus Espiritus!
Sanctus Espiritus!
Sanctus Espiritus!

In my darkest hours
I could not foresee
That the tide could turn so fast to this degree
Can't believe my eyes
How can you be so blind?
Is the heart of stone, no empathy inside?

Time keeps on slipping away and we haven't learned
So in the end now what have we gained?

Sanctus Espiritus! redeem us from our solemn hour
Sanctus Espiritus! insanity is all around us
Sanctus Espiritus! is this what we deserve?
Can we break free from chains of never-ending agony?

Are they themselves to blame
The misery, the pain?
Didn't we let go?
Allowed it,let it grow
If we can't restrain
The beast which dwells inside
It will find it`s way somehow, somewhere in time

Will we remember all of the suffering
`Cause if we fail it will be in vain

Sanctus Espiritus, redeem us from our solemn hour
Sanctus Espiritus, insanity is all around us
Sanctus Espiritus, is this what we deserve?
Can we break free from chains of never-ending agony?

Sanctus Espiritus!
Sanctus Espiritus!
(" A tremendous battle is raging in France and Flanders. The Germans, by a remarkable combination of air bombing and heavily armored tanks, have broken through the French defenses north of the Maginot Line, and strong columns of their armored vehicles are ravaging the open country, which for the first day or two was without defenders...")

Sanctus Espiritus! redeem us from our solemn hour
Sanctus Espiritus! insanity is all around us
Sanctus Espiritus! is this what we deserve?
Can we break free from chains of never-ending agony? (ending agony!)

Sanctus Espiritus! redeem us from our solemn hour (solemn hour!)
Sanctus Espiritus! insanity is all around us (all around us!)
Sanctus Espiritus! is this what we deserve?
Can we break free from chains of never-ending agony?

The Resistance

It's probably a well-known fact if you've even so much as brushed the topic of my music taste with me or anyone I've met that Muse is one of my favorite bands of all time. A favorite adjective among Muse fans is "Epic", and Muse is epic, but the word really only skims the surface of what all is behind their amazing music.

Muse has been expanding the definition of both the word epic and the rock genre of music since they formed in the early '90s. They're always pushing the envelope and stepping up to the next level in their music, adding more synth, more elaborate guitar, stretching the vocals, and using their many musical influences.

You can't pigeonhole Muse. There is no one genre for them to fit into, no one adjective to describe them. They are eccentric, eclectic, classic, and epic. They play glam classical rock symphonies from universes far beyond our own...




"The Resistance" is their latest album, and they spared no wild ideas.
This album is influenced by so many things... George Orwell's 1984, The Apocalypse, Beethoven, and a resistance against an oppressing government to name just a few. Most of these influences come from the mind of Muse's frontman Matt Bellamy who, has a strong love for classical music, and conspiracy theories. In fact he admitted in an interview with Q Magazine that he recently bought 50 cans of baked beans and an axe in case of the apocalypse... but he's an artist so who's to judge?


In addition to their usual electric guitar fueled rock songs, a three movement rock symphony finishes off this album. Heavily influenced by Chopin and Beethoven.

Tracklist:
1. Uprising
2. Resistance
3. Undisclosed Desires
4. United States of Eurasia (+Collateral Damage)
5. Guiding Light
6. Unnatural Selection
7. MK Ultra
8. I Belong to You (+Mon Cœur S’ouvre à ta Voix)
9. Exogenesis : Symphony Part I (Overture)
10. Exogenesis : Symphony Part II (Cross Pollination)
11. Exogenesis : Symphony Part III (Redemption)



It was really hard for me to choose which track to share with you, but I decided on one that included all the elements of this album..."The United States Of Eurasia (+Collateral Damage)" (Note the 1984 reference, Bellamy makes them often throughout this album.)
The song begins in the style of a classical Muse ballad with sweet vocals and a piano back, but soon swells into what can only be described as an Arabian ensemble put on by Gershwin and Queen. The song finishes with a rendition of Chopin's Nocturne Op. 9 No. 2.

It truly is...well, epic.

Enjoy!


-Muse-
-The United States Of Eurasia-



-Lyrics-

You and me are the same
We don't know or care who's to blame
But we know that whoever holds the reins
Nothing will change
Our cause has gone insane

And these wars, they can't be won
And these wars, they can't be won
And do you want them to go on
And on and on
Why split these states
When there can be only one?

And must we do as we're told?
Must we do as we're told?

You and me fall in line
To be punished for unproven crimes!
And we know that there is no one we can trust;
Our ancient heroes, they are turning to dust!

And these wars, they can't be won
Does anyone know or care how they begun?
They just promise to go on
And on and on
But soon we will see
There can be only one

United States!
United States!
Of...

Eurasia!
... sia!
... sia!
... sia!

Eurasia!
... sia!
... sia!
... sia!

Eurasia!
... sia!
... sia!
... sia!

Then & Now - Fall Out Boy

Fall Out Boy

Then ...

I reminded my sister of the singles, and my sister introduced me to ... well, everything else. I can't say I'm the reason Fall Out Boy is my sister's favorite band, but I do give myself credit for kick-starting her interest in the singles (Dance, Dance; Thnks Fr Th Mmrs ... you know, those ~popular Fall Out Boy tracks that were practically viral a few years back) and, later, her admiration for the band as a whole. My first music.is.life post about Fall Out Boy came sometime after my sister began her research into the band; I remember, out of all the songs she downloaded on iTunes (before running out and buying the CDs soon after), The Pros and Cons of Breathing was the track which stood out to me the most...

... & Now.

...and, to this day, the first Fall Out Boy track I mentioned on music.is.life is still one of my favorite of their songs. Likewise, Take This To Your Grave, the band's 2003 debut full-length and the album the aforementioned track is on, has become one of my two favorite Fall Out Boy albums. The other favorite happens to be, ironically, the band's latest work, Folie à Deux (2008). I never gave this album a proper review on this blog (although I did review an outstanding single from that work) and, quite frankly, I regret that. I can't say enough good things about that album; Fall Out Boy really blew me away with it. As a whole, I must admit, I have an "on again, off again" relationship with the band - especially their "in-between albums", From Under the Cork Tree (2005) and Infinity on High (2007). There are moments on each album which never seize to amaze me, sure; but often times, I tend to disregard Fall Out Boy, forget about their finer moments. Even tracks from Take This To Your Grave - the album I just declared as one of my favorites - often get skipped over when I am casually scrolling through my iPod. However, when I remember to stop and take a listen to some of their songs, I remember just how much some of their tracks mean to me, and my respect for Fall Out Boy and the work they put into their art deepens. More times than not, I find myself saying things like, "Wow ... I forgot just how amazing this song really was." And I feel bad for underestimating this band's work.
In short; are they my favorite band? No. But I should probably start paying a bit closer attention.

...maybe the release of Fall Out Boy's first Best-Of album will help remind me again what it is about this band that I appreciate. Set to be released on November 16th, 2009, this best-of will span the band's entire discography; fifteen tracks of basically every single Fall Out Boy has ever released, from Dead on Arrival to What a Catch, Donnie. In addition, the band will be releasing on this collection a previously unrecorded track, Alpha Dog (which is streaming right now on the Fall Out Boy website; long-time fans may notice something familiar about the layout of the website these days, too), as well as bonus tracks From Now On We Are Enemies, Yule Shoot Your Eye Out, and Growing Up. All in all, it's going to be an impressive release, one which will no doubt be anticipated by fans new and old alike.

