Hey, Soul Sister

Gonna take a short break from my "Then & Now" series to step back into the present, and confess that I am whole-hearted-ly addicted to this track.

...I think it's the ukulele. I'm sort of into that lately. Or maybe it's the reggae styling; sort of been into that lately, too. But I think most of all, as usual, it's the lyrics; it's the soul in the track Hey, Soul Sister that first caught my attention. From the very opening lyric; "Lipstick stains on the front lobe of my left side brains"... that's so good. I love it. I don't know why I love it, I just do.

It gets better from there. "You're the one I have decided is one of my kind"; there's just a sort of open, honest vibe about this track, and I love that. It works so well with the instrumentals, the overall mood of this song. Everything about it ties together so beautifully, and I almost can't describe what it is about this song that has me so honestly addicted; every time I listen to it, I feel happy, and hopeful, and blissfully unaware of anything except complete and irrational optimism. It's brilliant. One hell of a single from the guys in Train; thanks for giving us this sweet little melody.

I'm not a huge fan of the music video. I like the setting; the concept is overdone. Could have done without the lyrics feature... the first time I ever saw it was on Panic at the Disco's music video for their single Northern Downpour, and now it seems that everyone from Nickelback to Green Day - and, apparently, Train - is catching on to the idea. In my opinion, nothing tops Panic's writing on the bathroom mirror and "Hey Moon" bumper stickers... but I digress.

Basically, Train's Hey, Soul Sister is a sweet and honest and soulful track, and has captured my heart completely. Hope this song makes you as happy as it makes me.

Train - Hey, Soul Sister Official Music Video

Hey, Soul Sister
Train

Hey, hey...

Your lipstick stains on the front lobe of my left side brains;
I knew I wouldn't forget you, and so I went and let you blow my mind.
Your sweet moonbeam; the smell of you in every single dream I dream.
I knew when we collided, you're the one I have decided who's one of my kind.

Hey soul sister, ain't the Mr. Mister on the radio, stereo;
The way you move ain't fair, ya know.
Hey soul sister, I don't want to miss a single thing you do tonight.

Hey, hey...

Just in time; I'm so glad you have a one-track mind like me.
You gave my life direction, a game show love connection we can't deny.
I'm so obsessed; my heart is bound to beat right out my untrimmed chest.
I believe in you; like a virgin, you're Madonna, and I'm always gonna wanna blow your mind.

Hey soul sister, ain't the Mr. Mister on the radio, stereo;
The way you move ain't fair, ya know.
Hey soul sister, I don't want to miss a single thing you do tonight.

The way you can cut a rug; watching you's the only drug I need;
So gangsta, I'm so thug, you're the only one I'm dreaming of, you see.
I can be myself now, finally; in fact there's nothing I can't be.
I want the world to see you be with me.

Hey soul sister, ain't the Mr. Mister on the radio, stereo;
The way you move ain't fair, ya know.
Hey soul sister, I don't want to miss a single thing you do tonight.

Then & Now - Haste the Day

Haste the Day

Then ...

I owe a lot to this band, in a way. Haste the Day was the first Christian metal band which I started listening to consistently, and therefore I give them credit for introducing me to my now-favorite genre. When I first introduced this band to the readers of music.is.life, I shared with them the track Stitches, a lovely representation of what this band was made of. I found myself heartbroken by the truth in their lyrics, and at the same time empowered by the strength of their artistry and the passion in their words. This track showcased some of my favorite things about this band while also allowing me my first taste of a fascinating genre.

... & Now.

I didn't realize just how much more this band was capable of until I started exploring more of their work. Stitches was and is still a beautiful track - and is still one of my favorites by this band -, but it is but just a glimpse into Haste the Day's complex and impressive discography. Haste the Day flawlessly combine their worship with their art, wrapping their passionate lyrics in brutal vocals and emotionally charged instrumentals. They deliver a powerful message in each and every track, and offer through their albums a journey for listeners, a fast-paced adventure into our own emotions and experiences. Having the pleasure of having purchased both When Everything Falls (2005) and Pressure the Hinges (2007), I have discovered in Haste the Day traits I admire so much in a band; not only talent, but passion and purpose as well. At the same time, I have also discovered some of my favorite aspects in music, and in doing so allowed myself to form a passion for a genre I was previously unacquainted to.

Haste the Day's latest album, Dreamer, was released in 2008. The band spent most of 2009 on tour all across the world, and are finally slowing down their tour schedule as we begin the new year. The band is scheduled to play on the Van's Warped Tour in Summer 2010.

I'm going to share with you the music video for Man Man, a single off of the album Dreamer. This song definitely showcases the band's strengths; proving that, despite changes that have overcome the band in current years, this band is dedicated and committed to their work and their worship. In order to fully appreciate this track - as well as others by the band - I encourage you to look up their song lyrics; listening to these powerful songs, while gaining the full impact of their beautifully written lyrics, creates as a whole one breathtaking experience.

Hopefully, I'll have my hands on Dreamer in due time, and am looking forward to my chance to see Haste the Day perform in my area sometime soon. Until then, I'll keep my eye on any new releases from this band, as well as walking through the door this band has opened for me and exploring further the realm of Christian metal.

Haste the Day - Mad Man Official Music Video


Haste The Day - Mad Man

Haste The Day | MySpace Music Videos

Then & Now - Fall Out Boy

Fall Out Boy

Then ...

I reminded my sister of the singles, and my sister introduced me to ... well, everything else. I can't say I'm the reason Fall Out Boy is my sister's favorite band, but I do give myself credit for kick-starting her interest in the singles (Dance, Dance; Thnks Fr Th Mmrs ... you know, those ~popular Fall Out Boy tracks that were practically viral a few years back) and, later, her admiration for the band as a whole. My first music.is.life post about Fall Out Boy came sometime after my sister began her research into the band; I remember, out of all the songs she downloaded on iTunes (before running out and buying the CDs soon after), The Pros and Cons of Breathing was the track which stood out to me the most...

... & Now.

...and, to this day, the first Fall Out Boy track I mentioned on music.is.life is still one of my favorite of their songs. Likewise, Take This To Your Grave, the band's 2003 debut full-length and the album the aforementioned track is on, has become one of my two favorite Fall Out Boy albums. The other favorite happens to be, ironically, the band's latest work, Folie à Deux (2008). I never gave this album a proper review on this blog (although I did review an outstanding single from that work) and, quite frankly, I regret that. I can't say enough good things about that album; Fall Out Boy really blew me away with it. As a whole, I must admit, I have an "on again, off again" relationship with the band - especially their "in-between albums", From Under the Cork Tree (2005) and Infinity on High (2007). There are moments on each album which never seize to amaze me, sure; but often times, I tend to disregard Fall Out Boy, forget about their finer moments. Even tracks from Take This To Your Grave - the album I just declared as one of my favorites - often get skipped over when I am casually scrolling through my iPod. However, when I remember to stop and take a listen to some of their songs, I remember just how much some of their tracks mean to me, and my respect for Fall Out Boy and the work they put into their art deepens. More times than not, I find myself saying things like, "Wow ... I forgot just how amazing this song really was." And I feel bad for underestimating this band's work.
In short; are they my favorite band? No. But I should probably start paying a bit closer attention.

...maybe the release of Fall Out Boy's first Best-Of album will help remind me again what it is about this band that I appreciate. Set to be released on November 16th, 2009, this best-of will span the band's entire discography; fifteen tracks of basically every single Fall Out Boy has ever released, from Dead on Arrival to What a Catch, Donnie. In addition, the band will be releasing on this collection a previously unrecorded track, Alpha Dog (which is streaming right now on the Fall Out Boy website; long-time fans may notice something familiar about the layout of the website these days, too), as well as bonus tracks From Now On We Are Enemies, Yule Shoot Your Eye Out, and Growing Up. All in all, it's going to be an impressive release, one which will no doubt be anticipated by fans new and old alike.