Now, I realize I've already made a post about the 2008 single What A Catch, Donnie on this blog ... but, really. I adore that track. That's all there is too it. And, quite frankly, it's the perfect song for a Then & Now post about Fall Out Boy. This song embodies the past, present, and future of this band; an entire existence, wrapped up in a nice little ballad almost five minutes long. There's just so much to be said about this track and within the song itself, and just ... I would really love for anyone who hasn't heard this song yet to take a listen. And for those of you who know the tune ... well, listen again.
Besides, there's a new music video out for the song, a video which wasn't created at the time I posted about the song before. And this video is definitely worth watching; it's as emotionally charged as the single, heartbreaking and at the same time remarkably hopeful. It's a sort of contradiction you feel, even though you can't hardly explain it; and it's the sort of contradiction Fall Out Boy thrives on.
So, here's the video for What A Catch, Donnie, by Fall Out Boy. I hope you all enjoy it as much as I do.
And let this mark the beginning of my re-introduction to this band as a whole.

Fall Out Boy - What A Catch, Donnie Official Music Video

Fall Out Boy - New Music - More Music Videos

Then & Now - Green Day

Green Day

Then ...

The first (and only ... to this very day, I believe) post I made on this site about Green Day was a review for their single, Holiday, off their 2004 rock epic, American Idiot. At the time, that was basically all I knew of Green Day; their singles. I remember the year American Idiot came out - around my sixth grade year in school -, everyone in the school hallways had heart grenades ... everywhere. Their backpacks, clothing, notebooks ... I didn't get it. I didn't try to. That wasn't my music scene. The time I posted my review for Holiday was about the same time I really started listening to Green Day.

... & Now.

And I'm so glad I did. I have discovered in Green Day a band I'm most respectful of; a group of men who aren't afraid to speak up about what matters to them, regardless of what popular culture may have to say about it. And, while many people are either fans of the "old" Green Day or the "new" Green Day - pre- and post-American Idiot era, receptively -, I have found something to appreciate about all the work this band has done. I truly and honestly respect Green Day as musicians, and am proud to call myself a fan; not of an album, not of an era; but of a group of men who have worked all their lives for what they love.

Green Day just released their much-anticipated follow-up to American Idiot, after a long and very discrete hiatus. It could be debated about whether anything could top 2004's rock opera phenomenon, and whether 21st Century Breakdown (their newly released album) comes even close. However, if you ask me, Green Day's latest is a success in every way. Did Green Day manage to raise their own bar - again! - after the high standard set by American Idiot? Well, I'm not sure it's even fair to even try and compare these two albums. Without a doubt, both are spectacular and speak true to the mission Green Day has as a band.

This following music video is for the single 21 Guns, from 21st Century Breakdown.
This song really means a lot to me. The first time I ever heard it, I was listening to the album in the car, driving around town. As soon as the acoustic guitar opened out the track, I was hooked ... and my attention never wavered. Billie Joe asked me the question, "Do you know what's worth fighting for, when it's not worth dying for?" And, long story short ... I became really emotional about this entire track. I have loved this song from the moment I heard it for the first time, and the appeal just never dies off. The music video is equally stunning, and I think really showcases Green Day at ... possibly one of their finest, strongest, most vulnerable and yet, most defiant moments.
Please, take a good, honest listen to this remarkable song. Every time I listen to it ... 21 Guns reminds me why I love Green Day so much; then & now.

Green Day - 21 Guns Official Music Video

100 in a 55

As frequent followers of this blog probably know, I tend to discover a lot of new music via music television, especially Fuse. These days, it seems the channel doesn't play ... as much music at they used to. But this song is the official first song I fell in love with in Summer '09, courtesy my favorite television station.

100 in a 55, to some people, may not seem like a song that has a lot going for it. Pop Evil may sound like just another rock band, and this single may seem to be lacking a lot of creativity. And, while I agree Pop Evil may not have taken many chances with this track ... as I often say, it's the simplicity of of this song that makes it so special.
There's a lot of true, honest emotion in the lyrics of the song and the way those lyrics are presented. The "sweet and simple" styling of the instrumentals bring to mind the days of good, classic rock and roll ... but there's almost a sense of southern influence to this song as well.
As a whole, the first thing I thought when I heard this song was, "...now this is rock n' roll." And a lot of people will probably disagree with me on that, because this song isn't in-your-face, pedal-to-the-metal, all-or-nothing out there like a lot of rock music is today. But, when you think about rock n' roll ... it's more than a genre to so many people. Rock n' roll is a lifestyle for the people who appreciate it, and I think this song portrays that imagery, that persona, perfectly.

Feel free to draw your own conclusions about this track. An overdone concept or a classic style? You decide. But I, personally, feel it's the tried-and-true methods exemplified in this track that were the foundation for what rock has become.

This is 100 in a 55, by Pop Evil.

Pop Evil - 100 in a 55 Official Music Video

100 in a 55
Pop Evil

Turn back on the broken heartache
Some things are just meant to be
I still believe that we got a chance
Still believe that we got a chance to be
Too much is never enough
Andd too little is never enough
Full speed got me looking out my rear view; I can’t go back

Goin’ 100 in a 55 and I don’t know why I’m still alive
But I do what I can but I know I can’t take anymore
I still believe in this rock and roll, and I pray the music gonna save my soul
But 'till then I still believe, some things are just meant to be

It's messed up but I got this mission
Drunk again, won't remember anyway
She said it’s just a game, boy
Don’t be gone, don’t be gone for long
Ten years I’ve been doing this forever
It's all I know, baby please don’t turn away
I know you don’t believe in me
But I do believe in you

I’m still falling away from here
I’m still falling; the wings are falling off
I can’t go back, I’m in too deep

I still believe some things are just meant to be

Chiodos

Ok, first off let me say that I know I haven't been posting very in depth posts, but that's going to change! *woot* Also, it's been quite awhile since I've posted about any of my more hardcore music faves, that will also change! I'm glad to be back and posting!

...

That said, I am amazed that I haven't posted about Chiodos until now! How could I have forgotten this band?!?





Chiodos, I think I first discovered them while listening to my local Alt Rock radio station. The song playing was "Lexington (Joey Pea-pot With A Monkey Face)", and I loved it! I'm a sucker for classically based rock of all forms. In this case, a screamo/emo/post hardcore/symphonic metal mix. Yeah, it's awesome.


+Band Overview+

Craig Owens (vocals)
Bradley Bell (keyboards)
Pat McManaman (guitar)
Matt Goddard (bass)
Jason Hale (guitar)
Derrick Frost (drums)

Couple that classic "emo guy" voice, and music that's actually good, and you've got Chiodos. Craig Owens has got some pipes on him. This guy can go from that semi-sweet emo voice, to hardcore screamo in a split second.
I don't want to compare them (for Chester Bennington's voice can't be beat), but you do think Chester Bennington when you hear Craig's voice just because of the versatility, and the power, the duality between sweet, and hardcore.

There songs are just about as versatile as Craig's voice, you can go from a beautiful classical piano solo to machine gun bass guitar, and then to a full bodied orchestra. It's all melodic too! Which is a must on my list. It fits together so well, seamless, like it was meant to be. In my opinion symphonicly based rock groups (actually any genre with a symphonic base), are the true evolution of classical music, this is what it was meant to form into at some point, bands like this expand upon the classic, and make it extraordinary. Of course I don't want to turn anyone off by using the words "classical" and "symphonic", this is definitely Rock music, metal almost, and it doesn't sound like classical music.

The lyrics are as good as the music, and yeah it's good.


+Discography+
+(* By Favorite Tracks)+




All's Well That Ends Well [2005]

(Hear The Full Album HERE)

Prelude (Instrumental)*
All Nereids Beware*
One Day Women Will All Become Monsters
Expired In Goreville
Baby, You Wouldn't Last A Minute On The Creek*
The Words "Best Friend" Become Redefined
Interlude pt. 1 (Instrumental)
There's No Penguins In Alaska
Interlude pt. 2 (Instrumental)
We're Gonna Have Us A Champagne Jam
No Hardcore Dancing In The Living Room*
Who's Sandie Jenkins
To Trixie And Reptile, Thanks For Everything




Bone Palace Ballet [2007]

(Hear The Full Album HERE)

Is It Progression If A Cannibal Uses A Fork?*
Lexington (Joey Pea-Pot With A Monkey Face)*
Bulls Make Money, Bears Make Money, Pigs Get Slaughtered
A Letter From Janelle
I Didn't Say I Was Powerful, I Said I Was A Wizard*
Teeth The Size Of Piano Keys*
Life Is A Perception Of Your Own Reality
If I Cut My Hair, Hawaii Will Sink*
Intensity In Ten Cities
The Undertaker's Thirst For Revenge Is Unquenchable (The Final Battle)




Bone Palace Ballet Grand Coda [2008]

(Only The Bonus Tracks From This Disc And Their Track Number Are Listed. This Album Also Has All The Songs That Were Released On "Bone Palace Ballet")

1. Two Birds Stoned At Once*
7. ....And Then The Liver Screamed 'HELP!*
8. We Swam From Albatross, The Day We Lost Kailey Cost
11. Smitten For the Mitten
14. I Didn't Say I Was Powerful, I Said I Was A Wizard (Acoustic)
15. A Letter from Janelle (Acoustic)


+No Hardcore Dancing In The Living Room+

When going through all of the songs Chiodos has to offer it's hard for me to pick just one to leave you guys with, but I decided on leaving you with my favorite, No Hardcore Dancing In The Living Room.

Out of all the songs of theirs that I've heard this is by far my favorite, everything about it makes me like it, the music, the lyrics, all of it.
It starts out with the best instrumental beginning I've heard in a song in a long time, like best instrumental beginning since Queen's Death On Two Legs (be sure to google that when you're through visiting this blog :D). It has just enough screamo, and just enough melody, and I can listen to it over and over, and the lyrics "Don't let this die, we may never fall in love again
It's hard but worth the wait when it's over
...this die, we may never fall in love again
It's hard but worth the wait when it's over" just ring over and over in my head.

A song well worth the listen :D

Enjoy!


[Chiodos: No Hardcore Dancing In The Living Room]
[All's Well That Ends Well][2005]



+Lyrics+

I've resolved upon this course, which has no need of you
Denying this day, didn't stop it from coming
Promise me, that you won't be consumed when you realize
We're screaming at the same moon

Shredded by state lines
Press my face up against the glass
With both eyelids shut and
baby, this won't get any easier
baby, this won't get any easier
baby, this won't get any easier

Don't let this die, we may never fall in love again
It's hard but worth the wait when it's over
...this die, we may never fall in love again
It's hard but worth the wait when it's over

Now open up wide, fist first down your throat
Where no beauty lies, and rip out what should've been mine

Comfort always made the rescue, we always hoped 'for the best'
I'll burn this with torches, and drown in my consideration

I'll burn this with torches, and drown in my consideration


p.s. be sure to keep checking back for cowgirl4christ's "Then & Now" posts! They rock!

Then & Now - My Chemical Romance

... a qucik introduction about this new "series" of mine ...

So. I know you've all been sitting at the edge of your seats for months now, checking this blog daily - if not twice daily - eagerly awaiting the moment when you'd see on this site my infamous "Then & Now" post.
... okay. maybe not. Some of you are probably wondering ... "What is she talking about? ...what is it I'm about to read, exactly?"

This post is going to be a little unorthodox, compared to most. For one ... it's not going to be one post. This post you're reading now will mark a series of "Then & Now" posts I will write over the course of the following week or so. In these posts, I'm going to shuffle back through the archives, reminiscing on the posts I've made since the beginning of this blog's existence.
... but that's not all.
Along the way, I'll think about my opinions on these bands now. You have probably often seen my type at the bottom of a post, "I'll definitely be looking more into this band"; or, "I can't wait to listen to this band's latest album" ... or something to that effect. The thing is, many of the songs I've posted about on this site have been from bands I didn't know very well at the time ... and, more often than not, I've been surprised by what I've discovered about these bands when I delved deeper into their discographies.
Interesting? I think so. So let's take a look at my favorite bands, then ... and now. We'll start with posts from the very beginning ... and work our way up to the present. Look out for more "Then & Now" posts in the days to come, and for now, enjoy Part 1 of this little mini-series.

And it'd only be appropriate that I start out with ...

My Chemical Romance
You all should have guessed these guys would be in here :3

Then ...

The first post I made on this blog about My Chemical Romance was a review for their ever-popular single, Welcome to the Black Parade. This post ... basically marks my introduction into this band. At the time, this was the only song of theirs I knew; I had just started doing my research on the band. Little did I know ...

...& Now.

... that My Chemical Romance would go on to become the first band I ever called my "favorite". Anyone who's followed this blog since making my post on Welcome to the Black Parade has, in essence, watched me fall in love with this band as a whole. You've been there with me as I discovered everything I love about this band ... and have stuck with me as I shared with you every detail (yes, every one!) In hindsight, I don't think my album review for their 2006 effort, The Black Parade, came anywhere close to doing the album justice ... but it wasn't prejudice, either, which is probably more than I could say if I re-wrote the review now ;) All in all, since first watching the video for Welcome to the Black Parade - a video I "didn't think I was going to like at first" - I have grown to appreciate every effort My Chemical Romance has done. This is the band which really shaped my taste in music, and I love them for it.

Currently, My Chemical Romance is is the studio, working on the follow up to 2006's The Black Parade. The band's website offers frequent updates on the tracking process; band members have said that they're "reaching for the stars with each track", and that the new album will no doubt "wreck people's faces". Well, looks like they have high standards to meet! And you better believe I'll be here, letting you guys all know whether or not they live up to their big talk. ...I have a feeling they will.

A taste of what's to come ...

This performance (live from Hoboken, New Jersey) was featured on My Chemical Romance's second CD/DVD release, The Black Parade Is Dead! (2008). The song they perform in the video below is, as of now, an untitled track which will, more likely than not, be featured as a studio recording on My Chemical Romance's upcoming album.
This song is lovely, and gives me an idea of what the band may be working towards as far as sound for the new album. I've been enjoying this song for the past year, and will continue to do so. I can't wait to hear how it sounds, finalized, on the new album.
I hope you guys enjoy this song as much as I do.

My Chemical Romance - (Untitled) [Live in Hoboken, NJ]

The Fratellis

It has been more than forever it seems since I've posted here, and I apologise for it! I've missed it greatly, but have had some computer issues over the last few months, but now I'm back!

----------------------


As with most of the music I'm listening to these days, the Fratellis was introduced to me by my wonderful friend Sasha, who is always finding new and interesting bands I've yet to hear of.

But looking back I had heard the Fratellis once, breifly, while watching the movie Hot Fuzz. A few of their songs were in the soundtrack. (oh, and for those of you who haven't seen Hot Fuzz I highly reccomend it! Very funny.)

This band has everything I like in a band. One, they're from Glasgow, and lately that seems to be where music is happening. Three Cheers For Glasgow! And two, they have a very upbeat sound, catchy tunes and lyrics, a perfect summertime playlist band.


They currently have two albums out, their first: Costello Music '06, and their sophomore: Here We Stand '08, both of which are rather good.


Here's a quick overview of the albums:



Costello Music (2006)



Henrietta
Flathead
Cuntry Boys & City Girls
Whistle For The Choir
Chelsea Dagger
For The Girl
Doginabag
Creepin Up The Backstairs
Vince The Loveable Stoner
Everybody Knows You Cried Last Night
Baby Fratelli
Got Ma Nuts From A Hippie
Ole Black 'N' Blue Eyes
--------------------------------------------

Here We Stand (2008)



My Friend John
A Heady Tale
Shameless
Look Out Sunshine!
Stragglers Moon
Mistress Mable
Baby Doll
Tell Me A lie
Acid Jazz Singer
Lupe Brown
Milk and Money


The song I choose to share with you (though I wish I could share them all), is Creepin' Up The Backstairs so far all of the Fratellis fans I've met like this track best, myself included.