Now, I realize I've already made a post about the 2008 single What A Catch, Donnie on this blog ... but, really. I adore that track. That's all there is too it. And, quite frankly, it's the perfect song for a Then & Now post about Fall Out Boy. This song embodies the past, present, and future of this band; an entire existence, wrapped up in a nice little ballad almost five minutes long. There's just so much to be said about this track and within the song itself, and just ... I would really love for anyone who hasn't heard this song yet to take a listen. And for those of you who know the tune ... well, listen again.
Besides, there's a new music video out for the song, a video which wasn't created at the time I posted about the song before. And this video is definitely worth watching; it's as emotionally charged as the single, heartbreaking and at the same time remarkably hopeful. It's a sort of contradiction you feel, even though you can't hardly explain it; and it's the sort of contradiction Fall Out Boy thrives on.
So, here's the video for What A Catch, Donnie, by Fall Out Boy. I hope you all enjoy it as much as I do.
And let this mark the beginning of my re-introduction to this band as a whole.

Fall Out Boy - What A Catch, Donnie Official Music Video

Fall Out Boy - New Music - More Music Videos

Then & Now - Green Day

Green Day

Then ...

The first (and only ... to this very day, I believe) post I made on this site about Green Day was a review for their single, Holiday, off their 2004 rock epic, American Idiot. At the time, that was basically all I knew of Green Day; their singles. I remember the year American Idiot came out - around my sixth grade year in school -, everyone in the school hallways had heart grenades ... everywhere. Their backpacks, clothing, notebooks ... I didn't get it. I didn't try to. That wasn't my music scene. The time I posted my review for Holiday was about the same time I really started listening to Green Day.

... & Now.

And I'm so glad I did. I have discovered in Green Day a band I'm most respectful of; a group of men who aren't afraid to speak up about what matters to them, regardless of what popular culture may have to say about it. And, while many people are either fans of the "old" Green Day or the "new" Green Day - pre- and post-American Idiot era, receptively -, I have found something to appreciate about all the work this band has done. I truly and honestly respect Green Day as musicians, and am proud to call myself a fan; not of an album, not of an era; but of a group of men who have worked all their lives for what they love.

Green Day just released their much-anticipated follow-up to American Idiot, after a long and very discrete hiatus. It could be debated about whether anything could top 2004's rock opera phenomenon, and whether 21st Century Breakdown (their newly released album) comes even close. However, if you ask me, Green Day's latest is a success in every way. Did Green Day manage to raise their own bar - again! - after the high standard set by American Idiot? Well, I'm not sure it's even fair to even try and compare these two albums. Without a doubt, both are spectacular and speak true to the mission Green Day has as a band.

This following music video is for the single 21 Guns, from 21st Century Breakdown.
This song really means a lot to me. The first time I ever heard it, I was listening to the album in the car, driving around town. As soon as the acoustic guitar opened out the track, I was hooked ... and my attention never wavered. Billie Joe asked me the question, "Do you know what's worth fighting for, when it's not worth dying for?" And, long story short ... I became really emotional about this entire track. I have loved this song from the moment I heard it for the first time, and the appeal just never dies off. The music video is equally stunning, and I think really showcases Green Day at ... possibly one of their finest, strongest, most vulnerable and yet, most defiant moments.
Please, take a good, honest listen to this remarkable song. Every time I listen to it ... 21 Guns reminds me why I love Green Day so much; then & now.

Green Day - 21 Guns Official Music Video

100 in a 55

As frequent followers of this blog probably know, I tend to discover a lot of new music via music television, especially Fuse. These days, it seems the channel doesn't play ... as much music at they used to. But this song is the official first song I fell in love with in Summer '09, courtesy my favorite television station.

100 in a 55, to some people, may not seem like a song that has a lot going for it. Pop Evil may sound like just another rock band, and this single may seem to be lacking a lot of creativity. And, while I agree Pop Evil may not have taken many chances with this track ... as I often say, it's the simplicity of of this song that makes it so special.
There's a lot of true, honest emotion in the lyrics of the song and the way those lyrics are presented. The "sweet and simple" styling of the instrumentals bring to mind the days of good, classic rock and roll ... but there's almost a sense of southern influence to this song as well.
As a whole, the first thing I thought when I heard this song was, "...now this is rock n' roll." And a lot of people will probably disagree with me on that, because this song isn't in-your-face, pedal-to-the-metal, all-or-nothing out there like a lot of rock music is today. But, when you think about rock n' roll ... it's more than a genre to so many people. Rock n' roll is a lifestyle for the people who appreciate it, and I think this song portrays that imagery, that persona, perfectly.

Feel free to draw your own conclusions about this track. An overdone concept or a classic style? You decide. But I, personally, feel it's the tried-and-true methods exemplified in this track that were the foundation for what rock has become.

This is 100 in a 55, by Pop Evil.

Pop Evil - 100 in a 55 Official Music Video

100 in a 55
Pop Evil

Turn back on the broken heartache
Some things are just meant to be
I still believe that we got a chance
Still believe that we got a chance to be
Too much is never enough
Andd too little is never enough
Full speed got me looking out my rear view; I can’t go back

Goin’ 100 in a 55 and I don’t know why I’m still alive
But I do what I can but I know I can’t take anymore
I still believe in this rock and roll, and I pray the music gonna save my soul
But 'till then I still believe, some things are just meant to be

It's messed up but I got this mission
Drunk again, won't remember anyway
She said it’s just a game, boy
Don’t be gone, don’t be gone for long
Ten years I’ve been doing this forever
It's all I know, baby please don’t turn away
I know you don’t believe in me
But I do believe in you

I’m still falling away from here
I’m still falling; the wings are falling off
I can’t go back, I’m in too deep

I still believe some things are just meant to be

Then & Now - My Chemical Romance

... a qucik introduction about this new "series" of mine ...

So. I know you've all been sitting at the edge of your seats for months now, checking this blog daily - if not twice daily - eagerly awaiting the moment when you'd see on this site my infamous "Then & Now" post.
... okay. maybe not. Some of you are probably wondering ... "What is she talking about? ...what is it I'm about to read, exactly?"

This post is going to be a little unorthodox, compared to most. For one ... it's not going to be one post. This post you're reading now will mark a series of "Then & Now" posts I will write over the course of the following week or so. In these posts, I'm going to shuffle back through the archives, reminiscing on the posts I've made since the beginning of this blog's existence.
... but that's not all.
Along the way, I'll think about my opinions on these bands now. You have probably often seen my type at the bottom of a post, "I'll definitely be looking more into this band"; or, "I can't wait to listen to this band's latest album" ... or something to that effect. The thing is, many of the songs I've posted about on this site have been from bands I didn't know very well at the time ... and, more often than not, I've been surprised by what I've discovered about these bands when I delved deeper into their discographies.
Interesting? I think so. So let's take a look at my favorite bands, then ... and now. We'll start with posts from the very beginning ... and work our way up to the present. Look out for more "Then & Now" posts in the days to come, and for now, enjoy Part 1 of this little mini-series.

And it'd only be appropriate that I start out with ...

My Chemical Romance
You all should have guessed these guys would be in here :3

Then ...

The first post I made on this blog about My Chemical Romance was a review for their ever-popular single, Welcome to the Black Parade. This post ... basically marks my introduction into this band. At the time, this was the only song of theirs I knew; I had just started doing my research on the band. Little did I know ...

...& Now.

... that My Chemical Romance would go on to become the first band I ever called my "favorite". Anyone who's followed this blog since making my post on Welcome to the Black Parade has, in essence, watched me fall in love with this band as a whole. You've been there with me as I discovered everything I love about this band ... and have stuck with me as I shared with you every detail (yes, every one!) In hindsight, I don't think my album review for their 2006 effort, The Black Parade, came anywhere close to doing the album justice ... but it wasn't prejudice, either, which is probably more than I could say if I re-wrote the review now ;) All in all, since first watching the video for Welcome to the Black Parade - a video I "didn't think I was going to like at first" - I have grown to appreciate every effort My Chemical Romance has done. This is the band which really shaped my taste in music, and I love them for it.

Currently, My Chemical Romance is is the studio, working on the follow up to 2006's The Black Parade. The band's website offers frequent updates on the tracking process; band members have said that they're "reaching for the stars with each track", and that the new album will no doubt "wreck people's faces". Well, looks like they have high standards to meet! And you better believe I'll be here, letting you guys all know whether or not they live up to their big talk. ...I have a feeling they will.

A taste of what's to come ...

This performance (live from Hoboken, New Jersey) was featured on My Chemical Romance's second CD/DVD release, The Black Parade Is Dead! (2008). The song they perform in the video below is, as of now, an untitled track which will, more likely than not, be featured as a studio recording on My Chemical Romance's upcoming album.
This song is lovely, and gives me an idea of what the band may be working towards as far as sound for the new album. I've been enjoying this song for the past year, and will continue to do so. I can't wait to hear how it sounds, finalized, on the new album.
I hope you guys enjoy this song as much as I do.