The Fratellis-Creepin' Up The Backstairs (Costello Music)




-Lyrics-

She said "I'm Rosie"
I said "I thought you were Lucy"
She said "No Rosie, I told you so"
Was here with your sister
But she's going out the back
I wanna dance and have fun you know
Of all the shitty little places I meet you it's here
And I'm freaking out
I heard you got a brand new name
Selling Es in the dark
But hey it's nothing to shout about

Don't just say yes to tease me
Do your utmost to please me
I don't mean to be sleazy
Being you can't be easy

When you're creepin' up the backstairs
Mother's nightmares
Falling in the front door
My my
Climbing in the window
Get dressed, let's go
Take your brother's car keys
Bye bye

Well I see your yellow fingers
And your crucifix bones
All covered in cellophane
Was there when your best friend said
"Sweetheart, I'm just here to get drunk again"
I wouldn't move if I was you
I wouldn't wanna caught when the lights go out
She said "You think you're so special"
I said "Sunshine I'm just just bored I'm just checkin' out"

Don't just say yes to tease me
Do your utmost to please me
I don't mean to be sleazy
Being you can't be easy

When you're creepin' up the backstairs
Mother's nightmares
Falling in the front door
My my
Climbing in your window
Get dressed, let's go
Take your brother's car keys
Bye bye

Don't just say yes to tease me
Do your utmost to please me
I don't mean to be sleazy
Being you can't be easy

When you're creepin' up the backstairs
Mother's nightmares
Falling in the front door
My my
Climbing in the window
Get dressed let's go
Take your brother's car keys
Bye bye

Desolation Row

I cannot say enough good things about this cover.

Anyone who follows this blog is probably well aware that my favorite band is My Chemical Romance. While this band may currently be on break and not recording any new material yet, you can imagine my excitement when I heard that My Chemical Romance was selected to record a cover for an upcoming film.
And not just any film; My Chemical Romance has recorded a cover of Bob Dylan's Desolation Row for the Watchmen movie, scheduled to hit theatres Friday, March 6th.

While My Chemical Romance's version of Desolation Row is clocking in at nearly a quarter the length of the original track (Bob Dylan's recording having been around eleven minutes long, compared to the three minute length of the cover), I was extremely pleased by the way My Chemical Romance presented this song. Vocalist Gerard Way chose between the multiple verses of the original track and picked which he felt best represented the movie - a process he said was extremely difficult. However, in the end, the verses the band ended up incorporating into their cover exemplify not only the graphic-novel-gone-film, but the essence of Bob Dylan's original song almost, too perfectly.
There is plenty to appreciate beyond the lyrics, too. My Chemical Romance took an entirely different approach to this cover - it sounds nothing like the original, and yet, the hardcore punk styling of the track not only showcase the novel and, eventually, the movie, but also a new phase in the life of this band. My Chemical Romance are considering moving away from the theatric, rock-opera style which was apparent on their album The Black Parade (2006) and fall back on the punk rock foundations which supported their first two albums (I Brought You My Bullets, You Brought Me Your Love; 2002; and Three Cheers for Sweet Revenge, 2004).
Everything about this cover screams punk-rock, from the raw, unpolished vocals to the rough, dirty guitars and crashing symbols of the drum set. The entire essence of the track is just teeming with pent-up emotion, and the whole thing is hard and heavy enough that, at the end of three minutes, you can't help but keep asking for more. The combination of Bob Dylan's outstanding lyrics and My Chemical Romance's talents in musicianship and presentation is truly a winning mix.

All in all, this cover serves not only to represent Watchmen in the most brilliant of ways, but also My Chemical Romance, and the new direction the band plans to take with their careers.
The video is one hundred percent hardcore and a great watch for anyone - however, it's an especially good treat for those My Chem fans eagerly awaiting the band's return from their break (: And anyone who's actually read Watchmen , as I have, will appreciate every reference made in the video - from the Rorschach banner behind the drum set, to the Pale Horse flyers, to the graffiti on bassist Mikey Way's guitar ("Who Watches The Watchmen") ... it's all there.

Make sure to head out and see Watchmen when it hits theatres this Friday!
Until then, keep on rockin' to My Chemical Romance's cover of Desolation Row!

My Chemical Romance - Desolation Row [Bob Dylan Cover] Official Music Video

Desolation Row
Originally Recorded by Bob Dylan
Covered by My Chemical Romance

They're selling postcards of the hanging, they're painting the passports brown.
The beauty parlor is filled with sailors; the circus is in town.
Here comes the blind commissioner, they've got him in a trance.
One hand is tied to the tight-rope walker, the other's in his pants.
And the riot squad, they're restless; they need somewhere to go
As Lady and I look out tonight from Desolation Row.

Cinderella, she seems so easy; "It takes one to know one," she smiles.
And puts her hands in her back pockets, Bette Davis style.
And in comes Romeo, he's moaning, "You belong to me, I believe."
And someone says," You're in the wrong place, my friend; you better leave."
And the only sound that's left after the ambulances go
Is Cinderella sweeping up on Desolation Row.

...
At midnight all the agents and the superhuman crew
Go out and round up everyone that knows more than they do.
They bring them to the factory, where the heart-attack machine
Is strapped across their shoulders, and then the kerosene
Is brought down from the castles by insurance men who go
Check to see that no one is escaping to Desolation Row.

...
Right now I can't read too good
Don't send me no letters, no.
Not unless you mail them from Desolation Row.

Avenged Sevenfold - "Avenged Sevenfold"

I can't get enough of this album.
Avenged Sevenfold is a band I was familiar with in the vaguest of ways. I had heard Afterlife and seen the music video, just like anyone else who had their televisions set to Fuse. However, that was the only song I'd heard by them, and didn't go out of my way to listen to anything more.
Once again, my mistake.

However, a friend of mine convinced me to go see Avenged Sevenfold with her when they came to our neck of the woods earlier this month. The show was epic. But, it wouldn't have been half as good if my friend hadn't let me borrow all of Avenged Sevenfold's albums beforehand, to let me "catch up" and maybe not feel like such a poser when they finally came on stage x]
From Sounding the Seventh Trumpet (2001) to City of Evil (2005), I got acquainted with all of the band's work. I was pleasantly surprised to discover that Avenged Sevenfold's previous works were much more metal, much more hardcore, than their more recent releases; after hearing the melodic, soulful Afterlife, the full-on screaming in the band's previous albums was a surprise. But, what I noticed is that - no matter which style the band sought for -, with each album, I found something different to appreciate about this band.

In the end, though, it was the band's latest, self-titled album, released in 2007, which caught my attention. There were just so many chances taken on this album - the band really took a different spin on their sound with this one. While some old fans may not appreciate Avenged Sevenfold's drift away from their previous metal sound, I find it impossible to imagine how you couldn't appreciate the lengths this band went to in order to create a truly unique album.

This is an album review for Avenged Sevenfold.

Avenged Sevenfold- Avenged Sevenfold (2007)

1. Critical Acclaim - The band makes an impressive enterance with the first track of this album, declaring their new style and their new sound in almost a defiant manner, pairing organ chords with dramatic guitar melodies that send shivers down the spine. The song picks up shortly, with the drum line stealing the show. As a whole, every aspect of this song is overwhelming, and all you can do is sit back ... and enjoy. The band makes many powerful statements with the lyrics in this song; however, you're almost too drawn up in the sheer brilliance of the track to notice the message the band is making.
2. Almost Easy - The group doesn't even pause for a breath before running headlong into track two. With less elements incorporated than the opening song, it's easier to absorb the message behind this track; the lyrical impact. The hook is definitly one which strikes a nerve, as vocalist M. Shadows declares time and again that, "I'm not insane!". The bridge of this song is a standout, incorporating melodic, flowing backing vocals to really wrap up this track.
3. Scream - From the very beginning of this track all the way through, you just feel ... well, a little naughty listening to track three. The band backs down in intensity slightly, but makes up for it in plain and simple sexual tension. Not exactly a standout track, but not one to be ignored, either.
4. Afterlife - The stand-alone single from the album. As many times as I've heard this song, the strings which start the song off never lose effect; their shrieking high notes, followed immediantly by the guitars, still gives me shivers. Simple, melodic vocals are paired with the heavier guitars, bass and drums to give this track a unique style. Plenty of elements were incorporated into this track to make it the success it ultimately was.
5. Gunslinger - Any hardcore A7X fans were probably mortified to hear the acoustic, almost country-western guitar strumming which began this track. However, when the intensity picks back up after the first chorus, fans were allowed a sigh of relief. The styling of this track is a perfect example of the chances the band took on this album; and, to me, it paid off, in a huge way. The emotion in this track is intoxicating; I can't stop listening. The female backing vocals make their first significant appearance during the guitar solo of this song, and the effect is haunting.
6. Unbound (The Wild Ride) - One of two on the album which really just don't do much for me. I do adore the intricate piano melodies and backing vocals during the verses; however, as a whole, this track just doesn't stand out to me. The lyrics are okay, and, while the guitar parts are impressive ... but all in all? Just "alright". I really do love the bridge of this song ... but, honestly, my attention usually doesn't hold long enough to make it to that point in the track.
7. Brompton Cocktail - The second not-so-interesting track. There are parts of this song that I really enjoy; specifically, the string melodies during the verses. However, the vocal performance is only mediocre, and while the instrumentals are impressive at times, as a whole, the song just doesn't keep my attention.
8. Lost - The band takes another huge chance in track eight ... and, thankfully, it pays off. The guitars completely attack this song, starting off with a beautiful solo before taking off when the vocals begin. However, it's not until the chorus that this song really makes you stop and pay attention. The way they have altered the vocals in the studio, giving them an almost techno style, is a far cry from the band's old sound - and yet, it totally works. All the elements of this track, combined, just make it a unique song that I can't stop listening to!
9. A Little Piece of Heaven - My favorite track on the album, by far. A twisted tale of romance gone wrong, the story the lyrics tell are really only half the reason this song is so great. This song wouldn't be near the same without every element the band incorporated; strings, piano, brass; backing vocals, almost sounding like a choir ... it's almost a rock opera, but not quite. Besides these little "extras", the performance by the band is top-notch. Just a perfectly demented, beautifully skitzophrenic track.
10. Dear God - I was surprised when the band chose to end such a dramatic, complex album with an acoustic track. However, in a way, this was the perfect song to wrap things up. With simple, heartfelt lyrics and passionate performance by the whole band, this song is just beautiful. The acoustic, again, is almost country-western in influence, but not enough so to drastically change the sound - and a two-minute guitar solo at the end of the track reminds us that A7X is just as hardcore as ever.

Although the sound on this album may be quite different than anything the band has ever produced before, I think the changes Avenged Sevenfold took on this album are ultimately what made me respect them as a band. As a new fan, I can't justify an argument about how the band has changed thier sound, how they arn't what they once were ...
But, isn't that what being a band is about? Changing, growing, making something new?
I think Avenged Sevenfold has done just that. Please, check out these links and learn more about this unique band.

The band's website can provide you with all you need to know about Avenged Sevenfold, including tour dates; if you're lucky, maybe you can see this band perform live, as I have.

Lyrics to all the songs on this album and A7X's other releases can be found on this website.

I'm going to share with you the music video for A Little Piece of Heaven. I realize the video is as sick as the song ... but at the same time, it's as unique, as creative, as the album in which I've just reviewed. While maybe some of you cannot see what I see in this video, I hope some of you can appreciate the creative measures the band took in both the video and the song.
So, enjoy A Little Piece of Heaven, by Avenged Sevenfold; but, please, don't ignore the disclaimer ;)

Avenged Sevenfold - A Little Piece of Heaven Official Music Video

Dog Problems

Ah, The Format. One of my closest friends introduced me to these guys over the summer, and I'm very happy she did.

I hear The Format as a blend of Indie Rock and Broadway Musical, and I consider Dog Problems (off their album of the same name) their most epic sounding song.

The lyrics are fun and witty, and matched with fast paced vocal melodies. You can't help but want to memorize the words and sing along every time you hear the song.

This is definitely a must for everyone's i-pod. The perfect song to add to a "Summertime" or "Happy Songs" playlist. It has most certainly become a part of the soundtrack to my life.

Enjoy!

Dog Problems-The Format (Official Video)


-Lyrics-

Don't.
You.
Dare.

Speak for someone you don't know
They'll feel it in the back of their throat
We know I can't construct a poem
'Cause words like girls get bored and run
C'est la vie
I say "I've got so many better things"
I've got nothing
You should see me
I smoke myself to sleep

And blame postmodern things I can't relate
Like summer camp and coastal states
Like alcohol and coffee beans
Dance floors and magazines
I think its safe to say I've only got myself to blame
But boys in swooping haircuts
Are bringing me down
Taking pictures of themselves
Oh, no

“Boys in swooping haircuts you know who you are”

And so I walk the web in search of love
But always seem to end up stuck
I'm finding flaws in everyone.
I've reached the point where all I want
Is to sleep around in hopes that I will catch back up
We are parallel lines
We’re running in circles
We're never meant to cross

I'm at a loss
You were my tangerine
My pussycat, my trampoline
Now all's I get are wincing cheeks
And dog problems
I signed a lease
Thinking my heart belonged at 93rd and park
Instead I broke a girls heart
And flew back to Phoenix
To finish the year as it started

Can you hear me?
Are you listening?
This is the sound of my heart breaking
And I hope it's entertaining
Cause for me
It's a bitch

Was it worth it?
When you slept with him?
Did you get it all out of your system?

I am a man
Holding it all
I couldn’t breath
Coming across
I didn’t know
I couldn’t get up

B is for believing you'd always be here for me
E is for everything, even when we'd see it though
C, C is for seeing through you,
You are a fake, which brings me to...
A because, because, you always run away

I never finish phrases I misspell
An open arm's a prison cell
When I said, "I hate what I've become"
I lied, I hated who I was
So when you start to wonder
About the pain in my throat,
Well don't you ever, no never ever
Speak for someone
You.
Don't.
Know.

(lyrics found on http://lyricsondemand.com, and video found on youtube)

Use Somebody

Kings of Leon may be a new favorite of mine.

So far, I've only heard two songs by the band; the recently popular, upbeat Sex On Fire, which I have discovered to be the perfect song to turn up in the car when you're driving back roads on a sunny day ...
... and the track I'm going to tell you about in this post.

Use Somebody is a soft, simple track, with so much emotion it's impossible not to be drawn. Everything about this song captivates me; the quiet, straight-forward lyrics, the conspicuous bass line, the strumming of the rhythm guitar, the short guitar solo, not overdone ... and the drums, the crashing symbols, which seems to tie it all together.
However, what truly caught my attention in this song - and Sex On Fire, and probably any other Kings of Leon song I will listen to in the future - is the vocals. Caleb Followill's vocal styling is very unique, and his delivery is flawless. His great lead vocals are made that much more spectacular when they are paired with his backing vocals, which usually consist of alternating higher and lower notes in a range that gives you shivers. It's impossibly not to appreciate the emotion in these Kings of Leon tracks - and others, I'm sure - with Caleb's powerful voice delivering the lyrics.
As a whole, I just adore this track. I can't stop listening to it. Use Somebody is really an example of how you can say so much in so little words.

A final note, which is irrelevant to my opinions on the track, but which I found to be very interesting and just, sweet ...
Kings of Leon is made up of Caleb, Jared, Matthew and Nathan Followill. I would assume the relationships are brothers.
A band of four brothers. How cool is that? I've never seen a band whose members all shared the same last name (:

Anyway.
Use Somebody is simply a lovely track, and I think you'll appreciate it most if you take a listen to it yourself. Watching the video may also help you get a feel for the power behind this simple, quiet song.

This is Use Somebody, by Kings of Leon.