My Chemical Romance - (Untitled) [Live in Hoboken, NJ]

Ain't No Rest For The Wicked

I want to quickly apologize for the lack of recent updates to this blog D:
Life has been hectic lately, but I hope I can continue to offer all you loyal readers new and exciting updates.
So now, I'm going to tell you about a song I just discovered this week.

I first heard Ain't No Rest For The Wicked on the local alternative radio station, and while it didn't immediately catch my attention - apart from the unique beats and styling -, after a few listens I was definitely hooked. And how lucky was I to find that iTunes was offering the very track as the free download of the week! xD Needless to say, I downloaded the song immediately. Hurry on over to the iTunes store; maybe the offer is still going on :) If it is, I highly encourage you to click "Download" ... and if they're going to charge you .99 cents; well, I'd have to say, I think it's worth the money.

Cage the Elephant combined a unique sound - think acoustic funk meets southern blues, with a bit of a hip-hop influence for good measure - with powerful, thought-provoking lyrics to create a truly masterful final product. Ain't No Rest For The Wicked is a brilliant, fun song to listen to with the windows rolled down on a warm summer day - but at the same time, if you want to sit and really listen to what the band is trying to say, the message in intriguing.

However, without a doubt, this is one track you have to listen to to fully appreciate.
Please enjoy Ain't No Rest For The Wicked, by Cage the Elephant.

Cage the Elephant - Ain't No Rest For The Wicked Official Music Video

Ain't No Rest For The Wicked
Cage the Elephant

I was walking down the street when out the corner of my eye, I saw a pretty little thing approaching me.
She said, "I never seen a man, who looks so all alone; could you use a little company?
If you pay the right price, your evening will be nice, or you can go and send me on my way."
I said, "You're such a sweet young thing, why'd you do this to yourself?"
She looked at me, and this is what she said;

"There ain't no rest for the wicked; money don't grow on trees;
I got bills to pay, I got mouths to feed; there ain't nothing in this world for free.
I know I can't slow down, I can't hold back; though you know, I wish I could.
There ain't no rest for the wicked, until we close our eyes for good."

Not even fifteen minutes later, after walking down the street, when I saw the shadow of a man creep out of sight.
Then he swept up from behind, put a gun up to my head, he made it clear he wasn't looking for a fight.
He said, "Give me all you've got; I want your money, not your life; but if you try to make a move I won't think twice."
I told him, "You can have my cash, but first you know I've got to ask; what made you want to live this kind of life?"

He said, "There ain't no rest for the wicked; money don't grow on trees;
I got bills to pay, I got mouths to feed; ain't nothing in this world for free.
I know I can't slow down, I can't hold back; though you know, I wish I could.
There ain't no rest for the wicked, until we close our eyes for good."

Now a couple hours past, and I was sitting in my house, the day was winding down and coming to an end.
So I turned on the TV, and flipped it over to the news, and what I saw I almost couldn't comprehend.
I saw a preacher man in cuffs, taking money from the church; he stuffed his bank account with righteous dollar bills.
But even still I can't say much cause I know were all the same; oh yes, we all seek out to satisfy those thrills.

You know there ain't no rest for the wicked; money don't grow on trees;
We got bills to pay, we got mouths to feed; ain't nothing in this world for free.
We can't slow down, we can't hold back; though you know, we wish we could.
There ain't no rest for the wicked, until we close our eyes for good.

Desolation Row

I cannot say enough good things about this cover.

Anyone who follows this blog is probably well aware that my favorite band is My Chemical Romance. While this band may currently be on break and not recording any new material yet, you can imagine my excitement when I heard that My Chemical Romance was selected to record a cover for an upcoming film.
And not just any film; My Chemical Romance has recorded a cover of Bob Dylan's Desolation Row for the Watchmen movie, scheduled to hit theatres Friday, March 6th.

While My Chemical Romance's version of Desolation Row is clocking in at nearly a quarter the length of the original track (Bob Dylan's recording having been around eleven minutes long, compared to the three minute length of the cover), I was extremely pleased by the way My Chemical Romance presented this song. Vocalist Gerard Way chose between the multiple verses of the original track and picked which he felt best represented the movie - a process he said was extremely difficult. However, in the end, the verses the band ended up incorporating into their cover exemplify not only the graphic-novel-gone-film, but the essence of Bob Dylan's original song almost, too perfectly.
There is plenty to appreciate beyond the lyrics, too. My Chemical Romance took an entirely different approach to this cover - it sounds nothing like the original, and yet, the hardcore punk styling of the track not only showcase the novel and, eventually, the movie, but also a new phase in the life of this band. My Chemical Romance are considering moving away from the theatric, rock-opera style which was apparent on their album The Black Parade (2006) and fall back on the punk rock foundations which supported their first two albums (I Brought You My Bullets, You Brought Me Your Love; 2002; and Three Cheers for Sweet Revenge, 2004).
Everything about this cover screams punk-rock, from the raw, unpolished vocals to the rough, dirty guitars and crashing symbols of the drum set. The entire essence of the track is just teeming with pent-up emotion, and the whole thing is hard and heavy enough that, at the end of three minutes, you can't help but keep asking for more. The combination of Bob Dylan's outstanding lyrics and My Chemical Romance's talents in musicianship and presentation is truly a winning mix.

All in all, this cover serves not only to represent Watchmen in the most brilliant of ways, but also My Chemical Romance, and the new direction the band plans to take with their careers.
The video is one hundred percent hardcore and a great watch for anyone - however, it's an especially good treat for those My Chem fans eagerly awaiting the band's return from their break (: And anyone who's actually read Watchmen , as I have, will appreciate every reference made in the video - from the Rorschach banner behind the drum set, to the Pale Horse flyers, to the graffiti on bassist Mikey Way's guitar ("Who Watches The Watchmen") ... it's all there.

Make sure to head out and see Watchmen when it hits theatres this Friday!
Until then, keep on rockin' to My Chemical Romance's cover of Desolation Row!

My Chemical Romance - Desolation Row [Bob Dylan Cover] Official Music Video

Desolation Row
Originally Recorded by Bob Dylan
Covered by My Chemical Romance

They're selling postcards of the hanging, they're painting the passports brown.
The beauty parlor is filled with sailors; the circus is in town.
Here comes the blind commissioner, they've got him in a trance.
One hand is tied to the tight-rope walker, the other's in his pants.
And the riot squad, they're restless; they need somewhere to go
As Lady and I look out tonight from Desolation Row.

Cinderella, she seems so easy; "It takes one to know one," she smiles.
And puts her hands in her back pockets, Bette Davis style.
And in comes Romeo, he's moaning, "You belong to me, I believe."
And someone says," You're in the wrong place, my friend; you better leave."
And the only sound that's left after the ambulances go
Is Cinderella sweeping up on Desolation Row.

...
At midnight all the agents and the superhuman crew
Go out and round up everyone that knows more than they do.
They bring them to the factory, where the heart-attack machine
Is strapped across their shoulders, and then the kerosene
Is brought down from the castles by insurance men who go
Check to see that no one is escaping to Desolation Row.

...
Right now I can't read too good
Don't send me no letters, no.
Not unless you mail them from Desolation Row.

Avenged Sevenfold - "Avenged Sevenfold"

I can't get enough of this album.
Avenged Sevenfold is a band I was familiar with in the vaguest of ways. I had heard Afterlife and seen the music video, just like anyone else who had their televisions set to Fuse. However, that was the only song I'd heard by them, and didn't go out of my way to listen to anything more.
Once again, my mistake.

However, a friend of mine convinced me to go see Avenged Sevenfold with her when they came to our neck of the woods earlier this month. The show was epic. But, it wouldn't have been half as good if my friend hadn't let me borrow all of Avenged Sevenfold's albums beforehand, to let me "catch up" and maybe not feel like such a poser when they finally came on stage x]
From Sounding the Seventh Trumpet (2001) to City of Evil (2005), I got acquainted with all of the band's work. I was pleasantly surprised to discover that Avenged Sevenfold's previous works were much more metal, much more hardcore, than their more recent releases; after hearing the melodic, soulful Afterlife, the full-on screaming in the band's previous albums was a surprise. But, what I noticed is that - no matter which style the band sought for -, with each album, I found something different to appreciate about this band.

In the end, though, it was the band's latest, self-titled album, released in 2007, which caught my attention. There were just so many chances taken on this album - the band really took a different spin on their sound with this one. While some old fans may not appreciate Avenged Sevenfold's drift away from their previous metal sound, I find it impossible to imagine how you couldn't appreciate the lengths this band went to in order to create a truly unique album.

This is an album review for Avenged Sevenfold.

Avenged Sevenfold- Avenged Sevenfold (2007)

1. Critical Acclaim - The band makes an impressive enterance with the first track of this album, declaring their new style and their new sound in almost a defiant manner, pairing organ chords with dramatic guitar melodies that send shivers down the spine. The song picks up shortly, with the drum line stealing the show. As a whole, every aspect of this song is overwhelming, and all you can do is sit back ... and enjoy. The band makes many powerful statements with the lyrics in this song; however, you're almost too drawn up in the sheer brilliance of the track to notice the message the band is making.
2. Almost Easy - The group doesn't even pause for a breath before running headlong into track two. With less elements incorporated than the opening song, it's easier to absorb the message behind this track; the lyrical impact. The hook is definitly one which strikes a nerve, as vocalist M. Shadows declares time and again that, "I'm not insane!". The bridge of this song is a standout, incorporating melodic, flowing backing vocals to really wrap up this track.
3. Scream - From the very beginning of this track all the way through, you just feel ... well, a little naughty listening to track three. The band backs down in intensity slightly, but makes up for it in plain and simple sexual tension. Not exactly a standout track, but not one to be ignored, either.
4. Afterlife - The stand-alone single from the album. As many times as I've heard this song, the strings which start the song off never lose effect; their shrieking high notes, followed immediantly by the guitars, still gives me shivers. Simple, melodic vocals are paired with the heavier guitars, bass and drums to give this track a unique style. Plenty of elements were incorporated into this track to make it the success it ultimately was.
5. Gunslinger - Any hardcore A7X fans were probably mortified to hear the acoustic, almost country-western guitar strumming which began this track. However, when the intensity picks back up after the first chorus, fans were allowed a sigh of relief. The styling of this track is a perfect example of the chances the band took on this album; and, to me, it paid off, in a huge way. The emotion in this track is intoxicating; I can't stop listening. The female backing vocals make their first significant appearance during the guitar solo of this song, and the effect is haunting.
6. Unbound (The Wild Ride) - One of two on the album which really just don't do much for me. I do adore the intricate piano melodies and backing vocals during the verses; however, as a whole, this track just doesn't stand out to me. The lyrics are okay, and, while the guitar parts are impressive ... but all in all? Just "alright". I really do love the bridge of this song ... but, honestly, my attention usually doesn't hold long enough to make it to that point in the track.
7. Brompton Cocktail - The second not-so-interesting track. There are parts of this song that I really enjoy; specifically, the string melodies during the verses. However, the vocal performance is only mediocre, and while the instrumentals are impressive at times, as a whole, the song just doesn't keep my attention.
8. Lost - The band takes another huge chance in track eight ... and, thankfully, it pays off. The guitars completely attack this song, starting off with a beautiful solo before taking off when the vocals begin. However, it's not until the chorus that this song really makes you stop and pay attention. The way they have altered the vocals in the studio, giving them an almost techno style, is a far cry from the band's old sound - and yet, it totally works. All the elements of this track, combined, just make it a unique song that I can't stop listening to!
9. A Little Piece of Heaven - My favorite track on the album, by far. A twisted tale of romance gone wrong, the story the lyrics tell are really only half the reason this song is so great. This song wouldn't be near the same without every element the band incorporated; strings, piano, brass; backing vocals, almost sounding like a choir ... it's almost a rock opera, but not quite. Besides these little "extras", the performance by the band is top-notch. Just a perfectly demented, beautifully skitzophrenic track.
10. Dear God - I was surprised when the band chose to end such a dramatic, complex album with an acoustic track. However, in a way, this was the perfect song to wrap things up. With simple, heartfelt lyrics and passionate performance by the whole band, this song is just beautiful. The acoustic, again, is almost country-western in influence, but not enough so to drastically change the sound - and a two-minute guitar solo at the end of the track reminds us that A7X is just as hardcore as ever.

Although the sound on this album may be quite different than anything the band has ever produced before, I think the changes Avenged Sevenfold took on this album are ultimately what made me respect them as a band. As a new fan, I can't justify an argument about how the band has changed thier sound, how they arn't what they once were ...
But, isn't that what being a band is about? Changing, growing, making something new?
I think Avenged Sevenfold has done just that. Please, check out these links and learn more about this unique band.

The band's website can provide you with all you need to know about Avenged Sevenfold, including tour dates; if you're lucky, maybe you can see this band perform live, as I have.

Lyrics to all the songs on this album and A7X's other releases can be found on this website.

I'm going to share with you the music video for A Little Piece of Heaven. I realize the video is as sick as the song ... but at the same time, it's as unique, as creative, as the album in which I've just reviewed. While maybe some of you cannot see what I see in this video, I hope some of you can appreciate the creative measures the band took in both the video and the song.
So, enjoy A Little Piece of Heaven, by Avenged Sevenfold; but, please, don't ignore the disclaimer ;)

Avenged Sevenfold - A Little Piece of Heaven Official Music Video

Sometime Around Midnight

There's an interesting story behind my introduction to this song.

I heard it on the local alternative radio station in the car ... probably a month or so ago. And I remember being instantly drawn to the song; the simplistic, yet effective, styling of the band and their delivery of the music. I remembered how much I enjoyed listening to the song ... but not what the song itself was titled.
I must have spent weeks desperately trying to remember any significant lyric of the song that I could possibly Google in order to discover the identity of the track; which had come to me on a shady weekday morning and then seemed to have disappeared from my radio station's play list. The only word I could remember was "midnight" ... and that was too vague to look up song lyrics.
Finally, one day, the string solo to my elusive track soared over the radio and, frantically excited, I turned around in the passenger seat and said excitedly to my sister, "This is my 'minutes to midnight' song!"
Why I adopted the title of Linkin Park's 2007 studio album as the unofficial title of this song, I'm not entirely sure. However, I soon learned that the lyric in which I got my "midnight" reference simply stated, "It starts sometime around midnight ..." - and the official title of the song was; well, you know.

Having finally tracked down and added the song to my vast collection of digital music, Sometime Around Midnight has been playing on my iPod nonstop. Each time I listen to the song, I find something new to appreciate about it; the unique vocals, the passionate lyrics, the simple - yet painful - story the song tells. There are no secret meanings behind this track - at least, none that I've come to find. To me, this song is simply about a man seeing an old "friend" at a bar - and all the bittersweet memories that brings back, all the unsatisfied desires of this lonely man.
And yet, that simplicity, that honesty ... is what makes this track so beautiful. In making this song "simple and sweet", the band has managed to create a track that is not only pleasant to listen to, but also easy to relate to - and that's a winning combination.

No matter how many times I listen to this song, though, I have to say my favorite part is the viola solo at the very beginning and very end; it seems to be what brings the entire track together. There's an emotion emitted from the strings that cannot be matched by any other instrument, and this track just wouldn't be complete without the element the viola brings.
Second on my list of favorite things about this song is probably the vocals. This band's lead singer has a unique, memorable, passionate voice that is impossible not to appreciate.

This is The Airborne Toxic Event with Sometime Around Midnight.

The Airborne Toxic Event - Sometime Around Midnight Official Music Video

Sometime Around Midnight
The Airborn Toxic Event

And it starts sometime around midnight;
Or at least that’s when you lose yourself for a minute or two.
As you stand under the bar lights;
And the band plays some song about forgetting yourself for a while.
And the piano’s this melancholy soundtrack to her smile.
And that white dress she’s wearing, you haven’t seen her for a while.

But you know that she’s watching,
She’s laughing, she’s turning, she’s holding her tonic like a cross.
The room’s suddenly spinning, she walks up and asks how you are.
So you can smell her perfume, you can see her lying naked in your arms.

And so there’s a change, in your emotions.
And all these memories come rushing like feral waves to your mind.
Of the curl of your bodies, like two perfect circles entwined.
And you feel hopeless and homeless and lost in the haze of the wine.