Kings of Leon - Use Somebody Official Music Video

Kings of Leon - Use Somebody

Use Somebody
Kings of Leon

I've been roaming around, always looking down at all I see.
Painted faces, fill the places I can't reach.

You know that I could use somebody ...

Someone like you, and all you know, and how you speak.
Countless lovers, under cover of the street.

You know that I could use somebody ...
Someone like you.

Off in the night, while you live it up, I'm off to sleep.
Waging wars to shape the poet and the beat.
I hope it's gonna make you notice ...

Someone like me;
Someone like me, somebody ...
Someone like you;
Someone like you, somebody ...

I've been roaming around, always looking down at all I see ...

Finally, I'd like to dedicate this review to Steven's Untitled Rock Show which, regretfully, has been cancelled.
I first discovered Use Somebody through Steven's show, and the video was played on the show in the final episodes.
Fuse won't be the same without SURS :(

Yngwie Malmsteen

The name's a bit of a tongue twister no? Just to get you started here's how you pronounce this guy's name, Ying-Wee Malm-Steen.

Now, who exactly is he?
A metal guitarist with the heart of a classical composer. Think of every variation of metal guitar you've heard to date, and then think even farther, you've got Yngwie and his amazing style.

He was trained classically as a child and went on to perform heavy metal guitar music, but what I'm interested in is his Symphonic Metal. He has composed classical concertos and symphonies for electric guitar and entire orchestras.
This is what classical music has evolved to for him...and it's amazing.

I discovered him when a friend gave me a CD with some of his classical tracks, I fell in love...this stuff is awesome.

I really don't want to say too much though, other than of course that you must listen!
Form your own opinion, I'd love to hear it. This is less a review and more me introducing you to his music and wanting to know what you think of it.

I think it's something else!

Enjoy.


Cavallino Rampante (LIVE)-Yngwie Malmsteen and the Japanese Philharmonic Orchestra

The '59 Sound

I adore this song.
The first time I ever heard it was on Steven's Untitled Rock Show on Fuse; which, I'm pleased to announce, seems to be airing new and ever-amusing episodes after a scary time in which I thought my favorite show on television may be cancelled.
The video was first aired on the show months ago. Steven, the host of the show (gee, really?) declared this one of his favorite songs from an up-and-coming artist, and seemed to anticipate the song's popularity far before it ever hit the radio stations near me.
These days, it's rare not to hear The '59 Sound over your stereo if you have the radio set on my local alternative station. Being that the alternative station is indeed my favorite, I have heard a lot of this track lately.
And yet, it just never gets old. The Gaslight Anthem have recorded a huge first single. There's so much raw emotion in this track; the vocals and instrumentals are simple and honest. The lyrics, if you take a minute to really listen, will break your heart - they speak a story of memories, good and bad, regrets and thanksgiving that come with our final days in this world. However, despite an upsetting concept, this song has a hopeful, reminiscent overtone. It really is a bittersweet listen, but one that makes you feel better once the final notes fade away.
As a whole, this is one that I just can't seem to get enough of. I look forward to hearing more by this band.
This is The '59 Sound by The Gaslight Anthem. Enjoy :)

The Gaslight Anthem - The '59 Sound Official Music Video

The '59 Sound
The Gaslight Anthem

Well, I wonder which song they're gonna play when we go;
I hope it's something quiet and minor and peaceful and slow.
When we float out into the ether, into the Everlasting Arms
I hope we don't hear Marley's chains we forged in life

'Cause the chains I been hearing now for most of my life ...

Did you hear the '59 sound coming through on Grandmama's radio?
Did you hear the rattling chains in the hospital walls?
Did you hear the old gospel choir when they came to carry you over?
Did you hear your favorite song one last time?

And I wonder, were you scared when the metal hit the glass?
See, I was playing a show down the road when your spirit left your body.
And they told me on the front lawn, "I'm sorry I couldn't go",
But I still know the song and the words and her name and the reasons

And I know 'cause we were kids and we used to hang ...

Did you hear the '59 sound coming through on Grandmama's radio?
Did you hear the rattling chains in the hospital walls?
Did you hear the old gospel choir when they came to carry you over?
Did you hear your favorite song one last time?

Young boys, young girls ...
Ain't supposed to die on a Saturday night ...

Did you hear the '59 sound coming through on Grandmama's radio?
Did you hear the rattling chains in the hospital walls?
Did you hear the old gospel choir when they came to carry you over?
Did you hear your favorite song one last time?

Sing For Absolution

I love Muse. That without a doubt is very true. They are coming closer and closer to becoming my favorite band...music wise of course (My Chemical Romance and Blue October will always hold incredibly special places in my heart).

So, I was interested in finding some Muse tracks that I hadn't heard, and a few days ago I went on a Muse spree on youtube.
In the process I found one of the most amazing songs I've ever heard. "Sing For Absolution"

I don't know exactly how to describe this song, or how much I love it, and how much it touches me...or even why. There's something hauntingly beautiful about it, about the lyrics and the tune. Matt's voice is amazing. He's got one of those voices that just captivates, that ensnares, and empowers...I get shivers and just an overall "wow" feeling whenever I hear him sing. I totally understand how Stephanie Meyer found this band such an inspiration when writing the Twilight saga, you can't help but think of true love, and loss, fear, and longing when listening to this band. Sing For Absolution completely embodies all of that.

The music video is also something to behold. It's a very sci-fi setting. With great computer animation graphics...kinda remind me of the more epic scenes from the movie Titan A.E.

Anyway, I've found this song just brilliant. Of course...you have to form your own opinion.

Enjoy!

Sing For Absolution-Muse


-Lyrics-

lips are turning blue
a kiss that can't renew
I only dream of you
my beautiful

tiptoe to your room
a starlight in the gloom
I only dream of you
and you never knew

sing for absolution
I will be singing
falling from your grace

there's nowhere left to hide
in no one to confide
the truth runs deep inside
and will never die

lips are turning blue
a kiss that can't renew
I only dream of you
my beautiful

sing for absolution
I will be singing
falling from your grace

sing for absolution
I will be singing
falling from your grace

our wrongs remain unrectified
and our souls won't be exhumed

Nightmare Revisited

Every few years Tim Burton, Danny Elfman, and team see it fit to re-issue "The Nightmare Before Christmas" soundtrack, and add a bonus CD with covers of all the song by current artists. This year was one of those years!

"The Nightmare Before Christmas" really is a classic. It was a movie that was ahead of it's time in stop motion animation technology. Not to mention it had an amazing score/soundtrack written and composed by master of movie music Danny Elfman.

The music is really what made the movie so magnificent. More than a decade later people still line up yearly to see the movie in theatres (in 3D), and kids (and adults too) sing along with the great songs.

Nightmare Revisited takes today's artists and gives us the songs we loved from the movie, with a twist.



The Track list
Coupled By My Opinion Of Each Song


1.Overture-DeVotchKa
[This track really got me. It's quite the opening. The style is almost Cirque Du Soleil. Very circus. An absolutely wonderful start to the CD!]

2.Opening-Danny Elfman
[This isn't that different than the original which was narrated by actor Patrick Stewart. I do think that Danny's voice has a very neat sound to it though, especially since he did Jack's vocals in the original]

3.This Is Halloween-Marilyn Manson
[Definitely a Manson track. Creepy as ever. Has some techno undertones, but sticks with the goth sound that Marilyn does so well.]

4.Jack's Lament-The All-American Rejects
[This isn't my favorite track, by any means. Tyson's voice seems a bit whiny for the song...not as good as it could have been.]

5.Doctor Finklestien/In The forest-Amiina
[This was really nice. There's a slightly Asian backbone to the song, and I love the deep strings (Bass I think?) that keep the beat. It also has a music box feel.]

6.What's This?-Flyleaf
[One of my favorite tracks on the CD. Flyleaf did an amazing job. The song is quite a bit slower and more melancholy than the original (and definitely more so than Fall Out Boy's cover from the last special edition!). Lacey's voice really shines in this song.]