Then she leaves, with someone you don’t know.
But she makes sure you saw her; she looks right at you and bolts.
As she walks out the door; your blood boiling, your stomach in ropes.
Oh and when your friends say, “What is it? You look like you’ve seen a ghost.”

Then you walk, under the streetlights.
And you’re too drunk to notice that everyone is staring at you.
You just don’t care what you look like, the world is falling around you.

You just have to see her ...
You know that she’ll break you in two.

HIM - "And Love Said No: Greatest Hits 1997 - 2004"

My introduction to HIM (previously and sometimes still referred to as His Infernal Majesty, or shortened to H.I.M) was an introduction similar to many others I've experiences with other bands I've somehow gotten into. HIM was a name I had heard before ... I knew the genre was a melancholy mix of goth rock and metal, and I even knew they hailed not from the US, but Finland. I'd flirted with some of the band's tracks, listening to thirty-second previews on iTunes. I often caught myself staring in awe at some of the band's cover art, for albums such as Razorblade Romance (2000) or Greatest Lovesongs, Volume 666 (1997). However, for whatever reason, nothing could convince me to finally sit down and listen to any extent of the band's music.
But, as fate would have it, I finally had an HIM song thrust upon me; by watching a countdown on Fuse, as often occurs. The new music video for Killing Loneliness was airing, and I couldn't help but pay attention. From the very opening notes of the song - a piano melody, soon accompanied by heavy guitars and a whining keyboard - I was hooked, and as the song progressed, I fell more and more in love with everything about this band.
So, I finally forked over the cash and came home with HIM's greatest hits album, And Love Said No. Released in 2007, the album contains most every major track HIM has released since their first album was put out ten years prior.
And I must say, this album is anything but disappointing. Giving you a taste for every unique aspect of this band, And Love Said No draws you into a fantasy land of love ... and death.
This is an album review for HIM's And Love Said No: Greatest Hits 1997 - 2004.

HIM - And Love Said No: Greatest Hits 1997 - 2004 (2007)

1. And Love Said No - A soft track, the verses are formed mostly around one guitar theme. The choruses, however, pick up with crashing cymbals and powerful vocals. The lyrics in this song take my breath away and make it one of my favorites on the album.
2. Join Me In Death - Track Two embodies everything about H.I.M's obsession with love and death, and the combination of the two. The piano makes its first impact on the album, with the guitars taking a back seat to the drums which carry through the verses. And, as always, Ville Valo's exceptional vocal range creates a haunting mood around the entire track.
3. Buried Alive By Love - Picking up the pace, Track Three starts out strong and doesn't let up. While the volume or the tempo may waver, the intensity of this song never seems to wane. Some of my favorite vocals are on this track; specifically, in the pre-chorus. With powerful, desperate vocals and the strong guitar theme, this song is teeming with adrenaline.
4. Heartache Every Moment - The piano and keyboard open this track up and continue their presence in the choruses, giving this song its haunting presence. Rhythmic guitar and drum lines draw you in, and poetic lyrics tell another tale of love gone wrong. Not a standout, in my opinion, but not to be overlooked.
5. Solitary Man - Strumming guitars back up emotionally charged vocals to deliver another upbeat track. The chorus is definitely the highlight of Track Five, with it's catchy hook and melodies. Valo takes plenty of opportunities to exercises his vocal talents, especially noted before the brief guitar solo after the second chorus.
6. Right Here In My Arms - A lower vocal range during the verses gives this song a different sound from the others. Again, cymbal crashes carry us through the verses, with the guitars picking up right before the choruses and dying down afterwards. With lyrics and vocals both painful in essence, this track is certainly one which draws you in.
7. Funeral of Hearts - The band slows down the tempo without in Track Seven without losing any of the passion or desperation. An acoustic guitar strums in the background as the vocals rise and fall, with the piano and guitars each having their turn in the spotlight. The lyrics fill this track with so much raw emotion ... simply lovely.
8. In Joy And Sorrow - Track Eight keeps things soft and (bitter)sweet. Acoustic guitars and piano melodies take the stage behind another lower, captivating vocal range which tells this tragic love story. Simply a gorgeous track, it's impossible not to be drawn in.
9. Your Sweet 666 - One of the songs which has given HIM the label as a "satanic band". Whatever your opinion of the title or lyrics, this is the kind of song that you get stuck in your head. Personally, I adore this track, and find the lyrics heartbreaking and beautiful. Plenty of chances are taken throughout the band during this track, and it really pays off.
10. Gone With The Sin - Track Ten starts off almost inaudibly low and soft, with the same captivating vocals. When the lyrics are finally paired with acoustic guitars, keyboard, and drums, the passion behind it all is nearly overwhelming. A gorgeous love song and a perfect lullaby, this is definitely one of my album favorites.
11. Wicked Game - The guitars in this track give you an idea why HIM might be classified as any form of metal. As a whole, this track seems to have a lot more elements than the others on the album; the vocal range, from extremely low in the vocals to the high note which opens the chorus, keeps this song interesting throughout, and the background vocals during the chorus are a unique touch. Every chance taken on this track was 110% worth it.
12. The Sacrament - The piano theme of this track gives the entire song an almost fairytale quality. When paired with the strumming guitars, rhythmic drums, empowered vocals, and lovestruck lyrics, this song overflows with an other world-ly feel. A captivating track as a whole, with the piano definitely standing apart.
13. Close To The Flame - Soft, yet strong, this track moves quiet and slow as it tells its story. The keyboard and piano pair up once again to create a passionate, haunting theme. The bass also makes its first obvious appearance and, backing up Valo's voice, creates another beautiful lullaby.
14. Poison Girl - The guitars shine once again in Track Fourteen, with enough venom to make you forget this is a love song. The only truly angry, remorseful track on the album ... and yet, the entire band executes it flawlessly. A track which stands apart from the rest ... and yet, in some strange way, fits in perfectly.
15. Pretending - A few unique twists are added to this track to make it a little more than ordinary. The keyboard makes a conspicuous entrance in the intro and chorus of the song, accompanied by a nearly techno sound effect to give the track just enough "something extra" to make it a little different. Otherwise, not an outstanding track, besides the typically well-written lyrics.
16. When Love And Death Embrace - The keyboard gets one more chance to steal the stage on the final track of the album. The cymbal crashes and bass back up Valo's passionate, broken hearted vocals and lyrics, while the keyboard theme swells and dies during the chorus. A soft, desperate track, this is the perfect way to end such a phenomenal album.

This is just another example of why I should simply take the time to look up these bands I'm interested in, instead of waiting for them to find me. Because, had I done so, I would have been entranced by HIM's music a long, long time ago.
If you're interested in HIM, I encourage you to check out the following links.

HIM's website can keep you updated on the band's news, tour dates, and other information.

Lyrics to all the songs on this album as well as HIM's many other efforts can be found on this website.

I've decided to share with you the music video for The Sacrament. The video in itself is stunning, and the song, breathtaking ... but, together, it seems you can really appreciate the entire story the band is trying to tell.
So, please enjoy The Sacrament, by HIM. And, please, do yourself a favor; check out other music by this extraordinary band.

HIM - The Sacrament Official Music Video


H.I.M. - Sacrament - Omnes

Bodysnatchers 4 Ever (What's A Pulse Got To Do With It?)

Frank Iero is building up quite the resume.

Coming from humble beginnings in the punk act Pencey Prep and moving into a current and outstanding career in alternative rock band My Chemical Romance, Frank Iero has certainly gotten around in his days as a musician. However, this month marks a milestone for his latest project; the release of LeATHERMOUTH's very first album.

LeATHERMOUTH, another punk act hailing from Jersey and fronted by Iero, has come a long way in a very short amount of time. This is a band which wants to "vent about all the bull***t that I see going on in the world that makes me ill," as Iero put it. He goes on to say; "I try to belabor the topics people want to forget exist. LeATHERMOUTH is where I can vomit out all the aggression that has built up inside."

With their first single off their first album (XO; scheduled release January 27th, 2009), Bodysnatchers 4 Ever does just that. With pure, hardcore adrenaline pumping through the entire song, you can't help but feel any anger or upset inside you fall away while listening. The lyrics - if you can see past the screaming and take them at full value - are powerful, angry; easy to relate to. As a whole, this is music that speaks to people everywhere - of all ages, and of all walks of life. This music brings out in people whatever they're most afraid of, whatever it is they don't want to deal with; LeATHERMOUTH takes that fear and shoves it right in your face. And, after listening, you honestly feel better for it.

Bodysnatchers 4 Ever is a hard-hitting first single from what's sure to be a knockout new band. I encourage you to look up LeATHERMOUTH's other single, Sunsets Are For Muggings, and don't miss your chance to pick up XO on January 27th. I sure know I'll be getting my hands on a copy (:

So, if there's something you've got on your mind, something you need to get off your chest ... prepare for a release.
This is Bodysnatchers 4 Ever, by LeATHERMOUTH.

**EDIT 3.1.09 - LeATHERMOUTH released a music video for this track a while back. I'm sorry I didn't update this post sooner :( However, you can now enjoy the official video for Bodysnatchers 4 Ever. It's pretty much epic. May give certain individuals motion sickness and/or nightmares.
I'm also pleased to report that I purchased XO, and it is simply amazing (: Highly recommended.
After buying the album, I learned that this song actually has a subtitle. This post as been updated accordingly. Sweet deal.

LeATHERMOUTH - Bodysnatchers 4 Ever (What's A Pulse Got To Do With It?) Official Music Video

Bodysnatchers 4 Ever (What's A Pulse Got To Do With It?)
LeATHERMOUTH

a second chance, take a life, another mission.
to steal a kiss from borrowed lips, i taste your prison
it feels like a lifetime, of leaving bodies on the sidelines.

i swear to God, girl, you're never gonna regret this.
close your eyes, this will only take a second.
though these veins are borrowed,
this heart only beats for you.

1,2,3,4!

their shells disposable, oh so expendable.
shut it, shut it, shut it, shut it out
of your pretty mind,
they never cared for you.

here's our shot to insight a revolution.
they don't deserve to live, we are their evolution.
these veins are borrowed, these shells are borrowed.

a new life after death, it's fucking perfect.
don't you fear, they'll never hurt you darling.
these veins are borrowed, these veins are borrowed.

1, 2, 3, 4!

their shells disposable, oh so expendable.
shut it, shut it, shut it, shut it out.
they never cared for you;
how can you shed a tear?

don't worry old girl.
dry the tears from your eyes.
something better is bound to come around sometime ... let's go.

this face means nothing, these hands feel nothing.
these lungs are empty, and these eyes are blind.
this face means nothing, these hands hold nothing.
i'm here, this heart is yours.

our love never dies.

Use Somebody

Kings of Leon may be a new favorite of mine.

So far, I've only heard two songs by the band; the recently popular, upbeat Sex On Fire, which I have discovered to be the perfect song to turn up in the car when you're driving back roads on a sunny day ...
... and the track I'm going to tell you about in this post.

Use Somebody is a soft, simple track, with so much emotion it's impossible not to be drawn. Everything about this song captivates me; the quiet, straight-forward lyrics, the conspicuous bass line, the strumming of the rhythm guitar, the short guitar solo, not overdone ... and the drums, the crashing symbols, which seems to tie it all together.
However, what truly caught my attention in this song - and Sex On Fire, and probably any other Kings of Leon song I will listen to in the future - is the vocals. Caleb Followill's vocal styling is very unique, and his delivery is flawless. His great lead vocals are made that much more spectacular when they are paired with his backing vocals, which usually consist of alternating higher and lower notes in a range that gives you shivers. It's impossibly not to appreciate the emotion in these Kings of Leon tracks - and others, I'm sure - with Caleb's powerful voice delivering the lyrics.
As a whole, I just adore this track. I can't stop listening to it. Use Somebody is really an example of how you can say so much in so little words.

A final note, which is irrelevant to my opinions on the track, but which I found to be very interesting and just, sweet ...
Kings of Leon is made up of Caleb, Jared, Matthew and Nathan Followill. I would assume the relationships are brothers.
A band of four brothers. How cool is that? I've never seen a band whose members all shared the same last name (:

Anyway.
Use Somebody is simply a lovely track, and I think you'll appreciate it most if you take a listen to it yourself. Watching the video may also help you get a feel for the power behind this simple, quiet song.

This is Use Somebody, by Kings of Leon.

Kings of Leon - Use Somebody Official Music Video

Kings of Leon - Use Somebody

Use Somebody
Kings of Leon

I've been roaming around, always looking down at all I see.
Painted faces, fill the places I can't reach.

You know that I could use somebody ...

Someone like you, and all you know, and how you speak.
Countless lovers, under cover of the street.

You know that I could use somebody ...
Someone like you.

Off in the night, while you live it up, I'm off to sleep.
Waging wars to shape the poet and the beat.
I hope it's gonna make you notice ...

Someone like me;
Someone like me, somebody ...
Someone like you;
Someone like you, somebody ...

I've been roaming around, always looking down at all I see ...

Finally, I'd like to dedicate this review to Steven's Untitled Rock Show which, regretfully, has been cancelled.
I first discovered Use Somebody through Steven's show, and the video was played on the show in the final episodes.
Fuse won't be the same without SURS :(

The '59 Sound

I adore this song.
The first time I ever heard it was on Steven's Untitled Rock Show on Fuse; which, I'm pleased to announce, seems to be airing new and ever-amusing episodes after a scary time in which I thought my favorite show on television may be cancelled.
The video was first aired on the show months ago. Steven, the host of the show (gee, really?) declared this one of his favorite songs from an up-and-coming artist, and seemed to anticipate the song's popularity far before it ever hit the radio stations near me.
These days, it's rare not to hear The '59 Sound over your stereo if you have the radio set on my local alternative station. Being that the alternative station is indeed my favorite, I have heard a lot of this track lately.
And yet, it just never gets old. The Gaslight Anthem have recorded a huge first single. There's so much raw emotion in this track; the vocals and instrumentals are simple and honest. The lyrics, if you take a minute to really listen, will break your heart - they speak a story of memories, good and bad, regrets and thanksgiving that come with our final days in this world. However, despite an upsetting concept, this song has a hopeful, reminiscent overtone. It really is a bittersweet listen, but one that makes you feel better once the final notes fade away.
As a whole, this is one that I just can't seem to get enough of. I look forward to hearing more by this band.
This is The '59 Sound by The Gaslight Anthem. Enjoy :)

The Gaslight Anthem - The '59 Sound Official Music Video

The '59 Sound
The Gaslight Anthem

Well, I wonder which song they're gonna play when we go;
I hope it's something quiet and minor and peaceful and slow.
When we float out into the ether, into the Everlasting Arms
I hope we don't hear Marley's chains we forged in life

'Cause the chains I been hearing now for most of my life ...

Did you hear the '59 sound coming through on Grandmama's radio?
Did you hear the rattling chains in the hospital walls?
Did you hear the old gospel choir when they came to carry you over?
Did you hear your favorite song one last time?

And I wonder, were you scared when the metal hit the glass?
See, I was playing a show down the road when your spirit left your body.
And they told me on the front lawn, "I'm sorry I couldn't go",
But I still know the song and the words and her name and the reasons

And I know 'cause we were kids and we used to hang ...

Did you hear the '59 sound coming through on Grandmama's radio?
Did you hear the rattling chains in the hospital walls?
Did you hear the old gospel choir when they came to carry you over?
Did you hear your favorite song one last time?

Young boys, young girls ...
Ain't supposed to die on a Saturday night ...

Did you hear the '59 sound coming through on Grandmama's radio?
Did you hear the rattling chains in the hospital walls?
Did you hear the old gospel choir when they came to carry you over?
Did you hear your favorite song one last time?

Cath...

I'm going to get this out there right now; I'm not a huge Death Cab for Cutie fan. I like some of their popular stuff (I Will Follow You Into The Dark, Soul Meets Body ...), but, as a whole? Not my favorite band.
But this song has simply captivated me.

Cath... is lovely in every way. The lyrics describe such an upsetting, bittersweet scenario; it's impossible not to sympathize with the character the song describes and her less-than-desirable situation. And the way this story is told, from a third person perspective, makes you feel as if you're stepping into the story, watching this scene play out - as if you're one of the people in the pews, whispering, "it won't last"; as if you're one of her friends, asking "what became of her".

Besides the powerful and heartbreaking lyrics, the instrumental melodies are quite impressive. The simple, yet effective, guitar which opens the song is probably my favorite part of the entire track, as far as instrumentals. Paired with the ticking symbol, the melody is catchy and keeps you tuned in for just a few bars, before the drums really kick in and you know the song has begun.