7.Town Meeting Song-The Polyphonic Spree
[The beginning of this song was really cool, futuristic! Lol. Almost David Bowie's Space Oddity sounding. Actually, the whole song had a Bowie-esque sound to it. I liked how they changed the vocal melody...it's like a completely new song. Towards the middle it gets a bit Broadway sounding. It's really something new.]

8.Jack and Sally Montage-The Vitamin String Quartet
[Exactly the excellence you'd expect of Vitamin. Beautiful strings. I could listen to this over and over.]

9.Jack's Obsession-Sparklehorse
[Falsetto. That really sums it up lol. I will say though that the acoustic guitar is quite beautiful, as well as the vocal melody, which like in The Town Meeting Song was changed. There's the faint hint of something that could be a lullaby, maybe.]

10.Kidnap The Sandy Claws-Korn
[Classic Korn. Creepy, strange vocalizations, the whole nine yards.]

11.Making Christmas-Rise Against
[Love the electric guitar opening! And being a Rise Against fan, I'm kinda biased, but I'll say that I really liked this. Very hard-core. Love it.]

12.Nabbed-Yoshida Brothers
[Done in a very beautiful classical Japanese style, with a techno/dance twist. Really great.]

13.Oogie Boogie's Song-Bordrigo y Gabriella
[Spanish! It has that wonderful acoustic guitar flair you get from Spanish flamenco music.
This is the first track on the CD that takes a song that originally had vocals and made it instrumental.]

14.Sally's Song-Amy Lee
[What can I say other than gorgeous when describing Amy's voice? She just owned this song. It's haunting. I love the extra Goth she added to the song. Absolutely amazing, brilliant, beautiful!]

15.Christmas Eve Montage-Rjd2
[Electro. Fun. Christmas with it's own neat little spin. All I can say is it's way fun to listen to, and you can definitely dance to it!]

16.Poor Jack-Plain White T's
[I liked this one. Tom's voice really complimented the song, it's not very unlike the original Elfman version. This song really shows a side of Tom's voice I've never heard, he has quite a range. This exceeded my expectations. Really a good song.]

17.To The Rescue-Datarock
[More electro, techno, synth-pop, whatever-you-wanna-call-it. I'm also a Datarock fan, and I can say they did quite the job on this instrumental piece. Fun stuff.]

18.Finale/Reprise-Shiny Toy Guns
[I love how it starts with a almost "broken carousel" version of "Here Comes Santa Clause" with the guys in the band creepily whispering "la-la-la-la". Then it goes hard-core on us. They even through in a few "Phantom" style organ chords. Another curve, it turns into a very pretty ballad, with church style organs. Again, vocal melodies have been changed, but it's all for the better. The song is really great.]

19.Closing-Danny Elfman
[Same as opening really. Just the original piece narrated by Elfman instead of Stewart]

20.End Title-The Album Leaf
[A very clam, pretty, instrumental end to the CD. Kinda makes me that warm kind of sleepy when I hear it.]



Anyway, it's a great album with surprises around every corner. Be sure to get a listen! Truly a great album, and definitely the best so-far of the Nightmare remakes.

I'm going to share one of (because there's no possible way to fit all of them!) my favorite tracks, Flyleaf's version of "What's This?.

Enjoy!





What's This?-Flyleaf


Lyrics

What's this? What's this?
There's color everywhere
What's this?
There's white things in the air
What's this?
I can't believe my eyes
I must be dreaming
Wake up, Jack, this isn't fair
What's this?

What's this? What's this?
There's something very wrong
What's this?
There's people singing songs

What's this?
The streets are lined with
Little creatures laughing
Everybody seems so happy
Have I possibly gone daffy?
What is this?
What's this?

There's children throwing snowballs
instead of throwing heads
They're busy building toys
And absolutely no one's dead

There's frost on every window
Oh, I can't believe my eyes
And in my bones I feel the warmth
That's coming from inside

Oh, look
What's this?
They're hanging mistletoe, they kiss
Why that looks so unique, inspired
They're gathering around to hear a story
Roasting chestnuts on a fire
What's this?

What's this?
In here they've got a little tree, how queer
And who would ever think
And why?

They're covering it with tiny little things
They've got electric lights on strings
And there's a smile on everyone
So, now, correct me if I'm wrong
This looks like fun
This looks like fun
Oh, could it be I got my wish?
What's this?

Oh my, what now?
The children are asleep
But look, there's nothing underneath
No ghouls, no witches here to scream and scare them
Or ensnare them, only little cozy things
Secure them in their dreamland...

What's this?

The monsters are all missing
And the nightmares can't be found
And in their place there seems to be
Good feeling all around

Instead of screams, I swear
I can hear music in the air
The smell of cakes and pies
are absolutely everywhere

The sights, the sounds
They're everywhere and all around
I've never felt this good before
This empty place inside of me has been filling up
I simply cannot get enough

I want it, oh, I want it
Oh, I want it for my own
I've got to know
I've got to know
What is this place that I have found?
What is this?

Whispers In The Dark

Cowgirl4christ made a post on Skillet's album Comatose awhile back, but didn't really go into the individual songs and focused a bit more on Skillet as a band and on the album. Be sure to read that post!

I'm posting about one of the songs on that album, "whispers in the dark". I first listened to the song a few weeks ago after I downloaded a playlist on Rhapsody.
I immediately fell captive to the back beat and guitar. The song really has an epic feel.

The lead singers voice has this urgency, but a soft reassuring urgency, one of hope. The lyrics are also those of hope. He's telling someone he's there for them, he'll do anything to see them happy and safe.

You get a sense of comfort when hearing this song, not in the sense that it's a mild and quiet song, no it's far from it with the pounding bass and hard core rock sound, but just from the overall feel you can't help but relax.

This song has become one of my all-time favorites, so check it out!

Enjoy!


Skillet-Whispers In The Dark


Despite the lies that you're making
Your love is mine for the taking
My love is just waiting
To turn your tears to roses

Despite the lies that you're making
Your love is mine for the taking
My love is just waiting
To turn your tears to roses

I will be the one that's gonna hold you
I will be the one that you run to
My love is a burning, consuming fire

No, you'll never be alone
When darkness comes
I'll light the night with stars
Hear my whispers in the dark

No, you'll never be alone
When darkness comes
You know I'm never far
Hear my whispers in the dark

Whispers in the dark

You feel so lonely and ragged
You lay here broken and naked
My love is just waiting
To clothe you in crimson roses

I will be the one that's gonna find you
I will be the one that's gonna guide you
My love is a burning, consuming fire

No, you'll never be alone
When darkness comes
I'll light the night with stars
Hear my whispers in the dark

No, you'll never be alone
When darkness comes
You know I'm never far
Hear the whispers in the dark

No, you'll never be alone
When darkness comes
I'll light the night with stars
Hear my whispers in the dark

No, you'll never be alone
When darkness comes
You know I'm never far
Hear the whispers in the dark

Whispers in the dark
Whispers in the dark
Whispers in the dark

"We Can Be Heroes, Just For One Day"

It's been a while since I've made a post on this site, so I decided to post about one of my all-time favorite songs, hands down.

I've been a David Bowie fan for years and years. I was the only eleven-year-old I knew who could sing "Space Oddity" by heart, but out of all his songs the one that will always be my favorite is "Heroes".

A song far ahead of it's time in terms of sound. My dad told me that when it first came out it was nearly unlistenable because of the style, no one had made music like this yet.

Bowie's voice always seems to pour his heart into the songs. He has a yearning sound, one that I've yet to find in any other artist. "Heroes" emphisised that longing and used it to it's betterment. Between the amazing, timeless, melody and the wonderful lyrics, I consider this a masterpiece for rock music.

In addition to sharing Bowie's version of "Heroes" with you I'm going to share something I came across just a month ago. A German cover of the song, "Helden" beautifully performed by Apocalyptica.
They tweak the style ever so slightly to incorperate the metal sound and those amazing cellos. And add deep rough German vocals.