The only thing I don't like about this song is how quickly it seems to end. Clocking in at nearly four minutes, the track is not at all short; however, while you're listening, you get so drawn in to the storyline and the way the band presents it that you seem to loose track of time - until the same familiar guitar melody fades into the background of the final seconds of the song.

For a song with such a literal, straight-forward lyrical standpoint, I am surprised to find myself twisting the story in my own mind, discovering new ways to interpret the lyrics in a more figurative way. As a whole, I simple adore this song, and whether you see it from a literal or figurative standpoint, it's really just a one-of-a-kind track.

This is Cath... by Death Cab for Cutie.

Death Cab For Cutie - Cath... Official Music Video

Cath...
Death Cab for Cutie

Cath, she stands with a well-intentioned man
But she can't relax with his hand on the small of her back
And as the flashbulbs burst, she holds a smile
Like someone would hold a crying child

And soon everybody will ask what became of you
'Cause your heart was dying fast, and you didn't know what to do

Cath, it seems that you live in someone else's dream
In a hand-me-down wedding dress
Where the things that could have been all repressed
But you said your vows, and you closed the door
On so many men who would have loved you more

And soon everybody will ask what became of you
'Cause your heart was dying fast, and you didn't know what to do

The whispers that it won't last roll up and down the pews
But if their hearts were dying that fast,
They'd have done the same as you
And I'd have done the same as you.

Coldplay - "Viva la Vida or Death And All His Friends"

I never used to be a big fan of Coldplay. I guess, in honesty, I never really gave them a chance. The first song I ever heard by this band was Clocks back when that song was very popular mainstream ... and after that I just never went out of my way to listen to them.
I received the album Viva la Vida or Death And All His Friends (2008; commonly referred to simply as Viva la Vida) for my birthday this year, and over the past few months I have really fallen in love with most of the tracks on the album. The group's unique soft-rock style, which combine lovely vocal harmonies and captivating instrumental melodies, has really captured my attention and gotten me hooked not only on Coldplay's recent work, but on their past efforts as well.
Please enjoy an album review for Coldplay's Viva la Vida or Death And All His Friends.

Coldplay - Viva la Vida or Death And All His Friends (2008)

1. Life in Technicolor - A pleasant, simple melody to start the album off. Two and a half minutes long, the piece starts off slow and beings to incorporate more and more parts, becoming more intricate with every repetition of the original theme. The crescendo lasts until the final seconds of the song, before transitioning seamlessly into Track 2.
2. Cemeteries of London - One of my favorites on the album. A steady strumming of acoustic guitars and rhythmic bass underlie the main melodies of this track, while the vocals flow smoothly along, alternating between short verses and long, legato choruses. The lyrics are beautiful and overall, this track is just lovely to listen to.
3. Lost! - This track starts out with hands clapping a steady pulse. This clapping rhythm continues throughout the track, while the simple-but-sweet lyrics continue in a smooth style. The track remains in simple form until just over half the song is over, when a guitar kicks in to add to the appeal. As backing vocals fade out toward and a keyboard wraps things up, you really get a feel for a certain peaceful, yet powerful essence that this song possesses.
4. 42 - This track picks up almost immediately where the previous one ended. Passionate, soulful vocals start off slowly, accompanied by a gorgeous piano melody in the background. About midway, the tempo picks up with a pleasant medley of guitar, string and bass which are later joined by quicker, more upbeat vocals that are again joined by the piano. I enjoy the "second half" of this song more, when the tempo picks up in a more lively style for the last few verses. Just a very pleasant song overall.
5. Lovers In Japan / Reign of Love - Definitely one of my favorites on the album. The track almost seems to be split into two different songs; hence the two separate titles. The first half of the song is an upbeat track with a shot of intuition. The second half is a slower, more subtle track with lyrics delivered in a bittersweet, reminiscent style. The piano melodies are the key factor in both halves of the song and, as a whole, I just love everything about this track.
6. Yes - A deeper vocal range immediately sets this song apart from the rest on the album. Strings start the track off, giving you the impression that maybe this one will be slower as well; however, when the guitar takes over a few seconds in, an entirely different feel takes over the track. The strings do make a re-appearance later in the track, but the repeating guitar theme is the star of this track. The entire song has a sultry, sexy vibe about it, and as a whole it's just a fun one to listen to. A different sound for the band, and I commend that.
7. Viva la Vida - Probably the most recognizable single off of the album,; the minute the strings start off with their staccato melody, you know exactly what song you're listening to. Track Seven has been playing constantly on the radio, has taken over music television, and has been hitting the top of the charts all over the world. The mass support of this song seems to have died down in the public eye, but the song is no less enjoyable to listen to. Just a beautiful song overall.
8. Violet Hill - Another of my favorites on the album. The lyrics themselves are heartbreakingly beautiful, but they are delivered in a way that isn't upsetting; bittersweet, but at the same time, sort of at peace. I love the guitar melodies in the instrumental bridge and the keyboard melodies in the first and last verses. Overall, there just isn't anything about this track that doesn't appeal to me. Beautiful, beautiful track.
9. Strawberry Swing - A very lovely song. The standout of this track is the guitar melody that begins right off the bat and sustains throughout the entire song. The lyrics are soft and simple, giving you a feeling of peace and security. A steady bass line keeps the tempo going, and when an acoustic guitar begins to strum near the end of the track, you get a full feeling for the track's mood. Just a sweet, sweet song.
10. Death And All His Friends - The final track on the album starts out with a simple keyboard melody, quiet vocals, and the eventual addition of a guitar, plucking a few notes here and there. As the song progresses, the guitar begins to adopt a more intricate melody before the tempo picks up and the bass drum stamps out a steady beat. A portion of the song is simply this hard-and-fast melody, but when the mood settles down again, the vocals return with an absolutely gorgeous chorus-style effect. The last two minutes of the song settle down into another combination of vocal and keyboard melodies which really give you a sense of closure as the album finally ends.

I'm really glad I've had the chance to get to know Coldplay a little bit more. I've discovered that they have created the perfect music to play in the car when you're driving down a sunny highway - or to put on and concentrate with when you just need a minute to think.
If you're interested in the music Coldplay has created, check out these links:

Coldplay's website has everything you need to know about the band, from tour dates and discography to contests and news.

Lyrics to all the songs on this album and Coldplay's other works can be found on this website.

And take a minute to look at the post Amy made for another beautiful Coldplay song, titled Yellow.

I'm going to try and branch out past the always popular Viva la Vida and post a video for another of Coldplay's amazing songs. This video is a fairly new release, and I find very captivating, even if it does make me dizzy ;) The song is also one of my album fav's. This video includes the "first half" of the song.
Here's Lovers In Japan by Coldplay.

Coldplay - Lovers In Japan Official Music Video

You're Gonna Go Far, Kid

This is a song that I have been absolutely obsessed with lately.
The first song I ever heard by The Offspring was The Kids Aren't Alright. A catchy track, I made a mental note to keep listening for more by the band. The second song of theirs to catch my attention was Hammerhead, and, finally, the track I'm going to review for you today; You're Gonna Go Far, Kid.
There are just so many elements to this song that appeal to me. As a whole, the punk-rock genre of the band caught my attention. This was a group that wasn't afraid to get a little crazy, to be a little "out-there"; to take risks that other bands wouldn't attempt. I love that in my music and The Offspring went all the way with that in this track.
It's impossible not to become drawn into the driving beat that opens the song right off the bat. From there, it's a whirlwind of off-beat cymbals, staccato bass, and killer guitar parts which, combined, create an emotionally driven background for an already powerful track. Add on the lyrics - overflowing with a sense of strength, courage, anger and defiance, all at once - and this is one song that draws you in and keeps you hanging on.
And once it's over, you can't help but hit "repeat" and enjoy it all over again.

This is The Offspring's You're Gonna Go Far, Kid.

The Offspring - You're Gonna Go Far, Kid Official Music Video

You're Gonna Go Far, Kid
The Offspring

Show me how to lie, you’re getting better all the time
And turning all against the one, it's an art that’s hard to teach
Another clever word sets off an unsuspecting herd
And as you step back into line, a mob jumps to their feet

Now dance, fucker, dance
Man, he never had a chance
And no one even knew, it was really only you
And now you steal away
Take him out today
Nice work you did
You’re gonna go far, kid

With a thousand lies and a good disguise
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives

Slowly out of line, and drifting closer in your sights
So play it out I’m wide awake, it’s a scene about me
There’s something in your way and now someone is gonna pay
And if you can’t get what you want, well it’s all because of me

Now dance, fucker, dance
Man, I never had a chance
And no one even knew, it was really only you
And now you’ll lead the way
Show the light of day
Nice work you did
You’re gonna go far, kid
Trust, deceived!

With a thousand lies and a good disguise
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives

Now dance, fucker, dance, he never had a chance
And no one even knew, it was really only you
So dance, fucker, dance, I never had a chance
It was really only you ...

With a thousand lies and a good disguise
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives

Clever alibis, Lord of the flies
Hit ‘em right between the eyes, hit ‘em right between the eyes
When you walk away, nothing more to say
See the lightning in your eyes
See ‘em running, for their lives!

What A Catch, Donnie

Some of the people reading this may be aware of the fact that Fall Out Boy has a new album on the way. The album is titled Folie a Deux and is scheduled to be released worldwide December 15th and 16th of this year. Several singles have already been released from the album, and I have to say my favorite so far is titled What A Catch, Donnie.
This is a lovely ballad that transitions flawlessly between soft, insightful verses to a strong, powerful chorus. The gorgeous lyrics are presented beautifully by lead vocalist Patrick Stump in such a way that makes you feel so much. The entire track has such a lovely, sweet essence to it; but, at the same time, there's a sting of some underlying message behind the words. It's up to you, as the listener, to determine what isn't being said - but rather, delivered by the simplistic instrumentals and phenomenal vocals.
A creative touch was added to the song with the incorporation of a handful of cameo appearances which take the stage at the end of the track. Each guest vocalist sings a snippet of one of Fall Out Boy's other songs. These segments span the entire career of the band; from lyrics off of their debut album Evening Out With Your Girlfriend (2003) to one of their singles from the soon-to-be released Folie a Deux (2008), these "extra" vocals add a certain touch to the song, and are a special treat to those who have been fans of the band from the beginning.
All in all, this track is simply lovely. It looks like Fall Out Boy is back, and in a big way! Make sure to check out the band's other new singles, I Don't Care and Headfirst Slide Into Cooperstown On A Bad Bet, and don't forget to grab your copy of Folie a Deux on December 15th and 16th.
But for now, please enjoy listening to What A Catch, Donnie.

Fall Out Boy - What A Catch, Donnie Video

What A Catch, Donnie
Fall Out Boy

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch

You'll never catch us, so just let me be
Said I'll be fine 'till the hospital, or American Embassy
Miss Flack said I still want you back
Yeah, Miss Flack said I still want you back

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch
And all I can think of is the way I'm the one who charmed the one
Who gave up on you, who gave up on you

They say the captain goes down with the ship
So, when the world ends, will God go down with it?
Miss Flack said I still want you back
Yeah, Miss Flack said I still want you back

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch
And all I can think of is the way I'm the one who charmed the one
Who gave up on you, who gave up on you

[Elvis Costello; "Headfirst Slide Into Cooperstown On A Bad Bet"]
I will never end up like him
Behind my back, I already am
Keep a calendar, this way you will always know ...

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch
And all I can think of is the way I'm the one who charmed the one
Who gave up on you, who gave up on you

[Gabe Saporta; "Grand Theft Autumn/Where Is Your Boy?"]
Where is your boy tonight? I hope he is a gentleman
Maybe he won't find out what I know ...
[Travis McCoy; "Sugar, We're Goin' Down"]
We're going down, down in an earlier round
And sugar, we're goin' down swinging ...
[Brendon Urie; "Dance, Dance"]
Dance, dance, we're falling apart to halftime
Dance, dance, and these are the lives you'd love to lead ...
[Doug Neumann; "This Ain't A Scene, It's An Arms Race"]
This ain't a scene, it's a goddamn arms race
This ain't a scene, it's a goddamn arms race
[Alex DeLeon; "Thnks fr th Mmrs"]
One night, yeah and one more time
Thanks for the memories, even though they weren't so great ...
[William Beckett; "Growing Up"]
Growing up, growing up ...

I've got troubled thoughts and the self-esteem to match
What a catch, what a catch ...

*brackets indicate guest vocalists and the songs in which the lyrics they sing were originally recorded

Metro Station - "Metro Station"

I enjoy listening to Metro Station much more than I would have ever anticipated.
I got a chance to listen to their debut album (Metro Station, released in 2007) for the first time recently and I must say, I am highly impressed. Their songs are made for the dance floor, with an irresistible beat and just the right touch of character. A few passionate lyrics thrown in make the tracks relate-able without losing their memorable charm.
So, maybe Metro Station isn't about making a statement or changing the world. These boys just want to get out and have some fun; and man, they're doing it, in a big way. While they may lack the depth of some other chart-topping artists, this band's free spirit and wild side keep them ahead of the rest.
Here's an album review for Metro Station's first studio effort.

Metro Station - Metro Station (2007)

1. Seventeen Forever - A good, solid track to start off the album. Slower through the verses and picking up in the chorus, this one follows a theme that seems to be a constant through Metro Station's debut; a song about young love and living for the moment ("We won't be seventeen forever, and we can get away with this tonight"). A really pleasant song to listen to; it just has a good vibe about it.
2. Control - The second track starts off with a quiet keyboard part before breaking out into a catchy dance beat. A little faster than the preceding track, this one is sexy and is just begging to be played in a dance club somewhere.
3. Kelsey - Such a soft, sweet track. An ode to one lover from another, it's one of those plain, honest love songs that just makes you feel good. The keyboard dominates this track, but in a simpler form than in others on the album. Everything about this song is just nice; it's simplicity is what makes this song great.
4. Shake It - Everybody's favorite, no? The fourth track on this album hit major mainstream success, topping charts across the country. With such an undeniable beat, it's got people on the dance floor all over the place. This one can't be beat for a bunch of teens - or older, perhaps - who just want to get out and have some fun for a night.
5. Wish We Were Older - Slowing it down a bit for track five, Metro Station puts a little more passion in this track without losing their dance club vibe. Again, seductive lyrics mask a message that may run a little bit deeper. The hook in the chorus makes you want to get up and move, while the bittersweet lyrics and overall vibe of the song keep you digging deeper into this track.
6. Now That We're Done - Again, a softer keyboard supports this track throughout. Like the track previous, Metro Station puts a passionate spin on a catchy dance beat to make a truly interesting listen. The repetitive, techno-style chorus is unforgettable. This track is one of my favorites on the album.
7. True To Me - The guitars pick up to give this track a little more of a pop-rock vibe than the rest of the album. A keyboard, however, still pounds out a catchy theme during the choruses, in which the lyrics and style screams pop. Not the strongest track on the album, but still fun all the same. The lyrics are sweet.
8. Tell Me What To Do - This track opens up strong, with a hook that keeps you tapping your toes all the way through. Again, lover's lyrics flow seamlessly over the staccato beat to produce a song that's really got more to offer than you realize the first time you listen. Another one of my favorites on the album; the bridge may be my favorite part.
9. California - Possibly the weakest track on the album, in my opinion. This song screams "spring break road trip"; not only in the lyrics, but in the pop-y, fast-paced beat and carefree vibe. A fun song to listen to, but definitely not one of my favorites.
10. Disco - Metro Station wraps it up with the third track which I put on my list of album favorites. This track just seems very well composed overall; a perfect use of different instrumental and vocal parts compliment each other beautifully. I like how they break away from the dance beat for a moment in the chorus of this song; it gives the whole track a very special presence. The lyrics tie together a gorgeous song to end the band's debut.

Even though I'm not a huge fan of this style of music, Metro Station has combined the styling of several different genres to create songs - and a debut album! - that really appeals to me. If Metro Station sounds interesting to you, I encourage you to check out the following links.

Check out Metro Station's website to learn more about the band.

The lyrics for all the songs on the debut album and more can be found on this website.

In an effort to broaden your horizons past the ever-popular Shake It, I'm going to post a music video for another of Metro Station's fun, upbeat tracks. I think the video represents the song perfectly, as well as what this band's music really stands for - all the wacky, crazy times Metro Station thrives on.
Here's Control by Metro Station.

Metro Station - Control Official Music Video

Artist Site

More Videos