Both versions are amazing, and are must listens. Not just for Bowie fans, but for music lovers the world round.

Enjoy!

Heroes (Live)-David Bowie


Heroes Lyrics (English)

I, I will be king
And you, you will be queen
Though nothing will drive them away
We can beat them just for one day
We can be heroes just for one day

And you, you can be mean
And I, I'll drink all the time
'Cause we're lovers and that is a fact
Yes we're lovers and that is that

Though nothing will keep us together
We could steal time just for one day
We can be heroes for ever and ever
What d'you say?

I, I wish I could swim
Like the dolphins, like dolphins can swim
Though nothing, though nothing will keep us together
We can beat them for ever and ever
Oh, we can be heroes just for one day

I, I will be king
And you, you will be queen
Though nothing will drive them away
We can be heroes just for one day
Oh, we can be heroes just for one day

I, I remember
Standing by the wall
The guns shot above our heads
And we kissed as though nothing could fall
And the shame was on the other side
Oh, we can beat them for ever and ever
Then we can be heroes just for one day
We can be heroes
We can be heroes

We can be heroes
Just for one day
We can be heroes

We're nothing and nothing will help us
Maybe we're lying then you better not stay
But we could be safer just for one day


Helden (Cover)-Apocalyptica


German Lyrics-Helden

Du
Könntest Du schwimmen
Wie Delphine
Delphine es tun
Niemand gibt uns eine Chance
Doch können wir siegen
Für immer und immer
Und wir sind dann Helden
Für einen Tag

Ich
Ich bin dann König
Und Du
Du Königin
Obwohl sie
Unschlagbar scheinen
Werden wir Helden
Für einen Tag
Wir sind dann wir
An diesem Tag

Ich
Ich glaub' das zu träumen
die Mauer
Im Rücken war kalt
Die Schüsse reissen die Luft
Doch wir küssen
Als ob nichts geschieht
Und die Scham fiel auf ihre Seite
Oh, wir können sie schlagen
Für alle Zeiten
Dann sind wir Helden
Nur diesen Tag
Dann sind wir Helden
Dann sind wir Helden
Dann sind wir Helden
Nur diesen Tag

Dann sind wir Helden

You're Gonna Go Far, Kid

This is a song that I have been absolutely obsessed with lately.
The first song I ever heard by The Offspring was The Kids Aren't Alright. A catchy track, I made a mental note to keep listening for more by the band. The second song of theirs to catch my attention was Hammerhead, and, finally, the track I'm going to review for you today; You're Gonna Go Far, Kid.
There are just so many elements to this song that appeal to me. As a whole, the punk-rock genre of the band caught my attention. This was a group that wasn't afraid to get a little crazy, to be a little "out-there"; to take risks that other bands wouldn't attempt. I love that in my music and The Offspring went all the way with that in this track.
It's impossible not to become drawn into the driving beat that opens the song right off the bat. From there, it's a whirlwind of off-beat cymbals, staccato bass, and killer guitar parts which, combined, create an emotionally driven background for an already powerful track. Add on the lyrics - overflowing with a sense of strength, courage, anger and defiance, all at once - and this is one song that draws you in and keeps you hanging on.
And once it's over, you can't help but hit "repeat" and enjoy it all over again.

This is The Offspring's You're Gonna Go Far, Kid.

The Offspring - You're Gonna Go Far, Kid Official Music Video

You're Gonna Go Far, Kid
The Offspring

Show me how to lie, you’re getting better all the time
And turning all against the one, it's an art that’s hard to teach
Another clever word sets off an unsuspecting herd
And as you step back into line, a mob jumps to their feet

Now dance, fucker, dance
Man, he never had a chance
And no one even knew, it was really only you
And now you steal away
Take him out today
Nice work you did
You’re gonna go far, kid

With a thousand lies and a good disguise
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives

Slowly out of line, and drifting closer in your sights
So play it out I’m wide awake, it’s a scene about me
There’s something in your way and now someone is gonna pay
And if you can’t get what you want, well it’s all because of me

Now dance, fucker, dance
Man, I never had a chance
And no one even knew, it was really only you
And now you’ll lead the way
Show the light of day
Nice work you did
You’re gonna go far, kid
Trust, deceived!

With a thousand lies and a good disguise
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives

Now dance, fucker, dance, he never had a chance
And no one even knew, it was really only you
So dance, fucker, dance, I never had a chance
It was really only you ...

With a thousand lies and a good disguise
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives

Clever alibis, Lord of the flies
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives!

What A Catch, Donnie

Some of the people reading this may be aware of the fact that Fall Out Boy has a new album on the way. The album is titled Folie a Deux and is scheduled to be released worldwide December 15th and 16th of this year. Several singles have already been released from the album, and I have to say my favorite so far is titled What A Catch, Donnie.
This is a lovely ballad that transitions flawlessly between soft, insightful verses to a strong, powerful chorus. The gorgeous lyrics are presented beautifully by lead vocalist Patrick Stump in such a way that makes you feel so much. The entire track has such a lovely, sweet essence to it; but, at the same time, there's a sting of some underlying message behind the words. It's up to you, as the listener, to determine what isn't being said - but rather, delivered by the simplistic instrumentals and phenomenal vocals.
A creative touch was added to the song with the incorporation of a handful of cameo appearances which take the stage at the end of the track. Each guest vocalist sings a snippet of one of Fall Out Boy's other songs. These segments span the entire career of the band; from lyrics off of their debut album Evening Out With Your Girlfriend (2003) to one of their singles from the soon-to-be released Folie a Deux (2008), these "extra" vocals add a certain touch to the song, and are a special treat to those who have been fans of the band from the beginning.
All in all, this track is simply lovely. It looks like Fall Out Boy is back, and in a big way! Make sure to check out the band's other new singles, I Don't Care and Headfirst Slide Into Cooperstown On A Bad Bet, and don't forget to grab your copy of Folie a Deux on December 15th and 16th.
But for now, please enjoy listening to What A Catch, Donnie.

Fall Out Boy - What A Catch, Donnie Video

What A Catch, Donnie
Fall Out Boy

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch

You'll never catch us, so just let me be
Said I'll be fine 'till the hospital, or American Embassy
Miss Flack said I still want you back
Yeah, Miss Flack said I still want you back

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch
And all I can think of is the way I'm the one who charmed the one
Who gave up on you, who gave up on you

They say the captain goes down with the ship
So, when the world ends, will God go down with it?
Miss Flack said I still want you back
Yeah, Miss Flack said I still want you back

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch
And all I can think of is the way I'm the one who charmed the one
Who gave up on you, who gave up on you

[Elvis Costello; "Headfirst Slide Into Cooperstown On A Bad Bet"]
I will never end up like him
Behind my back, I already am
Keep a calendar, this way you will always know ...

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch
And all I can think of is the way I'm the one who charmed the one
Who gave up on you, who gave up on you

[Gabe Saporta; "Grand Theft Autumn/Where Is Your Boy?"]
Where is your boy tonight? I hope he is a gentleman
Maybe he won't find out what I know ...
[Travis McCoy; "Sugar, We're Goin' Down"]
We're going down, down in an earlier round
And sugar, we're goin' down swinging ...
[Brendon Urie; "Dance, Dance"]
Dance, dance, we're falling apart to halftime
Dance, dance, and these are the lives you'd love to lead ...
[Doug Neumann; "This Ain't A Scene, It's An Arms Race"]
This ain't a scene, it's a goddamn arms race
This ain't a scene, it's a goddamn arms race
[Alex DeLeon; "Thnks fr th Mmrs"]
One night, yeah and one more time
Thanks for the memories, even though they weren't so great ...
[William Beckett; "Growing Up"]
Growing up, growing up ...

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch ...

*brackets indicate guest vocalists and the songs in which the lyrics they sing were originally recorded